{"links":{"self":"https://findingaids.lib.ksu.edu/catalog.json?page=64\u0026range%5Bdate_range%5D%5Bbegin%5D=1968\u0026range%5Bdate_range%5D%5Bend%5D=1968","prev":"https://findingaids.lib.ksu.edu/catalog.json?page=63\u0026range%5Bdate_range%5D%5Bbegin%5D=1968\u0026range%5Bdate_range%5D%5Bend%5D=1968","next":"https://findingaids.lib.ksu.edu/catalog.json?page=65\u0026range%5Bdate_range%5D%5Bbegin%5D=1968\u0026range%5Bdate_range%5D%5Bend%5D=1968","last":"https://findingaids.lib.ksu.edu/catalog.json?page=71\u0026range%5Bdate_range%5D%5Bbegin%5D=1968\u0026range%5Bdate_range%5D%5Bend%5D=1968"},"meta":{"pages":{"current_page":64,"next_page":65,"prev_page":63,"total_pages":71,"limit_value":10,"offset_value":630,"total_count":706,"first_page?":false,"last_page?":false}},"data":[{"id":"jimmy-rogers-papers","type":"collection","attributes":{"title":"Jimmy Rogers papers, 1930-2008","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eJimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.\u003cbr\u003e The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.\u003cbr\u003e Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. 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While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection.","Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.","It received accession number P2014.06.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  Publication Date: 2017-02-15","Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Rogers, Jimmy","Rogers, Jimmy","English","Latin"],"unitid_tesim":["P2014.06","278"],"normalized_date_ssm":["1930-2008"],"normalized_title_ssm":["Jimmy Rogers papers, 1930-2008"],"collection_title_tesim":["Jimmy Rogers papers, 1930-2008"],"collection_ssim":["Jimmy Rogers papers, 1930-2008"],"creator_ssm":["Rogers, Jimmy"],"creator_ssim":["Rogers, Jimmy"],"creator_persname_ssim":["Rogers, Jimmy"],"creators_ssim":["Rogers, Jimmy"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. 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Rogers first charted as a solo artist on the Billboard R\u0026amp;B charts in 1957 with the single \u0026#x201C;Walking by Myself.\u0026#x201D; After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers\u0026#x2019;s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, \u0026#x201C;Gold Tailed Bird,\u0026#x201D; was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song \u0026#x201C;Ludella.\u0026#x201D; He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. 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Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.\u003clb\u003e\u003c/lb\u003e Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. 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Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor)."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. 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While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection.","Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.","It received accession number P2014.06.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  Publication Date: 2017-02-15","Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. 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Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. 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Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.\u003clb\u003e\u003c/lb\u003e Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).\u003c/p\u003e"],"scopecontent_tesim":["Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor)."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Rogers, Jimmy","Rogers, Jimmy"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Rogers, Jimmy","Rogers, Jimmy"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJimmy Rogers papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJimmy Rogers papers\u003c/unittitle\u003e, 1930-2008"],"hashed_id_ssi":"7179c8fab90596ff","_root_":"jimmy-rogers-papers","timestamp":"2026-07-10T12:05:35.025Z"}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#normalized_title","type":"document_value","attributes":{"value":"Jimmy Rogers papers, 1930-2008","label":"Title"}},"short_description":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#short_description","type":"document_value","attributes":{"value":"Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound. The bulk of the collection consists of photograph albums documenting Jimmy Rogers\u0026#39; later career, circa 1970-1979....","label":"Description"}},"creator":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#creator","type":"document_value","attributes":{"value":"Rogers, Jimmy","label":"Creator"}},"level":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#level","type":"document_value","attributes":{"value":"collection","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#collection_name","type":"document_value","attributes":{"value":"Jimmy Rogers papers, 1930-2008","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#eadid","type":"document_value","attributes":{"value":"jimmy-rogers-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#component?","type":"document_value","attributes":{"value":false,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers"}},{"id":"joel-climenhaga-papers","type":"collection","attributes":{"title":"Joel Climenhaga papers, 1912-2001","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.\u003cbr\u003e The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.\u003cbr\u003e The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003cbr\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003cbr\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003cbr\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003cbr\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003cbr\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003cbr\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003cbr\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003cbr\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003cbr\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"joel-climenhaga-papers","title_ssm":["Joel Climenhaga papers"],"title_tesim":["Joel Climenhaga papers"],"ead_ssi":"joel-climenhaga-papers","unitdate_ssm":["1912-2001"],"unitdate_other_ssim":["1912-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U2001.02","62"],"text":["U2001.02","62","Joel Climenhaga papers, 1912-2001","68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2","No access restrictions: All materials are open for research.","The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.","Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001.","The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30","The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel","English","Latin"],"unitid_tesim":["U2001.02","62"],"normalized_date_ssm":["1912-2001"],"normalized_title_ssm":["Joel Climenhaga papers, 1912-2001"],"collection_title_tesim":["Joel Climenhaga papers, 1912-2001"],"collection_ssim":["Joel Climenhaga papers, 1912-2001"],"creator_ssm":["Climenhaga, Joel"],"creator_ssim":["Climenhaga, Joel"],"creator_persname_ssim":["Climenhaga, Joel"],"creators_ssim":["Climenhaga, Joel"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Zoe Climenhaga Acqusition Method: Donation. Acqusition Date: 20010201"],"has_online_content_ssim":["false"],"physdesc_tesim":["68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.\u003c/p\u003e"],"arrangement_tesim":["The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJoel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga\u0026#x2019;s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play \u0026#x201C;Marriage Wheel,\u0026#x201D; which won the Samuel Goldwyn Award, and in 1956, he published his play \u0026#x201C;Heathen Pioneer: a comedy in one act.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAfter completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga continued to publish his plays and writings while at K-State. This included the works \u0026#x201C;Hawk and Chameleon\u0026#x201D; in 1972, and the \u0026#x201C;One Man\u0026#x2019;s Frontier\u0026#x201D; column in the \u0026#x201C;Flinthills Journal\u0026#x201D; based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include \u0026#x201C;Awakening,\u0026#x201D; \u0026#x201C;The Back Shelf Dispatch,\u0026#x201D; \u0026#x201C;Below Ground Level,\u0026#x201D; \u0026#x201C;Counsel for the Offense,\u0026#x201D; and \u0026#x201C;Greenage.\u0026#x201D; From 1981 to 1987, some of his newspaper columns were broadcast over K-State\u0026#x2019;s radio station, KSAC, in a bi-monthly program entitled \u0026#x201C;One Man\u0026#x2019;s Journey.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column \u0026#x201C;Dear Good People.\u0026#x201D; After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work \u0026#x201C;Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems\u0026#x201D; was published posthumously in 2001.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001."],"custodhist_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.