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Thackrey papers, 1942-1987","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/russell-i-thackrey-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe papers of Russell I. Thackrey were transferred from three file cabinet drawers into three boxes. Original order of the collection seems to have been alphabetical, although some parts appear to be out of sequence. The files have been placed in the boxes in the same order they were received. The papers reflect the post-retirement activities of Russell I. Thackrey. Most of the material is dated after 1970, although a few exceptions do exist. Earlier material consists of a few letters and articles between 1965 and 1970, and some letters with earlier dates filed in reference to a subject he was writing on. An example of such is within the Friends of Art File, in which letters and invoices concerning art bought in 1935 were filed among more recent materials. During their retirement years, Russell and his wife, Emily, relocated from Washington D.C. to Manhattan Kansas. From this location, he wrote numerous letters and manuscripts. The details of his career prior to 1970, which are not included in the collection, can be found in the Contemporary Authors, Volumes 37-40. The material present includes magazine articles, newspaper clippings, manuscripts, speeches, incoming and outgoing correspondence. Those represented in the collection were journalists, editors, members of the National Association of State Universities and Land Grant Colleges, of which Thackrey was Director emeritus, personal acquaintances, and Government personnel. A few included in the collection were Bob Dole, Nancy Kassebaum, Jim Slattery, and John Carlin. Letters to Duane Acker, President of Kansas State University, 1975-1986 were also found. Thackrey had worked on an article about former Kansas State University President Milton Eisenhower (1943-1950), and parts of the manuscript were found. The main emphasis of Thackrey's work was education. He was extremely concerned with the rising cost of college, and the problems associated with students finding financial assistance. He also kept files on desegregation, educational organizations and Government generated ideas. His commentary on the Bennett plan is an example of his concern for Government plans. He advocated the lowering of tuition. Two photographs were removed from the collection and placed under the heading of Russell I. Thackrey. 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After working as a reporter for the Associated Press for one year from 1935 to 1936, Thackrey taught at the University of Minnesota from 1937 to 1940, but he returned to K-State as Head of the Journalism Department from 1940 to 1944. This was followed by his work as Dean of Administration at K-State from 1944 to 1947. Thackrey’s work in education continued as he served as Director of the National Association of State Universities and Land Grant Colleges from 1947 to 1970. He also served on the John F. Kennedy Task Force on Education in 1960, and in 1969, he was awarded the Presidential award of American College Public Relations Association. After leaving education, Thackrey spent his time writing, and in 1971, he published “The Future of the State University” through the Illinois Press. 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It contains entries concerning the sale of groceries, coal, and real estate property.\u003cbr\u003e Series 4, literary productions, contains four pieces of handwritten poems, a manuscript entitled \"A Quaker Wedding,\" and an ink drawing.\u003cbr\u003e Series 5, the largest portion of the collection, is comprised of printed material with items dating from 1912-1933, including newspaper clippings about World War I, prohibition, the jitney business, community sanitary precautions, and city ordinances, as well as pamphlets and single pages from pamphlets.\u003cbr\u003e Note: The original state of the Samuel Fremont Goheen papers has made it difficult to accurately date and locate the source of many of the items. 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He was the son of George W. \u0026 Elizabeth (Holler) Goheen, grandson of James Madison and Sarah (Delp) Goheen. He married Barbara Ellen Jack, daughter of Michael and Sarah (McKinney) Jack, in New Bethlehem, Pennsylvania, on December 14, 1876. Barbara was born in New Bethlehem, Pennsylvania, on October 2, 1854 and died in Manhattan, Kansas on September 5, 1933.   Goheen was a graduate of Dayton Academy (Dayton, Pennsylvania). He took his family west in 1883 and settled on a farm in Riley County, Kansas. He was active in church and community affairs, serving first as township assessor, then as county treasurer (1907-1911), and then as the first mayor of Manhattan from 1912-1919. Upon his election to mayoral office, he moved to Manhattan proper. He also served as an elder in the Presbyterian Church for thirty years.   As mayor, Goheen was primarily concerned with the modernization of Manhattan. 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Series 1 consists of correspondence dating from 1915-1918, including letters to and from Goheen concerning Manhattan city government and greeting cards.  Series 2 consists of business documents, 1914-1917, including hand-written drafts of proclamations, heath and sanitation recommendations, and tax levies are within this series.  Series 3, financial documents, consists of one ledger titled \"Day Book\" with entries dating 1912-1919. It contains entries concerning the sale of groceries, coal, and real estate property.  Series 4, literary productions, contains four pieces of handwritten poems, a manuscript entitled \"A Quaker Wedding,\" and an ink drawing.  Series 5, the largest portion of the collection, is comprised of printed material with items dating from 1912-1933, including newspaper clippings about World War I, prohibition, the jitney business, community sanitary precautions, and city ordinances, as well as pamphlets and single pages from pamphlets.  Note: The original state of the Samuel Fremont Goheen papers has made it difficult to accurately date and locate the source of many of the items. Dates have been drawn from item content or subject matter.","The researcher assumes full responsibiltiy for observing all copyright, propert, and libel laws as they apply.","Richard L. D. and Marjorie J. 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He was the son of George W. \u0026amp; Elizabeth (Holler) Goheen, grandson of James Madison and Sarah (Delp) Goheen. He married Barbara Ellen Jack, daughter of Michael and Sarah (McKinney) Jack, in New Bethlehem, Pennsylvania, on December 14, 1876. Barbara was born in New Bethlehem, Pennsylvania, on October 2, 1854 and died in Manhattan, Kansas on September 5, 1933. \u003clb\u003e\u003c/lb\u003e Goheen was a graduate of Dayton Academy (Dayton, Pennsylvania). He took his family west in 1883 and settled on a farm in Riley County, Kansas. He was active in church and community affairs, serving first as township assessor, then as county treasurer (1907-1911), and then as the first mayor of Manhattan from 1912-1919. Upon his election to mayoral office, he moved to Manhattan proper. He also served as an elder in the Presbyterian Church for thirty years. \u003clb\u003e\u003c/lb\u003e As mayor, Goheen was primarily concerned with the modernization of Manhattan. Some of the important issues during his two terms of office included residential lighting, jitney ordinance revision, sanitation practices, and the city-owned plant.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Samuel Fremont Goheen, the first mayor of Manhattan, Kansas, was born in Goheenville, Pennsylvania, on May 2, 1855, and died in Manhattan, Kansas on December 8, 1930. He was the son of George W. \u0026 Elizabeth (Holler) Goheen, grandson of James Madison and Sarah (Delp) Goheen. He married Barbara Ellen Jack, daughter of Michael and Sarah (McKinney) Jack, in New Bethlehem, Pennsylvania, on December 14, 1876. Barbara was born in New Bethlehem, Pennsylvania, on October 2, 1854 and died in Manhattan, Kansas on September 5, 1933.   Goheen was a graduate of Dayton Academy (Dayton, Pennsylvania). He took his family west in 1883 and settled on a farm in Riley County, Kansas. He was active in church and community affairs, serving first as township assessor, then as county treasurer (1907-1911), and then as the first mayor of Manhattan from 1912-1919. Upon his election to mayoral office, he moved to Manhattan proper. He also served as an elder in the Presbyterian Church for thirty years.   As mayor, Goheen was primarily concerned with the modernization of Manhattan. Some of the important issues during his two terms of office included residential lighting, jitney ordinance revision, sanitation practices, and the city-owned plant."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P1988.08.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P1988.08."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003e \u003cdate\u003ePatrick C. Dittamo, graduate student at Kansas State University, reviewed the collection, revised the finding aid for input into Archon, and wrote the Creator Record, and curator David Allen reviewed it, in July 2017.\u003c/date\u003e \u003c/p\u003e","\u003cp\u003eFinding Aid Author: Kerry Polston \u003clb\u003e\u003c/lb\u003eProcessing Info: The original processing of the papers was completed by Kerry Polston in March of 1984. \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-07-21\u003c/p\u003e"],"processinfo_tesim":["Patrick C. Dittamo, graduate student at Kansas State University, reviewed the collection, revised the finding aid for input into Archon, and wrote the Creator Record, and curator David Allen reviewed it, in July 2017.","Finding Aid Author: Kerry Polston  Processing Info: The original processing of the papers was completed by Kerry Polston in March of 1984.  