\u003c/p\u003e"],"custodhist_tesim":["The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant. \u003clb\u003e\u003c/lb\u003ePublication Date: 2009-11-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30"],"scopecontent_tesim":["The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Climenhaga, Joel","Climenhaga, Joel"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJoel Climenhaga papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJoel Climenhaga papers\u003c/unittitle\u003e, 1912-2001"],"hashed_id_ssi":"f7cc7169514ef686","_root_":"joel-climenhaga-papers","timestamp":"2026-07-10T11:58:17.093Z","scopecontent_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.\u003clb\u003e\u003c/lb\u003e The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.\u003clb\u003e\u003c/lb\u003e The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003clb\u003e\u003c/lb\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003clb\u003e\u003c/lb\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003clb\u003e\u003c/lb\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003clb\u003e\u003c/lb\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003clb\u003e\u003c/lb\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003clb\u003e\u003c/lb\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003clb\u003e\u003c/lb\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003clb\u003e\u003c/lb\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003clb\u003e\u003c/lb\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"joel-climenhaga-papers","title_ssm":["Joel Climenhaga papers"],"title_tesim":["Joel Climenhaga papers"],"ead_ssi":"joel-climenhaga-papers","unitdate_ssm":["1912-2001"],"unitdate_other_ssim":["1912-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U2001.02","62"],"text":["U2001.02","62","Joel Climenhaga papers, 1912-2001","68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2","No access restrictions: All materials are open for research.","The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.","Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001.","The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30","The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel","English","Latin"],"unitid_tesim":["U2001.02","62"],"normalized_date_ssm":["1912-2001"],"normalized_title_ssm":["Joel Climenhaga papers, 1912-2001"],"collection_title_tesim":["Joel Climenhaga papers, 1912-2001"],"collection_ssim":["Joel Climenhaga papers, 1912-2001"],"creator_ssm":["Climenhaga, Joel"],"creator_ssim":["Climenhaga, Joel"],"creator_persname_ssim":["Climenhaga, Joel"],"creators_ssim":["Climenhaga, Joel"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Zoe Climenhaga Acqusition Method: Donation. Acqusition Date: 20010201"],"has_online_content_ssim":["false"],"physdesc_tesim":["68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.\u003c/p\u003e"],"arrangement_tesim":["The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJoel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga\u0026#x2019;s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play \u0026#x201C;Marriage Wheel,\u0026#x201D; which won the Samuel Goldwyn Award, and in 1956, he published his play \u0026#x201C;Heathen Pioneer: a comedy in one act.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAfter completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga continued to publish his plays and writings while at K-State. This included the works \u0026#x201C;Hawk and Chameleon\u0026#x201D; in 1972, and the \u0026#x201C;One Man\u0026#x2019;s Frontier\u0026#x201D; column in the \u0026#x201C;Flinthills Journal\u0026#x201D; based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include \u0026#x201C;Awakening,\u0026#x201D; \u0026#x201C;The Back Shelf Dispatch,\u0026#x201D; \u0026#x201C;Below Ground Level,\u0026#x201D; \u0026#x201C;Counsel for the Offense,\u0026#x201D; and \u0026#x201C;Greenage.\u0026#x201D; From 1981 to 1987, some of his newspaper columns were broadcast over K-State\u0026#x2019;s radio station, KSAC, in a bi-monthly program entitled \u0026#x201C;One Man\u0026#x2019;s Journey.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column \u0026#x201C;Dear Good People.\u0026#x201D; After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work \u0026#x201C;Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems\u0026#x201D; was published posthumously in 2001.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001."],"custodhist_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.\u003c/p\u003e"],"custodhist_tesim":["The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant. \u003clb\u003e\u003c/lb\u003ePublication Date: 2009-11-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30"],"scopecontent_tesim":["The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003clb\u003e\u003c/lb\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003clb\u003e\u003c/lb\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003clb\u003e\u003c/lb\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003clb\u003e\u003c/lb\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003clb\u003e\u003c/lb\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003clb\u003e\u003c/lb\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003clb\u003e\u003c/lb\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003clb\u003e\u003c/lb\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003clb\u003e\u003c/lb\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#normalized_title","type":"document_value","attributes":{"value":"Joel Climenhaga papers, 1912-2001","label":"Title"}},"short_description":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#short_description","type":"document_value","attributes":{"value":"The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends. The Biographical Series consist of two boxes which include Climenhaga\u0026#39;s baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes. 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The donor file contains correspondence from Anthony Crawford to Mr. Thirwell and correspondence from Mr. Thirwell to Richard L. D. Morse, as well as an announcement from the Friends of the Libraries about Mr. Thirwell's speech on The Consumer Movement in England.","It received accession number 2017-18.013.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","John Thirwell's collection contains the Consumer's Association annual reports from 1966- and 1970-1977 and 1980. Additional publications include Which? \u0026 Consumer Association (1966), Articles of Association of Consumers' Association (1957), a brochure outlining the history of the International Organization of Consumers Unions from 1960-1981, and the 1987-1988 annual report from The Association For Consumer Research. 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Additional publications include Which? \u0026amp; Consumer Association (1966), Articles of Association of Consumers' Association (1957), a brochure outlining the history of the International Organization of Consumers Unions from 1960-1981, and the 1987-1988 annual report from The Association For Consumer Research. The collection also includes a type-written overview of the Consumer Movement in Britain, minutes from one 1956 meeting of the Association of British Consumers, and minutes from two meetings of the Association for Consumer Research Limited, one dated 1957 and the other undated. There is also a handwritten graph showing the annual income of the Consumers Association from 1958-1990.\u003c/p\u003e"],"scopecontent_tesim":["John Thirwell's collection contains the Consumer's Association annual reports from 1966- and 1970-1977 and 1980. Additional publications include Which? \u0026 Consumer Association (1966), Articles of Association of Consumers' Association (1957), a brochure outlining the history of the International Organization of Consumers Unions from 1960-1981, and the 1987-1988 annual report from The Association For Consumer Research. The collection also includes a type-written overview of the Consumer Movement in Britain, minutes from one 1956 meeting of the Association of British Consumers, and minutes from two meetings of the Association for Consumer Research Limited, one dated 1957 and the other undated. There is also a handwritten graph showing the annual income of the Consumers Association from 1958-1990."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Thirwell, John","Thirwell, John"],"corpname_ssim":["Richard L. D. and Marjorie J. 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The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California.\u003cbr\u003e\u003cbr\u003eThe Subject Series is made up of five folders and includes an organization chart for VP \u0026amp; GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates.\u003cbr\u003e\u003cbr\u003eThe Printed Material Series consists of fourteen folders and includes a calendar, four journal articles, a speech Joseph Tucker gave in 1946, and seven publications.\u003cbr\u003e\u003cbr\u003eThe Don \u0026amp; Kay Kluck Series is comprised of seven folders. This series pertains to The Kluck Brothers: Custom Harvesters (Emil Kluck, Ray Kluck, and Roy Kluck), the combines they purchased, and a few photographs.\u003cbr\u003e\u003cbr\u003eThe Photograph Series contains four folders. There are photographs of Lawrence John Letnes, Joseph Tucker, and a photograph of the medal, Order of the British Empire give to Joseph Tucker by King George VI in 1946.\u003cbr\u003e\u003cbr\u003eThe Oversize Printed Materials Subseries consists of three journal articles, three publications, and two advertising posters.\u003cbr\u003e\u003cbr\u003eThe Oversize Photographs Subseries has two photographs: 1) Proclamation by King George VI, 1946 September 9, that nominates and appoints Joseph Maxwell Tucker “to an Honorary Officer of the Civil Division of Our said and Most Excellent Order of the British Empire\" and 2) a newspaper advertisement poking fun at Joseph Tucker titled “Retribution Overdue.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#breadcrumbs","type":"document_value","attributes":{"value":{"id":"joseph-m-tucker-massey-harvest-brigade-collection","title_ssm":["Joseph M. 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Box one consists of four series: 1) Subject Series; 2) Printed Material; 3) Don \u0026 Kay Kluck Series; 4) Photograph Series. Box two houses the Oversize Series and consists of two subseries: 1) Printed Material and 2) Photographs.","Donated by Judy A. Horsch, Andale, KS, and delivered by Jason Holcomb to Bluemont Hall on June 24, 2019. Moved to Ag Press building where it was accessioned and processed by Cynthia Harris began in July 2019. It received Accession Number 2019-20.001.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Original materials available during open hours of repository and any digitized materials that are online are available with the Internet.","Cynthia Harris, Manuscripts/Collections Processor processed and described materials and curator, David Allen reviewed the finding aid in July 2019. 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The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California. The Subject Series is made up of five folders and includes an organization chart for VP \u0026 GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates. The Printed Material Series consists of fourteen folders and includes a calendar, four journal articles, a speech Joseph Tucker gave in 1946, and seven publications. The Don \u0026 Kay Kluck Series is comprised of seven folders. This series pertains to The Kluck Brothers: Custom Harvesters (Emil Kluck, Ray Kluck, and Roy Kluck), the combines they purchased, and a few photographs. The Photograph Series contains four folders. 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The executive branch acts as the representative of the student body to the university administration.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Kansas State University’s first Student Council was formed with the approval of a constitution on June 12, 1909. By 1919 the Student Council had undergone changes and became the Student Self Governing Association. In 1926 the student government adopted a new constitution and became the Student Governing Association. Since the reorganization the Student Governing Association has had a President elected by the students. The rest of the Student Governing Association was comprised of a small representative body elected by the students. The Student Council assumed the responsibility for the executive functions as well as the judicial.   During the 1953-1954 year there was a shift where the student council switched from a small council of students to a three branch form of government with executive, legislative and judicial branches. 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The executive branch acts as the representative of the student body to the university administration."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number 2015-16.006.\u003c/p\u003e"],"custodhist_tesim":["It received accession number 2015-16.006."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia A. Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: Cynthia A. Harris, staff in Morse Department of Special Collections processed this collection in September 2015. \u003clb\u003e\u003c/lb\u003ePublication Date: 2015-09-29\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia A. Harris  Processing Info: Cynthia A. Harris, staff in Morse Department of Special Collections processed this collection in September 2015.  Publication Date: 2015-09-29"],"relatedmaterial_html_tesm":["\u003cp\u003eRelated Materials: The following sources provide addition information on Consumer Movement:\u003clb\u003e\u003c/lb\u003e American Council on Consumer Interests\u003clb\u003e\u003c/lb\u003e American Council on Consumer Interests (Metzen Addition)\u003clb\u003e\u003c/lb\u003e American Fairness in Lending\u003clb\u003e\u003c/lb\u003e Currin V. Shields papers\u003clb\u003e\u003c/lb\u003e Dorothy K. Wilner papers\u003clb\u003e\u003c/lb\u003e Florence Mason collection\u003clb\u003e\u003c/lb\u003e George Brunn collection\u003clb\u003e\u003c/lb\u003e Louis S. Meyer papers\u003clb\u003e\u003c/lb\u003e National Consumer Law Center Records\u003clb\u003e\u003c/lb\u003e Richard L. D. Morse papers (Addition)\u003clb\u003e\u003c/lb\u003e Roy Kiesling papers\u003clb\u003e\u003c/lb\u003e Stewart Lee papers\u003clb\u003e\u003c/lb\u003e Tessie Agan papers\u003clb\u003e\u003c/lb\u003e Thomas Brooks collection\u003clb\u003e\u003c/lb\u003e Walter T. Dartland papers\u003clb\u003e\u003c/lb\u003eRelated Materials URL: http://www.lib.k-state.edu/finding-aids#consumer\u003c/p\u003e"],"relatedmaterial_tesim":["Related Materials: The following sources provide addition information on Consumer Movement:  American Council on Consumer Interests  American Council on Consumer Interests (Metzen Addition)  American Fairness in Lending  Currin V. Shields papers  Dorothy K. Wilner papers  Florence Mason collection  George Brunn collection  Louis S. Meyer papers  National Consumer Law Center Records  Richard L. D. Morse papers (Addition)  Roy Kiesling papers  Stewart Lee papers  Tessie Agan papers  Thomas Brooks collection  Walter T. Dartland papers Related Materials URL: http://www.lib.k-state.edu/finding-aids#consumer"],"scopecontent_html_tesm":["\u003cp\u003eAll materials within this collection relates to activities of the Consumer Relations Board of the KSU Student Governing Association. This collection is made up of five (5) boxes. The series are subjects, photographs and one artifact. Subjects include topics such as advertising, business rolodex, consumerism, direct sales, food and drug administration, grievance committee, housing, insurance, landlord and tenant information, surveys, telephone log and warranties. Photographs include photos of rental houses. The artifact is a 1977 button from the Nickel Campaign.\u003c/p\u003e"],"scopecontent_tesim":["All materials within this collection relates to activities of the Consumer Relations Board of the KSU Student Governing Association. This collection is made up of five (5) boxes. The series are subjects, photographs and one artifact. Subjects include topics such as advertising, business rolodex, consumerism, direct sales, food and drug administration, grievance committee, housing, insurance, landlord and tenant information, surveys, telephone log and warranties. Photographs include photos of rental houses. The artifact is a 1977 button from the Nickel Campaign."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","KSU Student Governing Association","KSU Student Governing Association"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Subjects include topics such as advertising, business rolodex, consumerism, direct sales, food and drug administration, grievance committee, housing, insurance, landlord and tenant information, surveys, telephone log and warranties. Photographs include photos of rental houses. The artifact is a 1977 button from the Nickel Campaign.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","KSU Student Governing Association","KSU Student Governing Association","English","Latin"],"unitid_tesim":["2015-16.006","225"],"normalized_date_ssm":["1959-1990"],"normalized_title_ssm":["Kansas State University. Student Governing Association. Consumer Relations Board records, 1959-1990"],"collection_title_tesim":["Kansas State University. Student Governing Association. Consumer Relations Board records, 1959-1990"],"collection_ssim":["Kansas State University. 