Publication Date: 2017-07-21"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes approximately 120 items, housed in one document box, relating to Samuel Fremont Goheen\u0026#x2019;s career as mayor of Manhattan, Kansas.\u003clb\u003e\u003c/lb\u003e Series 1 consists of correspondence dating from 1915-1918, including letters to and from Goheen concerning Manhattan city government and greeting cards.\u003clb\u003e\u003c/lb\u003e Series 2 consists of business documents, 1914-1917, including hand-written drafts of proclamations, heath and sanitation recommendations, and tax levies are within this series.\u003clb\u003e\u003c/lb\u003e Series 3, financial documents, consists of one ledger titled \"Day Book\" with entries dating 1912-1919. It contains entries concerning the sale of groceries, coal, and real estate property.\u003clb\u003e\u003c/lb\u003e Series 4, literary productions, contains four pieces of handwritten poems, a manuscript entitled \"A Quaker Wedding,\" and an ink drawing.\u003clb\u003e\u003c/lb\u003e Series 5, the largest portion of the collection, is comprised of printed material with items dating from 1912-1933, including newspaper clippings about World War I, prohibition, the jitney business, community sanitary precautions, and city ordinances, as well as pamphlets and single pages from pamphlets.\u003clb\u003e\u003c/lb\u003e Note: The original state of the Samuel Fremont Goheen papers has made it difficult to accurately date and locate the source of many of the items. Dates have been drawn from item content or subject matter.\u003c/p\u003e"],"scopecontent_tesim":["This collection includes approximately 120 items, housed in one document box, relating to Samuel Fremont Goheen’s career as mayor of Manhattan, Kansas.  Series 1 consists of correspondence dating from 1915-1918, including letters to and from Goheen concerning Manhattan city government and greeting cards.  Series 2 consists of business documents, 1914-1917, including hand-written drafts of proclamations, heath and sanitation recommendations, and tax levies are within this series.  Series 3, financial documents, consists of one ledger titled \"Day Book\" with entries dating 1912-1919. It contains entries concerning the sale of groceries, coal, and real estate property.  Series 4, literary productions, contains four pieces of handwritten poems, a manuscript entitled \"A Quaker Wedding,\" and an ink drawing.  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He was the son of George W. \u0026 Elizabeth (Holler) Goheen, grandson of James Madison and Sarah (Delp) Goheen. He married Barbara Ellen Jack, daughter of Michael and Sarah (McKinney) Jack, in New Bethlehem, Pennsylvania, on December 14, 1876. Barbara was born in New Bethlehem, Pennsylvania, on October 2, 1854 and died in Manhattan, Kansas on September 5, 1933.   Goheen was a graduate of Dayton Academy (Dayton, Pennsylvania). He took his family west in 1883 and settled on a farm in Riley County, Kansas. He was active in church and community affairs, serving first as township assessor, then as county treasurer (1907-1911), and then as the first mayor of Manhattan from 1912-1919. Upon his election to mayoral office, he moved to Manhattan proper. He also served as an elder in the Presbyterian Church for thirty years.   As mayor, Goheen was primarily concerned with the modernization of Manhattan. Some of the important issues during his two terms of office included residential lighting, jitney ordinance revision, sanitation practices, and the city-owned plant.","It received accession number P1988.08.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Patrick C. Dittamo, graduate student at Kansas State University, reviewed the collection, revised the finding aid for input into Archon, and wrote the Creator Record, and curator David Allen reviewed it, in July 2017.","Finding Aid Author: Kerry Polston  Processing Info: The original processing of the papers was completed by Kerry Polston in March of 1984.  Publication Date: 2017-07-21","This collection includes approximately 120 items, housed in one document box, relating to Samuel Fremont Goheen’s career as mayor of Manhattan, Kansas.  Series 1 consists of correspondence dating from 1915-1918, including letters to and from Goheen concerning Manhattan city government and greeting cards.  Series 2 consists of business documents, 1914-1917, including hand-written drafts of proclamations, heath and sanitation recommendations, and tax levies are within this series.  Series 3, financial documents, consists of one ledger titled \"Day Book\" with entries dating 1912-1919. It contains entries concerning the sale of groceries, coal, and real estate property.  Series 4, literary productions, contains four pieces of handwritten poems, a manuscript entitled \"A Quaker Wedding,\" and an ink drawing.  