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Consumer Relations Board records, 1959-1990","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.ksu.edu/catalog/kansas-state-university-student-governing-association-consumer-relations-board-records#eadid","type":"document_value","attributes":{"value":"kansas-state-university-student-governing-association-consumer-relations-board-records","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.ksu.edu/catalog/kansas-state-university-student-governing-association-consumer-relations-board-records#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.ksu.edu/catalog/kansas-state-university-student-governing-association-consumer-relations-board-records#component?","type":"document_value","attributes":{"value":false,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.ksu.edu/catalog/kansas-state-university-student-governing-association-consumer-relations-board-records#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/kansas-state-university-student-governing-association-consumer-relations-board-records"}},{"id":"kansas-young-farmers-and-young-farm-wives-women","type":"collection","attributes":{"title":"Kansas Young Farmers and Young Farm Wives (Women), 1962-1999","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/kansas-young-farmers-and-young-farm-wives-women#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis collection includes organizational records: state and national, publications, conference programs \u0026amp; pamphlets, and photographs from Kansas Young Farmer \u0026amp; Young Farm Wives (Women) from 1962-1999. The majority of the records are from 1973-1995. Please note that in 1987/1988 the organization changed its name to Kansas Young Farmers \u0026amp; Young Farm Women. Within the records, the larger joint organization is often referred to as KYFW. The larger organization is often broken into its parts for meetings and organizing events, those are Kansas Young Farmers (KYF) and Kansas Young Farm Wives/Women (KYW).\u003cbr\u003e KYFW was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organize and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level but also within their community.\u003cbr\u003e Series 1: Conferences/Conventions (1968-1977, undated)\u003cbr\u003e a. National Young Farmer Institute: 1968-1990, 1944, 1997\u003cbr\u003e b. Kansas\u003cbr\u003e Registration: undated\u003cbr\u003e Booth Information\u003cbr\u003e State Fair: 1975\u003cbr\u003e Kansas Young Farmers \u0026amp; Wives State Convention: 1964, 1966-1969, 1970-1979, 1980-1989, 1990-1995\u003cbr\u003e State Tour: 1964-1992\u003cbr\u003e Young Farmers \u0026amp; Wives Day: 1977-1979, 1980-1988, 1990, 1992\u003cbr\u003e Young Farmer Leadership Conference/Day: 1977-1979, 1985, 1991\u003cbr\u003e Kansas Vocational Agriculture Teachers State Conference: 1967-1970\u003cbr\u003e AIC Institute for Young Farmers\u003cbr\u003e Series 2: Awards (1968-1999, undated)\u003cbr\u003e a. Applications: 1972, 1993\u003cbr\u003e b. Kansas Young Farmer Awards: undated, 1968-1972, 1988, 1992, 1999\u003cbr\u003e c. Advisor Award\u003cbr\u003e d. Community Service Award\u003cbr\u003e e. Young Farmer Spokesman Contest: undated, 1976-1982\u003cbr\u003e Series 3: Vocational Education (1975-1990, undated)\u003cbr\u003e a. Adult Teaching Methods\u003cbr\u003e b. Farmer Management Workshop: 1975-1977\u003cbr\u003e c. Guidelines for Developing Adult Vocational Education\u003cbr\u003e d. Occupational Experience Supervision\u003cbr\u003e e. Research Studies: 1973, 1975\u003cbr\u003e f. Discussion Methods\u003cbr\u003e g. Education Correspondence\u003cbr\u003e h. National Survey of Adult Education in Agriculture: 1990\u003cbr\u003e i. Directory of Resources: 1978\u003cbr\u003e Series 4: Organizational Records (1960-1998, undated)\u003cbr\u003e a. Organizational\u003cbr\u003e Articles of Incorporation\u003cbr\u003e Annual Report: 1973-1977, 1979-1981, 1983\u003cbr\u003e Annual Reporting Forms\u003cbr\u003e Tax Exempt Correspondence\u003cbr\u003e Reimbursement Policies\u003cbr\u003e IRS 990’s: 1973-1992\u003cbr\u003e Visitation Schedules\u003cbr\u003e Sponsors\u003cbr\u003e Photographs: undated\u003cbr\u003e b. Handbooks\u003cbr\u003e Leadership Manuals\u003cbr\u003e Ceremony for Installing Officers\u003cbr\u003e Development Committee\u003cbr\u003e c. Membership Roosters/List\u003cbr\u003e Young Farmers \u0026amp; Young Farm Wives (Women); 1975, 1977-1991\u003cbr\u003e Young Farm Wives (Women): undated\u003cbr\u003e d. Directories\u003cbr\u003e Young Farmers \u0026amp; Young Farm Wives (Women): 1971-1972, 1976, 1981-1989, 1990-1992, 1994-1998\u003cbr\u003e Vocational Agriculture Resources: 1983\u003cbr\u003e e. Yearly Records\u003cbr\u003e National Young Farmer Minutes: 1990\u003cbr\u003e Young Farmer \u0026amp; Ranchers: 1973-1974, 1976\u003cbr\u003e Young Farmers \u0026amp; Young Farm Wives (Women): Undated;1970-1995\u003cbr\u003e Young Farmer: Undated;1963-1995\u003cbr\u003e Young Farm Wives (Women): Undated; 1964-1965,1970-1992;1994-1995\u003cbr\u003e District Meeting: 1971-1976\u003cbr\u003e f. County Records\u003cbr\u003e Series 5: Published Materials (1970-1994, undated)\u003cbr\u003e a. News and Views (newsletter): 1970-1995 (incomplete)\u003cbr\u003e Drafts\u003cbr\u003e Layouts\u003cbr\u003e Materials: 1964-1695,1967-1971, 1975, 1977\u003cbr\u003e Photographs: 1964, 1968, 1970-1974, 1977-1978, undated\u003cbr\u003e Newsletters: 1964-1965, 1967-1969, 1971-1995\u003cbr\u003e b. Star Young Farm Families: 1976\u003cbr\u003e c. Young Farmer Spokesman Report: 1977-1978\u003cbr\u003e d. Landmarks: 1981\u003cbr\u003e e. Hesston Today: 1979-1890\u003cbr\u003e f. The National Young Farmer\u003cbr\u003e Newspaper:1978-1983, 1985-1988, 1990-1993\u003cbr\u003e Young Farmer Update: 1990-1991\u003cbr\u003e Young Farmer News: 1994\u003cbr\u003e g. Hillsboro Star-Journal: 1977\u003cbr\u003e h. The Citizen Patriot: 1978\u003cbr\u003e i. Nation Young Farmer Annual Report: 1989, 1991\u003cbr\u003e j. Pamphlets\u003cbr\u003e k. A study of scope and content of farm mechanics courses and organization for teaching same in the vocational agricultural high schools of Kansas / by Lester B. Pollum.\u003cbr\u003e l. The organization of and a plan for teaching through the laying flock class project / by Lawrence Fenhor Hall.\u003cbr\u003e m. A study of the methods of teaching sciences underlying agriculture and their application to the teaching of vocational agriculture/ by Henry W. Schmitz\u003cbr\u003e n. Misc. Newspaper Articles\u003cbr\u003e Series 6: Artifact\u003cbr\u003e Series 7: Materials from other States\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/kansas-young-farmers-and-young-farm-wives-women#breadcrumbs","type":"document_value","attributes":{"value":{"id":"kansas-young-farmers-and-young-farm-wives-women","title_ssm":["Kansas Young Farmers and Young Farm Wives (Women)"],"title_tesim":["Kansas Young Farmers and Young Farm Wives (Women)"],"ead_ssi":"kansas-young-farmers-and-young-farm-wives-women","unitdate_ssm":["1962-1999"],"unitdate_other_ssim":["1962-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2019-20.004","271"],"text":["2019-20.004","271","Kansas Young Farmers and Young Farm Wives (Women), 1962-1999","Farming and ranching","10.50 Linear Feet, 7.00 Boxes","No access restrictions: All materials are open for research.","Arrange in series and subseries with folders arranged chronologically: 1) Conferences/Conventions; 2) Awards; 3) Vocational Education; 4) Records; 5) Published Materials; 6) Artifact; 7) Other States Material.","Kansas Young Farmer \u0026 Young Farm Wives/Women (KYFW) was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organization and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level, but also within their community.","It received accession number....","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Audrey E. Swartz  Processing Info: Audrey E. Swartz, processor at Kansas State University, 2016","This collection includes organizational records: state and national, publications, conference programs \u0026 pamphlets, and photographs from Kansas Young Farmer \u0026 Young Farm Wives (Women) from 1962-1999. The majority of the records are from 1973-1995. Please note that in 1987/1988 the organization changed its name to Kansas Young Farmers \u0026 Young Farm Women. Within the records, the larger joint organization is often referred to as KYFW. The larger organization is often broken into its parts for meetings and organizing events, those are Kansas Young Farmers (KYF) and Kansas Young Farm Wives/Women (KYW).  KYFW was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organize and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level but also within their community.  Series 1: Conferences/Conventions (1968-1977, undated)  a. National Young Farmer Institute: 1968-1990, 1944, 1997  b. Kansas  Registration: undated  Booth Information  State Fair: 1975  Kansas Young Farmers \u0026 Wives State Convention: 1964, 1966-1969, 1970-1979, 1980-1989, 1990-1995  State Tour: 1964-1992  Young Farmers \u0026 Wives Day: 1977-1979, 1980-1988, 1990, 1992  Young Farmer Leadership Conference/Day: 1977-1979, 1985, 1991  Kansas Vocational Agriculture Teachers State Conference: 1967-1970  AIC Institute for Young Farmers  Series 2: Awards (1968-1999, undated)  a. Applications: 1972, 1993  b. Kansas Young Farmer Awards: undated, 1968-1972, 1988, 1992, 1999  c. Advisor Award  d. Community Service Award  e. Young Farmer Spokesman Contest: undated, 1976-1982  Series 3: Vocational Education (1975-1990, undated)  a. Adult Teaching Methods  b. Farmer Management Workshop: 1975-1977  c. Guidelines for Developing Adult Vocational Education  d. Occupational Experience Supervision  e. Research Studies: 1973, 1975  f. Discussion Methods  g. Education Correspondence  h. National Survey of Adult Education in Agriculture: 1990  i. Directory of Resources: 1978  Series 4: Organizational Records (1960-1998, undated)  a. Organizational  Articles of Incorporation  Annual Report: 1973-1977, 1979-1981, 1983  Annual Reporting Forms  Tax Exempt Correspondence  Reimbursement Policies  IRS 990’s: 1973-1992  Visitation Schedules  Sponsors  Photographs: undated  b. Handbooks  Leadership Manuals  Ceremony for Installing Officers  Development Committee  c. Membership Roosters/List  Young Farmers \u0026 Young Farm Wives (Women); 1975, 1977-1991  Young Farm Wives (Women): undated  d. Directories  Young Farmers \u0026 Young Farm Wives (Women): 1971-1972, 1976, 1981-1989, 1990-1992, 1994-1998  Vocational Agriculture Resources: 1983  e. Yearly Records  National Young Farmer Minutes: 1990  Young Farmer \u0026 Ranchers: 1973-1974, 1976  Young Farmers \u0026 Young Farm Wives (Women): Undated;1970-1995  Young Farmer: Undated;1963-1995  Young Farm Wives (Women): Undated; 1964-1965,1970-1992;1994-1995  District Meeting: 1971-1976  f. County Records  Series 5: Published Materials (1970-1994, undated)  a. News and Views (newsletter): 1970-1995 (incomplete)  Drafts  Layouts  Materials: 1964-1695,1967-1971, 1975, 1977  Photographs: 1964, 1968, 1970-1974, 1977-1978, undated  Newsletters: 1964-1965, 1967-1969, 1971-1995  b. Star Young Farm Families: 1976  c. Young Farmer Spokesman Report: 1977-1978  d. Landmarks: 1981  e. Hesston Today: 1979-1890  f. The National Young Farmer  Newspaper:1978-1983, 1985-1988, 1990-1993  Young Farmer Update: 1990-1991  Young Farmer News: 1994  g. Hillsboro Star-Journal: 1977  h. The Citizen Patriot: 1978  i. Nation Young Farmer Annual Report: 1989, 1991  j. Pamphlets  k. A study of scope and content of farm mechanics courses and organization for teaching same in the vocational agricultural high schools of Kansas / by Lester B. Pollum.  l. The organization of and a plan for teaching through the laying flock class project / by Lawrence Fenhor Hall.  m. A study of the methods of teaching sciences underlying agriculture and their application to the teaching of vocational agriculture/ by Henry W. Schmitz  n. Misc. Newspaper Articles  Series 6: Artifact  Series 7: Materials from other States","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Kansas Young Farmer and Young Farm Wives (Women)","Kansas Young Farmer and Young Farm Wives (Women)","English","Latin"],"unitid_tesim":["2019-20.004","271"],"normalized_date_ssm":["1962-1999"],"normalized_title_ssm":["Kansas Young Farmers and Young Farm Wives (Women), 1962-1999"],"collection_title_tesim":["Kansas Young Farmers and Young Farm Wives (Women), 1962-1999"],"collection_ssim":["Kansas Young Farmers and Young Farm Wives (Women), 1962-1999"],"creator_ssm":["Kansas Young Farmer and Young Farm Wives (Women)"],"creator_ssim":["Kansas Young Farmer and Young Farm Wives (Women)"],"creator_corpname_ssim":["Kansas Young Farmer and Young Farm Wives (Women)"],"creators_ssim":["Kansas Young Farmer and Young Farm Wives (Women)"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Anthony Meals Acqusition Method: Donation Acqusition Date: 20130906"],"access_subjects_ssim":["Farming and ranching"],"access_subjects_ssm":["Farming and ranching"],"has_online_content_ssim":["false"],"physdesc_tesim":["10.50 Linear Feet, 7.00 Boxes"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eArrange in series and subseries with folders arranged chronologically: 1) Conferences/Conventions; 2) Awards; 3) Vocational Education; 4) Records; 5) Published Materials; 6) Artifact; 7) Other States Material.\u003c/p\u003e"],"arrangement_tesim":["Arrange in series and subseries with folders arranged chronologically: 1) Conferences/Conventions; 2) Awards; 3) Vocational Education; 4) Records; 5) Published Materials; 6) Artifact; 7) Other States Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eKansas Young Farmer \u0026amp; Young Farm Wives/Women (KYFW) was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organization and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level, but also within their community.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Kansas Young Farmer \u0026 Young Farm Wives/Women (KYFW) was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organization and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level, but also within their community."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number....\u003c/p\u003e"],"custodhist_tesim":["It received accession number...."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Audrey E. Swartz \u003clb\u003e\u003c/lb\u003eProcessing Info: Audrey E. Swartz, processor at Kansas State University, 2016\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Audrey E. Swartz  Processing Info: Audrey E. Swartz, processor at Kansas State University, 2016"],"scopecontent_tesim":["This collection includes organizational records: state and national, publications, conference programs \u0026 pamphlets, and photographs from Kansas Young Farmer \u0026 Young Farm Wives (Women) from 1962-1999. The majority of the records are from 1973-1995. Please note that in 1987/1988 the organization changed its name to Kansas Young Farmers \u0026 Young Farm Women. Within the records, the larger joint organization is often referred to as KYFW. The larger organization is often broken into its parts for meetings and organizing events, those are Kansas Young Farmers (KYF) and Kansas Young Farm Wives/Women (KYW).  KYFW was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organize and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level but also within their community.  Series 1: Conferences/Conventions (1968-1977, undated)  a. National Young Farmer Institute: 1968-1990, 1944, 1997  b. Kansas  Registration: undated  Booth Information  State Fair: 1975  Kansas Young Farmers \u0026 Wives State Convention: 1964, 1966-1969, 1970-1979, 1980-1989, 1990-1995  State Tour: 1964-1992  Young Farmers \u0026 Wives Day: 1977-1979, 1980-1988, 1990, 1992  Young Farmer Leadership Conference/Day: 1977-1979, 1985, 1991  Kansas Vocational Agriculture Teachers State Conference: 1967-1970  AIC Institute for Young Farmers  Series 2: Awards (1968-1999, undated)  a. Applications: 1972, 1993  b. Kansas Young Farmer Awards: undated, 1968-1972, 1988, 1992, 1999  c. Advisor Award  d. Community Service Award  e. Young Farmer Spokesman Contest: undated, 1976-1982  Series 3: Vocational Education (1975-1990, undated)  a. Adult Teaching Methods  b. Farmer Management Workshop: 1975-1977  c. Guidelines for Developing Adult Vocational Education  d. Occupational Experience Supervision  e. Research Studies: 1973, 1975  f. Discussion Methods  g. Education Correspondence  h. National Survey of Adult Education in Agriculture: 1990  i. Directory of Resources: 1978  Series 4: Organizational Records (1960-1998, undated)  a. Organizational  Articles of Incorporation  Annual Report: 1973-1977, 1979-1981, 1983  Annual Reporting Forms  Tax Exempt Correspondence  Reimbursement Policies  IRS 990’s: 1973-1992  Visitation Schedules  Sponsors  Photographs: undated  b. Handbooks  Leadership Manuals  Ceremony for Installing Officers  Development Committee  c. Membership Roosters/List  Young Farmers \u0026 Young Farm Wives (Women); 1975, 1977-1991  Young Farm Wives (Women): undated  d. Directories  Young Farmers \u0026 Young Farm Wives (Women): 1971-1972, 1976, 1981-1989, 1990-1992, 1994-1998  Vocational Agriculture Resources: 1983  e. Yearly Records  National Young Farmer Minutes: 1990  Young Farmer \u0026 Ranchers: 1973-1974, 1976  Young Farmers \u0026 Young Farm Wives (Women): Undated;1970-1995  Young Farmer: Undated;1963-1995  Young Farm Wives (Women): Undated; 1964-1965,1970-1992;1994-1995  District Meeting: 1971-1976  f. County Records  Series 5: Published Materials (1970-1994, undated)  a. News and Views (newsletter): 1970-1995 (incomplete)  Drafts  Layouts  Materials: 1964-1695,1967-1971, 1975, 1977  Photographs: 1964, 1968, 1970-1974, 1977-1978, undated  Newsletters: 1964-1965, 1967-1969, 1971-1995  b. Star Young Farm Families: 1976  c. Young Farmer Spokesman Report: 1977-1978  d. Landmarks: 1981  e. Hesston Today: 1979-1890  f. The National Young Farmer  Newspaper:1978-1983, 1985-1988, 1990-1993  Young Farmer Update: 1990-1991  Young Farmer News: 1994  g. Hillsboro Star-Journal: 1977  h. The Citizen Patriot: 1978  i. Nation Young Farmer Annual Report: 1989, 1991  j. Pamphlets  k. A study of scope and content of farm mechanics courses and organization for teaching same in the vocational agricultural high schools of Kansas / by Lester B. Pollum.  l. The organization of and a plan for teaching through the laying flock class project / by Lawrence Fenhor Hall.  m. A study of the methods of teaching sciences underlying agriculture and their application to the teaching of vocational agriculture/ by Henry W. Schmitz  n. Misc. Newspaper Articles  Series 6: Artifact  Series 7: Materials from other States"],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. 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The majority of the records are from 1973-1995. Please note that in 1987/1988 the organization changed its name to Kansas Young Farmers \u0026amp; Young Farm Women. Within the records, the larger joint organization is often referred to as KYFW. The larger organization is often broken into its parts for meetings and organizing events, those are Kansas Young Farmers (KYF) and Kansas Young Farm Wives/Women (KYW).