Series 5, the largest portion of the collection, is comprised of printed material with items dating from 1912-1933, including newspaper clippings about World War I, prohibition, the jitney business, community sanitary precautions, and city ordinances, as well as pamphlets and single pages from pamphlets.  Note: The original state of the Samuel Fremont Goheen papers has made it difficult to accurately date and locate the source of many of the items. Dates have been drawn from item content or subject matter.","The researcher assumes full responsibiltiy for observing all copyright, propert, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Goheen, Samuel Fremont","Goheen, Samuel Fremont","English","Latin"],"unitid_tesim":["P1988.08","295"],"normalized_date_ssm":["1912-1933"],"normalized_title_ssm":["Samuel Fremont Goheen papers, 1912-1933"],"collection_title_tesim":["Samuel Fremont Goheen papers, 1912-1933"],"collection_ssim":["Samuel Fremont Goheen papers, 1912-1933"],"creator_ssm":["Goheen, Samuel Fremont"],"creator_ssim":["Goheen, Samuel Fremont"],"creator_persname_ssim":["Goheen, Samuel Fremont"],"creators_ssim":["Goheen, Samuel Fremont"],"access_terms_ssm":["The researcher assumes full responsibiltiy for observing all copyright, propert, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Date: 19830101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["0.25 Linear Feet, 1.00 Box"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into 5 series by type of material: 1) Correspondence, 1915-1918; 2) Business documents,1914-1917; 3) Financial documents, 1912 -1919; 4) Literary productions, undated; 5) Printed material, 1912-1933.\u003c/p\u003e"],"arrangement_tesim":["The collection is divided into 5 series by type of material: 1) Correspondence, 1915-1918; 2) Business documents,1914-1917; 3) Financial documents, 1912 -1919; 4) Literary productions, undated; 5) Printed material, 1912-1933."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eSamuel Fremont Goheen, the first mayor of Manhattan, Kansas, was born in Goheenville, Pennsylvania, on May 2, 1855, and died in Manhattan, Kansas on December 8, 1930. He was the son of George W. \u0026amp; Elizabeth (Holler) Goheen, grandson of James Madison and Sarah (Delp) Goheen. He married Barbara Ellen Jack, daughter of Michael and Sarah (McKinney) Jack, in New Bethlehem, Pennsylvania, on December 14, 1876. Barbara was born in New Bethlehem, Pennsylvania, on October 2, 1854 and died in Manhattan, Kansas on September 5, 1933. \u003clb\u003e\u003c/lb\u003e Goheen was a graduate of Dayton Academy (Dayton, Pennsylvania). He took his family west in 1883 and settled on a farm in Riley County, Kansas. He was active in church and community affairs, serving first as township assessor, then as county treasurer (1907-1911), and then as the first mayor of Manhattan from 1912-1919. Upon his election to mayoral office, he moved to Manhattan proper. He also served as an elder in the Presbyterian Church for thirty years. \u003clb\u003e\u003c/lb\u003e As mayor, Goheen was primarily concerned with the modernization of Manhattan. Some of the important issues during his two terms of office included residential lighting, jitney ordinance revision, sanitation practices, and the city-owned plant.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Samuel Fremont Goheen, the first mayor of Manhattan, Kansas, was born in Goheenville, Pennsylvania, on May 2, 1855, and died in Manhattan, Kansas on December 8, 1930. He was the son of George W. \u0026 Elizabeth (Holler) Goheen, grandson of James Madison and Sarah (Delp) Goheen. He married Barbara Ellen Jack, daughter of Michael and Sarah (McKinney) Jack, in New Bethlehem, Pennsylvania, on December 14, 1876. Barbara was born in New Bethlehem, Pennsylvania, on October 2, 1854 and died in Manhattan, Kansas on September 5, 1933.   Goheen was a graduate of Dayton Academy (Dayton, Pennsylvania). He took his family west in 1883 and settled on a farm in Riley County, Kansas. He was active in church and community affairs, serving first as township assessor, then as county treasurer (1907-1911), and then as the first mayor of Manhattan from 1912-1919. Upon his election to mayoral office, he moved to Manhattan proper. He also served as an elder in the Presbyterian Church for thirty years.   As mayor, Goheen was primarily concerned with the modernization of Manhattan. Some of the important issues during his two terms of office included residential lighting, jitney ordinance revision, sanitation practices, and the city-owned plant."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P1988.08.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P1988.08."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003e \u003cdate\u003ePatrick C. Dittamo, graduate student at Kansas State University, reviewed the collection, revised the finding aid for input into Archon, and wrote the Creator Record, and curator David Allen reviewed it, in July 2017.\u003c/date\u003e \u003c/p\u003e","\u003cp\u003eFinding Aid Author: Kerry Polston \u003clb\u003e\u003c/lb\u003eProcessing Info: The original processing of the papers was completed by Kerry Polston in March of 1984. \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-07-21\u003c/p\u003e"],"processinfo_tesim":["Patrick C. Dittamo, graduate student at Kansas State University, reviewed the collection, revised the finding aid for input into Archon, and wrote the Creator Record, and curator David Allen reviewed it, in July 2017.","Finding Aid Author: Kerry Polston  Processing Info: The original processing of the papers was completed by Kerry Polston in March of 1984.  Publication Date: 2017-07-21"],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes approximately 120 items, housed in one document box, relating to Samuel Fremont Goheen\u0026#x2019;s career as mayor of Manhattan, Kansas.\u003clb\u003e\u003c/lb\u003e Series 1 consists of correspondence dating from 1915-1918, including letters to and from Goheen concerning Manhattan city government and greeting cards.\u003clb\u003e\u003c/lb\u003e Series 2 consists of business documents, 1914-1917, including hand-written drafts of proclamations, heath and sanitation recommendations, and tax levies are within this series.\u003clb\u003e\u003c/lb\u003e Series 3, financial documents, consists of one ledger titled \"Day Book\" with entries dating 1912-1919. It contains entries concerning the sale of groceries, coal, and real estate property.\u003clb\u003e\u003c/lb\u003e Series 4, literary productions, contains four pieces of handwritten poems, a manuscript entitled \"A Quaker Wedding,\" and an ink drawing.\u003clb\u003e\u003c/lb\u003e Series 5, the largest portion of the collection, is comprised of printed material with items dating from 1912-1933, including newspaper clippings about World War I, prohibition, the jitney business, community sanitary precautions, and city ordinances, as well as pamphlets and single pages from pamphlets.\u003clb\u003e\u003c/lb\u003e Note: The original state of the Samuel Fremont Goheen papers has made it difficult to accurately date and locate the source of many of the items. Dates have been drawn from item content or subject matter.\u003c/p\u003e"],"scopecontent_tesim":["This collection includes approximately 120 items, housed in one document box, relating to Samuel Fremont Goheen’s career as mayor of Manhattan, Kansas.  Series 1 consists of correspondence dating from 1915-1918, including letters to and from Goheen concerning Manhattan city government and greeting cards.  Series 2 consists of business documents, 1914-1917, including hand-written drafts of proclamations, heath and sanitation recommendations, and tax levies are within this series.  Series 3, financial documents, consists of one ledger titled \"Day Book\" with entries dating 1912-1919. It contains entries concerning the sale of groceries, coal, and real estate property.  Series 4, literary productions, contains four pieces of handwritten poems, a manuscript entitled \"A Quaker Wedding,\" and an ink drawing.  Series 5, the largest portion of the collection, is comprised of printed material with items dating from 1912-1933, including newspaper clippings about World War I, prohibition, the jitney business, community sanitary precautions, and city ordinances, as well as pamphlets and single pages from pamphlets.  Note: The original state of the Samuel Fremont Goheen papers has made it difficult to accurately date and locate the source of many of the items. Dates have been drawn from item content or subject matter."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibiltiy for observing all copyright, propert, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibiltiy for observing all copyright, propert, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Goheen, Samuel Fremont","Goheen, Samuel Fremont"],"corpname_ssim":["Richard L. 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Kirk served as the thirteenth president of Kansas State University, 2009 to 2016, and Noel was associate dean for research and graduate programs in the university's College of Engineering and director of the Engineering Experiment Station.   Kirk Herman Schulz was born to Carl and Judy Schulz in Portsmouth, Virginia, in 1963. He attended Old Dominion University before transferring to Virginia Tech in 1984, graduating from there with his B.S. and Ph.D. degrees in chemical engineering in 1986 and 1991, respectively. Noel Nunnally Schulz was born in Virginia in 1966 to Charles \"Butch\" and Joan Nunnally. She met Kirk while attending Virginia Tech, graduating from there with her B.S. and M.S. degrees in electrical engineering in 1988 and 1990, respectively. In 1995, she received her Ph.D. in the same field of study from the University of Minnesota.   