\u003clb\u003e\u003c/lb\u003e KYFW was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organize and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level but also within their community.\u003clb\u003e\u003c/lb\u003e Series 1: Conferences/Conventions (1968-1977, undated)\u003clb\u003e\u003c/lb\u003e a. National Young Farmer Institute: 1968-1990, 1944, 1997\u003clb\u003e\u003c/lb\u003e b. Kansas\u003clb\u003e\u003c/lb\u003e Registration: undated\u003clb\u003e\u003c/lb\u003e Booth Information\u003clb\u003e\u003c/lb\u003e State Fair: 1975\u003clb\u003e\u003c/lb\u003e Kansas Young Farmers \u0026amp; Wives State Convention: 1964, 1966-1969, 1970-1979, 1980-1989, 1990-1995\u003clb\u003e\u003c/lb\u003e State Tour: 1964-1992\u003clb\u003e\u003c/lb\u003e Young Farmers \u0026amp; Wives Day: 1977-1979, 1980-1988, 1990, 1992\u003clb\u003e\u003c/lb\u003e Young Farmer Leadership Conference/Day: 1977-1979, 1985, 1991\u003clb\u003e\u003c/lb\u003e Kansas Vocational Agriculture Teachers State Conference: 1967-1970\u003clb\u003e\u003c/lb\u003e AIC Institute for Young Farmers\u003clb\u003e\u003c/lb\u003e Series 2: Awards (1968-1999, undated)\u003clb\u003e\u003c/lb\u003e a. Applications: 1972, 1993\u003clb\u003e\u003c/lb\u003e b. Kansas Young Farmer Awards: undated, 1968-1972, 1988, 1992, 1999\u003clb\u003e\u003c/lb\u003e c. Advisor Award\u003clb\u003e\u003c/lb\u003e d. Community Service Award\u003clb\u003e\u003c/lb\u003e e. Young Farmer Spokesman Contest: undated, 1976-1982\u003clb\u003e\u003c/lb\u003e Series 3: Vocational Education (1975-1990, undated)\u003clb\u003e\u003c/lb\u003e a. Adult Teaching Methods\u003clb\u003e\u003c/lb\u003e b. Farmer Management Workshop: 1975-1977\u003clb\u003e\u003c/lb\u003e c. Guidelines for Developing Adult Vocational Education\u003clb\u003e\u003c/lb\u003e d. Occupational Experience Supervision\u003clb\u003e\u003c/lb\u003e e. Research Studies: 1973, 1975\u003clb\u003e\u003c/lb\u003e f. Discussion Methods\u003clb\u003e\u003c/lb\u003e g. Education Correspondence\u003clb\u003e\u003c/lb\u003e h. National Survey of Adult Education in Agriculture: 1990\u003clb\u003e\u003c/lb\u003e i. Directory of Resources: 1978\u003clb\u003e\u003c/lb\u003e Series 4: Organizational Records (1960-1998, undated)\u003clb\u003e\u003c/lb\u003e a. Organizational\u003clb\u003e\u003c/lb\u003e Articles of Incorporation\u003clb\u003e\u003c/lb\u003e Annual Report: 1973-1977, 1979-1981, 1983\u003clb\u003e\u003c/lb\u003e Annual Reporting Forms\u003clb\u003e\u003c/lb\u003e Tax Exempt Correspondence\u003clb\u003e\u003c/lb\u003e Reimbursement Policies\u003clb\u003e\u003c/lb\u003e IRS 990\u0026#x2019;s: 1973-1992\u003clb\u003e\u003c/lb\u003e Visitation Schedules\u003clb\u003e\u003c/lb\u003e Sponsors\u003clb\u003e\u003c/lb\u003e Photographs: undated\u003clb\u003e\u003c/lb\u003e b. Handbooks\u003clb\u003e\u003c/lb\u003e Leadership Manuals\u003clb\u003e\u003c/lb\u003e Ceremony for Installing Officers\u003clb\u003e\u003c/lb\u003e Development Committee\u003clb\u003e\u003c/lb\u003e c. Membership Roosters/List\u003clb\u003e\u003c/lb\u003e Young Farmers \u0026amp; Young Farm Wives (Women); 1975, 1977-1991\u003clb\u003e\u003c/lb\u003e Young Farm Wives (Women): undated\u003clb\u003e\u003c/lb\u003e d. Directories\u003clb\u003e\u003c/lb\u003e Young Farmers \u0026amp; Young Farm Wives (Women): 1971-1972, 1976, 1981-1989, 1990-1992, 1994-1998\u003clb\u003e\u003c/lb\u003e Vocational Agriculture Resources: 1983\u003clb\u003e\u003c/lb\u003e e. Yearly Records\u003clb\u003e\u003c/lb\u003e National Young Farmer Minutes: 1990\u003clb\u003e\u003c/lb\u003e Young Farmer \u0026amp; Ranchers: 1973-1974, 1976\u003clb\u003e\u003c/lb\u003e Young Farmers \u0026amp; Young Farm Wives (Women): Undated;1970-1995\u003clb\u003e\u003c/lb\u003e Young Farmer: Undated;1963-1995\u003clb\u003e\u003c/lb\u003e Young Farm Wives (Women): Undated; 1964-1965,1970-1992;1994-1995\u003clb\u003e\u003c/lb\u003e District Meeting: 1971-1976\u003clb\u003e\u003c/lb\u003e f. County Records\u003clb\u003e\u003c/lb\u003e Series 5: Published Materials (1970-1994, undated)\u003clb\u003e\u003c/lb\u003e a. News and Views (newsletter): 1970-1995 (incomplete)\u003clb\u003e\u003c/lb\u003e Drafts\u003clb\u003e\u003c/lb\u003e Layouts\u003clb\u003e\u003c/lb\u003e Materials: 1964-1695,1967-1971, 1975, 1977\u003clb\u003e\u003c/lb\u003e Photographs: 1964, 1968, 1970-1974, 1977-1978, undated\u003clb\u003e\u003c/lb\u003e Newsletters: 1964-1965, 1967-1969, 1971-1995\u003clb\u003e\u003c/lb\u003e b. Star Young Farm Families: 1976\u003clb\u003e\u003c/lb\u003e c. Young Farmer Spokesman Report: 1977-1978\u003clb\u003e\u003c/lb\u003e d. Landmarks: 1981\u003clb\u003e\u003c/lb\u003e e. Hesston Today: 1979-1890\u003clb\u003e\u003c/lb\u003e f. The National Young Farmer\u003clb\u003e\u003c/lb\u003e Newspaper:1978-1983, 1985-1988, 1990-1993\u003clb\u003e\u003c/lb\u003e Young Farmer Update: 1990-1991\u003clb\u003e\u003c/lb\u003e Young Farmer News: 1994\u003clb\u003e\u003c/lb\u003e g. Hillsboro Star-Journal: 1977\u003clb\u003e\u003c/lb\u003e h. The Citizen Patriot: 1978\u003clb\u003e\u003c/lb\u003e i. Nation Young Farmer Annual Report: 1989, 1991\u003clb\u003e\u003c/lb\u003e j. Pamphlets\u003clb\u003e\u003c/lb\u003e k. A study of scope and content of farm mechanics courses and organization for teaching same in the vocational agricultural high schools of Kansas / by Lester B. Pollum.\u003clb\u003e\u003c/lb\u003e l. The organization of and a plan for teaching through the laying flock class project / by Lawrence Fenhor Hall.\u003clb\u003e\u003c/lb\u003e m. A study of the methods of teaching sciences underlying agriculture and their application to the teaching of vocational agriculture/ by Henry W. Schmitz\u003clb\u003e\u003c/lb\u003e n. Misc. Newspaper Articles\u003clb\u003e\u003c/lb\u003e Series 6: Artifact\u003clb\u003e\u003c/lb\u003e Series 7: Materials from other States\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"kansas-young-farmers-and-young-farm-wives-women","title_ssm":["Kansas Young Farmers and Young Farm Wives (Women)"],"title_tesim":["Kansas Young Farmers and Young Farm Wives (Women)"],"ead_ssi":"kansas-young-farmers-and-young-farm-wives-women","unitdate_ssm":["1962-1999"],"unitdate_other_ssim":["1962-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2019-20.004","271"],"text":["2019-20.004","271","Kansas Young Farmers and Young Farm Wives (Women), 1962-1999","Farming and ranching","10.50 Linear Feet, 7.00 Boxes","No access restrictions: All materials are open for research.","Arrange in series and subseries with folders arranged chronologically: 1) Conferences/Conventions; 2) Awards; 3) Vocational Education; 4) Records; 5) Published Materials; 6) Artifact; 7) Other States Material.","Kansas Young Farmer \u0026 Young Farm Wives/Women (KYFW) was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organization and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level, but also within their community.","It received accession number....","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Audrey E. Swartz  Processing Info: Audrey E. Swartz, processor at Kansas State University, 2016","This collection includes organizational records: state and national, publications, conference programs \u0026 pamphlets, and photographs from Kansas Young Farmer \u0026 Young Farm Wives (Women) from 1962-1999. The majority of the records are from 1973-1995. Please note that in 1987/1988 the organization changed its name to Kansas Young Farmers \u0026 Young Farm Women. Within the records, the larger joint organization is often referred to as KYFW. The larger organization is often broken into its parts for meetings and organizing events, those are Kansas Young Farmers (KYF) and Kansas Young Farm Wives/Women (KYW).  KYFW was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organize and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level but also within their community.  Series 1: Conferences/Conventions (1968-1977, undated)  a. National Young Farmer Institute: 1968-1990, 1944, 1997  b. Kansas  Registration: undated  Booth Information  State Fair: 1975  Kansas Young Farmers \u0026 Wives State Convention: 1964, 1966-1969, 1970-1979, 1980-1989, 1990-1995  State Tour: 1964-1992  Young Farmers \u0026 Wives Day: 1977-1979, 1980-1988, 1990, 1992  Young Farmer Leadership Conference/Day: 1977-1979, 1985, 1991  Kansas Vocational Agriculture Teachers State Conference: 1967-1970  AIC Institute for Young Farmers  Series 2: Awards (1968-1999, undated)  a. Applications: 1972, 1993  b. Kansas Young Farmer Awards: undated, 1968-1972, 1988, 1992, 1999  c. Advisor Award  d. Community Service Award  e. Young Farmer Spokesman Contest: undated, 1976-1982  Series 3: Vocational Education (1975-1990, undated)  a. Adult Teaching Methods  b. Farmer Management Workshop: 1975-1977  c. Guidelines for Developing Adult Vocational Education  d. Occupational Experience Supervision  e. Research Studies: 1973, 1975  f. Discussion Methods  g. Education Correspondence  h. National Survey of Adult Education in Agriculture: 1990  i. Directory of Resources: 1978  Series 4: Organizational Records (1960-1998, undated)  a. Organizational  Articles of Incorporation  Annual Report: 1973-1977, 1979-1981, 1983  Annual Reporting Forms  Tax Exempt Correspondence  Reimbursement Policies  IRS 990’s: 1973-1992  Visitation Schedules  Sponsors  Photographs: undated  b. Handbooks  Leadership Manuals  Ceremony for Installing Officers  Development Committee  c. Membership Roosters/List  Young Farmers \u0026 Young Farm Wives (Women); 1975, 1977-1991  Young Farm Wives (Women): undated  d. Directories  Young Farmers \u0026 Young Farm Wives (Women): 1971-1972, 1976, 1981-1989, 1990-1992, 1994-1998  Vocational Agriculture Resources: 1983  e. Yearly Records  National Young Farmer Minutes: 1990  Young Farmer \u0026 Ranchers: 1973-1974, 1976  Young Farmers \u0026 Young Farm Wives (Women): Undated;1970-1995  Young Farmer: Undated;1963-1995  Young Farm Wives (Women): Undated; 1964-1965,1970-1992;1994-1995  District Meeting: 1971-1976  f. County Records  Series 5: Published Materials (1970-1994, undated)  a. News and Views (newsletter): 1970-1995 (incomplete)  Drafts  Layouts  Materials: 1964-1695,1967-1971, 1975, 1977  Photographs: 1964, 1968, 1970-1974, 1977-1978, undated  Newsletters: 1964-1965, 1967-1969, 1971-1995  b. Star Young Farm Families: 1976  c. Young Farmer Spokesman Report: 1977-1978  d. Landmarks: 1981  e. Hesston Today: 1979-1890  f. The National Young Farmer  Newspaper:1978-1983, 1985-1988, 1990-1993  Young Farmer Update: 1990-1991  Young Farmer News: 1994  g. Hillsboro Star-Journal: 1977  h. The Citizen Patriot: 1978  i. Nation Young Farmer Annual Report: 1989, 1991  j. Pamphlets  k. A study of scope and content of farm mechanics courses and organization for teaching same in the vocational agricultural high schools of Kansas / by Lester B. Pollum.  l. The organization of and a plan for teaching through the laying flock class project / by Lawrence Fenhor Hall.  m. A study of the methods of teaching sciences underlying agriculture and their application to the teaching of vocational agriculture/ by Henry W. Schmitz  n. Misc. Newspaper Articles  Series 6: Artifact  Series 7: Materials from other States","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Kansas Young Farmer and Young Farm Wives (Women)","Kansas Young Farmer and Young Farm Wives (Women)","English","Latin"],"unitid_tesim":["2019-20.004","271"],"normalized_date_ssm":["1962-1999"],"normalized_title_ssm":["Kansas Young Farmers and Young Farm Wives (Women), 1962-1999"],"collection_title_tesim":["Kansas Young Farmers and Young Farm Wives (Women), 1962-1999"],"collection_ssim":["Kansas Young Farmers and Young Farm Wives (Women), 1962-1999"],"creator_ssm":["Kansas Young Farmer and Young Farm Wives (Women)"],"creator_ssim":["Kansas Young Farmer and Young Farm Wives (Women)"],"creator_corpname_ssim":["Kansas Young Farmer and Young Farm Wives (Women)"],"creators_ssim":["Kansas Young Farmer and Young Farm Wives (Women)"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Anthony Meals Acqusition Method: Donation Acqusition Date: 20130906"],"access_subjects_ssim":["Farming and ranching"],"access_subjects_ssm":["Farming and ranching"],"has_online_content_ssim":["false"],"physdesc_tesim":["10.50 Linear Feet, 7.00 Boxes"],"date_range_isim":[1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eArrange in series and subseries with folders arranged chronologically: 1) Conferences/Conventions; 2) Awards; 3) Vocational Education; 4) Records; 5) Published Materials; 6) Artifact; 7) Other States Material.\u003c/p\u003e"],"arrangement_tesim":["Arrange in series and subseries with folders arranged chronologically: 1) Conferences/Conventions; 2) Awards; 3) Vocational Education; 4) Records; 5) Published Materials; 6) Artifact; 7) Other States Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eKansas Young Farmer \u0026amp; Young Farm Wives/Women (KYFW) was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organization and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level, but also within their community.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Kansas Young Farmer \u0026 Young Farm Wives/Women (KYFW) was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organization and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level, but also within their community."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number....\u003c/p\u003e"],"custodhist_tesim":["It received accession number...."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Audrey E. Swartz \u003clb\u003e\u003c/lb\u003eProcessing Info: Audrey E. Swartz, processor at Kansas State University, 2016\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Audrey E. Swartz  Processing Info: Audrey E. Swartz, processor at Kansas State University, 2016"],"scopecontent_tesim":["This collection includes organizational records: state and national, publications, conference programs \u0026 pamphlets, and photographs from Kansas Young Farmer \u0026 Young Farm Wives (Women) from 1962-1999. The majority of the records are from 1973-1995. Please note that in 1987/1988 the organization changed its name to Kansas Young Farmers \u0026 Young Farm Women. Within the records, the larger joint organization is often referred to as KYFW. The larger organization is often broken into its parts for meetings and organizing events, those are Kansas Young Farmers (KYF) and Kansas Young Farm Wives/Women (KYW).  KYFW was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organize and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level but also within their community.  Series 1: Conferences/Conventions (1968-1977, undated)  a. National Young Farmer Institute: 1968-1990, 1944, 1997  b. Kansas  Registration: undated  Booth Information  State Fair: 1975  Kansas Young Farmers \u0026 Wives State Convention: 1964, 1966-1969, 1970-1979, 1980-1989, 1990-1995  State Tour: 1964-1992  Young Farmers \u0026 Wives Day: 1977-1979, 1980-1988, 1990, 1992  Young Farmer Leadership Conference/Day: 1977-1979, 1985, 1991  Kansas Vocational Agriculture Teachers State Conference: 1967-1970  AIC Institute for Young Farmers  Series 2: Awards (1968-1999, undated)  a. Applications: 1972, 1993  b. Kansas Young Farmer Awards: undated, 1968-1972, 1988, 1992, 1999  c. Advisor Award  d. Community Service Award  e. Young Farmer Spokesman Contest: undated, 1976-1982  Series 3: Vocational Education (1975-1990, undated)  a. Adult Teaching Methods  b. Farmer Management Workshop: 1975-1977  c. Guidelines for Developing Adult Vocational Education  d. Occupational Experience Supervision  e. Research Studies: 1973, 1975  f. Discussion Methods  g. Education Correspondence  h. National Survey of Adult Education in Agriculture: 1990  i. Directory of Resources: 1978  Series 4: Organizational Records (1960-1998, undated)  a. Organizational  Articles of Incorporation  Annual Report: 1973-1977, 1979-1981, 1983  Annual Reporting Forms  Tax Exempt Correspondence  Reimbursement Policies  IRS 990’s: 1973-1992  Visitation Schedules  Sponsors  Photographs: undated  b. Handbooks  Leadership Manuals  Ceremony for Installing Officers  Development Committee  c. Membership Roosters/List  Young Farmers \u0026 Young Farm Wives (Women); 1975, 1977-1991  Young Farm Wives (Women): undated  d. Directories  Young Farmers \u0026 Young Farm Wives (Women): 1971-1972, 1976, 1981-1989, 1990-1992, 1994-1998  Vocational Agriculture Resources: 1983  e. Yearly Records  National Young Farmer Minutes: 1990  Young Farmer \u0026 Ranchers: 1973-1974, 1976  Young Farmers \u0026 Young Farm Wives (Women): Undated;1970-1995  Young Farmer: Undated;1963-1995  Young Farm Wives (Women): Undated; 1964-1965,1970-1992;1994-1995  District Meeting: 1971-1976  f. County Records  Series 5: Published Materials (1970-1994, undated)  a. News and Views (newsletter): 1970-1995 (incomplete)  Drafts  Layouts  Materials: 1964-1695,1967-1971, 1975, 1977  Photographs: 1964, 1968, 1970-1974, 1977-1978, undated  Newsletters: 1964-1965, 1967-1969, 1971-1995  b. Star Young Farm Families: 1976  c. Young Farmer Spokesman Report: 1977-1978  d. Landmarks: 1981  e. Hesston Today: 1979-1890  f. The National Young Farmer  Newspaper:1978-1983, 1985-1988, 1990-1993  Young Farmer Update: 1990-1991  Young Farmer News: 1994  g. Hillsboro Star-Journal: 1977  h. The Citizen Patriot: 1978  i. Nation Young Farmer Annual Report: 1989, 1991  j. Pamphlets  k. A study of scope and content of farm mechanics courses and organization for teaching same in the vocational agricultural high schools of Kansas / by Lester B. Pollum.  l. The organization of and a plan for teaching through the laying flock class project / by Lawrence Fenhor Hall.  m. A study of the methods of teaching sciences underlying agriculture and their application to the teaching of vocational agriculture/ by Henry W. Schmitz  n. Misc. Newspaper Articles  Series 6: Artifact  Series 7: Materials from other States"],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. 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The majority of the records are from 1973-1995. Please note that in 1987/1988 the organization changed its name to Kansas Young Farmers \u0026amp; Young Farm Women. Within the records, the larger joint organization is often referred to as KYFW. The larger organization is often broken into its parts for meetings and organizing events, those are Kansas Young Farmers (KYF) and Kansas Young Farm Wives/Women (KYW).