Kirk and Noel Schulz have two children, Timothy and Andrew. The family lived in Virginia from 1987 to 1991 while Kirk and Noel attended school, after which they moved to North Dakota as Kirk became an assistant professor and Noel was an instructor at the University of North Dakota. In 1995, the family moved to Michigan where Kirk and Noel had professorships at Michigan Technological University. Kirk received tenure and was promoted to associate professor in 1998 and Noel received tenure and was promoted to associate professor in 2000. Kirk and Noel then moved to Mississippi State University in 2001 where Kirk began as director of the school of chemical engineering and Noel was associate professor of electrical engineering. By 2009, Kirk was vice president for research and economic development and Noel was the Tennessee Valley Authority professor in power systems engineering. They came to Kansas State University in 2009 when Kirk began his presidency and Noel became the LeRoy C. and Aileen H. 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The family lived in Virginia from 1987 to 1991 while Kirk and Noel attended school, after which they moved to North Dakota as Kirk became an assistant professor and Noel was an instructor at the University of North Dakota. In 1995, the family moved to Michigan where Kirk and Noel had professorships at Michigan Technological University. Kirk received tenure and was promoted to associate professor in 1998 and Noel received tenure and was promoted to associate professor in 2000. Kirk and Noel then moved to Mississippi State University in 2001 where Kirk began as director of the school of chemical engineering and Noel was associate professor of electrical engineering. By 2009, Kirk was vice president for research and economic development and Noel was the Tennessee Valley Authority professor in power systems engineering. They came to Kansas State University in 2009 when Kirk began his presidency and Noel became the LeRoy C. and Aileen H. Paslay professor of electrical and computer engineering. In 2012, Noel became associate dean for research and graduate programs in the university's College of Engineering and director of the Engineering Experiment Station. \u003clb\u003e\u003c/lb\u003e In April 2016, Kirk left K-State to become the president of Washington State University in June 2016. Noel became a professor in the Washington State University School of Electrical Engineering and Computer Science, Voiland College of Engineering and Architecture.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Kirk and Noel Schulz were married in 1987 after meeting as students at Virginia Tech. Kirk served as the thirteenth president of Kansas State University, 2009 to 2016, and Noel was associate dean for research and graduate programs in the university's College of Engineering and director of the Engineering Experiment Station.   Kirk Herman Schulz was born to Carl and Judy Schulz in Portsmouth, Virginia, in 1963. He attended Old Dominion University before transferring to Virginia Tech in 1984, graduating from there with his B.S. and Ph.D. degrees in chemical engineering in 1986 and 1991, respectively. Noel Nunnally Schulz was born in Virginia in 1966 to Charles \"Butch\" and Joan Nunnally. She met Kirk while attending Virginia Tech, graduating from there with her B.S. and M.S. degrees in electrical engineering in 1988 and 1990, respectively. In 1995, she received her Ph.D. in the same field of study from the University of Minnesota.   Kirk and Noel Schulz have two children, Timothy and Andrew. The family lived in Virginia from 1987 to 1991 while Kirk and Noel attended school, after which they moved to North Dakota as Kirk became an assistant professor and Noel was an instructor at the University of North Dakota. In 1995, the family moved to Michigan where Kirk and Noel had professorships at Michigan Technological University. Kirk received tenure and was promoted to associate professor in 1998 and Noel received tenure and was promoted to associate professor in 2000. Kirk and Noel then moved to Mississippi State University in 2001 where Kirk began as director of the school of chemical engineering and Noel was associate professor of electrical engineering. By 2009, Kirk was vice president for research and economic development and Noel was the Tennessee Valley Authority professor in power systems engineering. They came to Kansas State University in 2009 when Kirk began his presidency and Noel became the LeRoy C. and Aileen H. Paslay professor of electrical and computer engineering. In 2012, Noel became associate dean for research and graduate programs in the university's College of Engineering and director of the Engineering Experiment Station.   In April 2016, Kirk left K-State to become the president of Washington State University in June 2016. 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Kirk served as the thirteenth president of Kansas State University, 2009 to 2016, and Noel was associate dean for research and graduate programs in the university's College of Engineering and director of the Engineering Experiment Station.   