\u003clb\u003e\u003c/lb\u003e KYFW was an organization created by the Kansas State Board of Vocational Agriculture to promote vocational agricultural education past high school and was administered through Kansas State University. The organization was formed in 1960, with its first articles of incorporation being filed on 5/24/1962 The organize and its members are closely tied to their younger counterpart, Future Farmers of America (FFA) often sharing the same administrators and being involved in FFA events either via sponsorship or as program presenters. KYFW placed heavy emphasis on continuing education within the agriculture field. Encouraging its members to actively share and develop new techniques and technology. They also valued strong leadership skills, asking their members to not only be actively involved in the organization, at the leadership level but also within their community.\u003clb\u003e\u003c/lb\u003e Series 1: Conferences/Conventions (1968-1977, undated)\u003clb\u003e\u003c/lb\u003e a. National Young Farmer Institute: 1968-1990, 1944, 1997\u003clb\u003e\u003c/lb\u003e b. Kansas\u003clb\u003e\u003c/lb\u003e Registration: undated\u003clb\u003e\u003c/lb\u003e Booth Information\u003clb\u003e\u003c/lb\u003e State Fair: 1975\u003clb\u003e\u003c/lb\u003e Kansas Young Farmers \u0026amp; Wives State Convention: 1964, 1966-1969, 1970-1979, 1980-1989, 1990-1995\u003clb\u003e\u003c/lb\u003e State Tour: 1964-1992\u003clb\u003e\u003c/lb\u003e Young Farmers \u0026amp; Wives Day: 1977-1979, 1980-1988, 1990, 1992\u003clb\u003e\u003c/lb\u003e Young Farmer Leadership Conference/Day: 1977-1979, 1985, 1991\u003clb\u003e\u003c/lb\u003e Kansas Vocational Agriculture Teachers State Conference: 1967-1970\u003clb\u003e\u003c/lb\u003e AIC Institute for Young Farmers\u003clb\u003e\u003c/lb\u003e Series 2: Awards (1968-1999, undated)\u003clb\u003e\u003c/lb\u003e a. Applications: 1972, 1993\u003clb\u003e\u003c/lb\u003e b. Kansas Young Farmer Awards: undated, 1968-1972, 1988, 1992, 1999\u003clb\u003e\u003c/lb\u003e c. Advisor Award\u003clb\u003e\u003c/lb\u003e d. Community Service Award\u003clb\u003e\u003c/lb\u003e e. Young Farmer Spokesman Contest: undated, 1976-1982\u003clb\u003e\u003c/lb\u003e Series 3: Vocational Education (1975-1990, undated)\u003clb\u003e\u003c/lb\u003e a. Adult Teaching Methods\u003clb\u003e\u003c/lb\u003e b. Farmer Management Workshop: 1975-1977\u003clb\u003e\u003c/lb\u003e c. Guidelines for Developing Adult Vocational Education\u003clb\u003e\u003c/lb\u003e d. Occupational Experience Supervision\u003clb\u003e\u003c/lb\u003e e. Research Studies: 1973, 1975\u003clb\u003e\u003c/lb\u003e f. Discussion Methods\u003clb\u003e\u003c/lb\u003e g. Education Correspondence\u003clb\u003e\u003c/lb\u003e h. National Survey of Adult Education in Agriculture: 1990\u003clb\u003e\u003c/lb\u003e i. Directory of Resources: 1978\u003clb\u003e\u003c/lb\u003e Series 4: Organizational Records (1960-1998, undated)\u003clb\u003e\u003c/lb\u003e a. Organizational\u003clb\u003e\u003c/lb\u003e Articles of Incorporation\u003clb\u003e\u003c/lb\u003e Annual Report: 1973-1977, 1979-1981, 1983\u003clb\u003e\u003c/lb\u003e Annual Reporting Forms\u003clb\u003e\u003c/lb\u003e Tax Exempt Correspondence\u003clb\u003e\u003c/lb\u003e Reimbursement Policies\u003clb\u003e\u003c/lb\u003e IRS 990\u0026#x2019;s: 1973-1992\u003clb\u003e\u003c/lb\u003e Visitation Schedules\u003clb\u003e\u003c/lb\u003e Sponsors\u003clb\u003e\u003c/lb\u003e Photographs: undated\u003clb\u003e\u003c/lb\u003e b. Handbooks\u003clb\u003e\u003c/lb\u003e Leadership Manuals\u003clb\u003e\u003c/lb\u003e Ceremony for Installing Officers\u003clb\u003e\u003c/lb\u003e Development Committee\u003clb\u003e\u003c/lb\u003e c. Membership Roosters/List\u003clb\u003e\u003c/lb\u003e Young Farmers \u0026amp; Young Farm Wives (Women); 1975, 1977-1991\u003clb\u003e\u003c/lb\u003e Young Farm Wives (Women): undated\u003clb\u003e\u003c/lb\u003e d. Directories\u003clb\u003e\u003c/lb\u003e Young Farmers \u0026amp; Young Farm Wives (Women): 1971-1972, 1976, 1981-1989, 1990-1992, 1994-1998\u003clb\u003e\u003c/lb\u003e Vocational Agriculture Resources: 1983\u003clb\u003e\u003c/lb\u003e e. Yearly Records\u003clb\u003e\u003c/lb\u003e National Young Farmer Minutes: 1990\u003clb\u003e\u003c/lb\u003e Young Farmer \u0026amp; Ranchers: 1973-1974, 1976\u003clb\u003e\u003c/lb\u003e Young Farmers \u0026amp; Young Farm Wives (Women): Undated;1970-1995\u003clb\u003e\u003c/lb\u003e Young Farmer: Undated;1963-1995\u003clb\u003e\u003c/lb\u003e Young Farm Wives (Women): Undated; 1964-1965,1970-1992;1994-1995\u003clb\u003e\u003c/lb\u003e District Meeting: 1971-1976\u003clb\u003e\u003c/lb\u003e f. County Records\u003clb\u003e\u003c/lb\u003e Series 5: Published Materials (1970-1994, undated)\u003clb\u003e\u003c/lb\u003e a. News and Views (newsletter): 1970-1995 (incomplete)\u003clb\u003e\u003c/lb\u003e Drafts\u003clb\u003e\u003c/lb\u003e Layouts\u003clb\u003e\u003c/lb\u003e Materials: 1964-1695,1967-1971, 1975, 1977\u003clb\u003e\u003c/lb\u003e Photographs: 1964, 1968, 1970-1974, 1977-1978, undated\u003clb\u003e\u003c/lb\u003e Newsletters: 1964-1965, 1967-1969, 1971-1995\u003clb\u003e\u003c/lb\u003e b. Star Young Farm Families: 1976\u003clb\u003e\u003c/lb\u003e c. Young Farmer Spokesman Report: 1977-1978\u003clb\u003e\u003c/lb\u003e d. Landmarks: 1981\u003clb\u003e\u003c/lb\u003e e. Hesston Today: 1979-1890\u003clb\u003e\u003c/lb\u003e f. The National Young Farmer\u003clb\u003e\u003c/lb\u003e Newspaper:1978-1983, 1985-1988, 1990-1993\u003clb\u003e\u003c/lb\u003e Young Farmer Update: 1990-1991\u003clb\u003e\u003c/lb\u003e Young Farmer News: 1994\u003clb\u003e\u003c/lb\u003e g. Hillsboro Star-Journal: 1977\u003clb\u003e\u003c/lb\u003e h. The Citizen Patriot: 1978\u003clb\u003e\u003c/lb\u003e i. Nation Young Farmer Annual Report: 1989, 1991\u003clb\u003e\u003c/lb\u003e j. Pamphlets\u003clb\u003e\u003c/lb\u003e k. A study of scope and content of farm mechanics courses and organization for teaching same in the vocational agricultural high schools of Kansas / by Lester B. Pollum.\u003clb\u003e\u003c/lb\u003e l. The organization of and a plan for teaching through the laying flock class project / by Lawrence Fenhor Hall.\u003clb\u003e\u003c/lb\u003e m. A study of the methods of teaching sciences underlying agriculture and their application to the teaching of vocational agriculture/ by Henry W. Schmitz\u003clb\u003e\u003c/lb\u003e n. Misc. Newspaper Articles\u003clb\u003e\u003c/lb\u003e Series 6: Artifact\u003clb\u003e\u003c/lb\u003e Series 7: Materials from other States\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/kansas-young-farmers-and-young-farm-wives-women#normalized_title","type":"document_value","attributes":{"value":"Kansas Young Farmers and Young Farm Wives (Women), 1962-1999","label":"Title"}},"short_description":{"id":"https://findingaids.lib.ksu.edu/catalog/kansas-young-farmers-and-young-farm-wives-women#short_description","type":"document_value","attributes":{"value":"This collection includes organizational records: state and national, publications, conference programs \u0026amp;amp; pamphlets, and photographs from Kansas Young Farmer \u0026amp;amp; Young Farm Wives (Women) from 1962-1999. The majority of the records are from 1973-1995. Please note that in 1987/1988 the organization changed its name to Kansas Young Farmers \u0026amp;amp; Young Farm Women. 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Otis papers, 1950 - 1998","value":"Donald W. 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Rathbone records, 1929 - 2021","value":"Donald E. Rathbone records, 1929 - 2021","hits":19},"links":{"self":"https://findingaids.lib.ksu.edu/catalog.json?f%5Bcollection%5D%5B%5D=Donald+E.+Rathbone+records%2C+1929+-+2021\u0026range%5Bdate_range%5D%5Bbegin%5D=1968\u0026range%5Bdate_range%5D%5Bend%5D=1968"}},{"attributes":{"label":"College of Engineering records, 1886-2013","value":"College of Engineering records, 1886-2013","hits":18},"links":{"self":"https://findingaids.lib.ksu.edu/catalog.json?f%5Bcollection%5D%5B%5D=College+of+Engineering+records%2C+1886-2013\u0026range%5Bdate_range%5D%5Bbegin%5D=1968\u0026range%5Bdate_range%5D%5Bend%5D=1968"}},{"attributes":{"label":"McPherson County Extension Office records, 1868 - 2017","value":"McPherson County Extension Office records, 1868 - 2017","hits":17},"links":{"self":"https://findingaids.lib.ksu.edu/catalog.json?f%5Bcollection%5D%5B%5D=McPherson+County+Extension+Office+records%2C+1868+-+2017\u0026range%5Bdate_range%5D%5Bbegin%5D=1968\u0026range%5Bdate_range%5D%5Bend%5D=1968"}}]},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/facet/collection_ssim.json?range%5Bdate_range%5D%5Bbegin%5D=1968\u0026range%5Bdate_range%5D%5Bend%5D=1968"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Kansas 4-H Youth Programs","value":"Kansas 4-H Youth Programs","hits":29},"links":{"self":"https://findingaids.lib.ksu.edu/catalog.json?f%5Bcreators%5D%5B%5D=Kansas+4-H+Youth+Programs\u0026range%5Bdate_range%5D%5Bbegin%5D=1968\u0026range%5Bdate_range%5D%5Bend%5D=1968"}},{"attributes":{"label":"Richard L. 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