Kirk Herman Schulz was born to Carl and Judy Schulz in Portsmouth, Virginia, in 1963. He attended Old Dominion University before transferring to Virginia Tech in 1984, graduating from there with his B.S. and Ph.D. degrees in chemical engineering in 1986 and 1991, respectively. Noel Nunnally Schulz was born in Virginia in 1966 to Charles \"Butch\" and Joan Nunnally. She met Kirk while attending Virginia Tech, graduating from there with her B.S. and M.S. degrees in electrical engineering in 1988 and 1990, respectively. In 1995, she received her Ph.D. in the same field of study from the University of Minnesota.   Kirk and Noel Schulz have two children, Timothy and Andrew. The family lived in Virginia from 1987 to 1991 while Kirk and Noel attended school, after which they moved to North Dakota as Kirk became an assistant professor and Noel was an instructor at the University of North Dakota. In 1995, the family moved to Michigan where Kirk and Noel had professorships at Michigan Technological University. Kirk received tenure and was promoted to associate professor in 1998 and Noel received tenure and was promoted to associate professor in 2000. Kirk and Noel then moved to Mississippi State University in 2001 where Kirk began as director of the school of chemical engineering and Noel was associate professor of electrical engineering. By 2009, Kirk was vice president for research and economic development and Noel was the Tennessee Valley Authority professor in power systems engineering. They came to Kansas State University in 2009 when Kirk began his presidency and Noel became the LeRoy C. and Aileen H. Paslay professor of electrical and computer engineering. In 2012, Noel became associate dean for research and graduate programs in the university's College of Engineering and director of the Engineering Experiment Station.   In April 2016, Kirk left K-State to become the president of Washington State University in June 2016. Noel became a professor in the Washington State University School of Electrical Engineering and Computer Science, Voiland College of Engineering and Architecture.","Material donated by Noel Schulz and assigned accesion number U2011.15 with additional accurals being assigned numbers U2012.61, U2013.56, U2014.56, U2015.32, and 2015-16.061.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: James Smith  Processing Info: Project archivist James Smith processed and described materials in July 2013. He created the series arrangement because no original order existed. Additional accruals added by processor Audrey Swartz in May 2018.  Publication Date: 2013-07-17","These papers include correspondence, photographs, publications, audio/visual items, events ephemera, and a poster. The papers span from early 2009 to early 2011 and document the Schulz family’s activities after moving to Manhattan, Kansas. These activities included Kirk Schulz’s presidency at Kansas State University, K-State sporting events, partnerships with Fort Riley, and Noel Schulz’s work with women’s issues. The correspondence in this collection is predominately cards sent to the family for the inauguration of Kirk Schulz, and others wishing the family well. The publications consist mainly of newspapers and other materials documenting the Schulz inauguration, as well as other major events at Kansas State University that included athletic competitions and the hiring of major Kansas State personnel. The remainder of the material in the collection pertains to the presidency of Kirk Schulz.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. 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The family lived in Virginia from 1987 to 1991 while Kirk and Noel attended school, after which they moved to North Dakota as Kirk became an assistant professor and Noel was an instructor at the University of North Dakota. In 1995, the family moved to Michigan where Kirk and Noel had professorships at Michigan Technological University. Kirk received tenure and was promoted to associate professor in 1998 and Noel received tenure and was promoted to associate professor in 2000. Kirk and Noel then moved to Mississippi State University in 2001 where Kirk began as director of the school of chemical engineering and Noel was associate professor of electrical engineering. By 2009, Kirk was vice president for research and economic development and Noel was the Tennessee Valley Authority professor in power systems engineering. They came to Kansas State University in 2009 when Kirk began his presidency and Noel became the LeRoy C. and Aileen H. Paslay professor of electrical and computer engineering. In 2012, Noel became associate dean for research and graduate programs in the university's College of Engineering and director of the Engineering Experiment Station. \u003clb\u003e\u003c/lb\u003e In April 2016, Kirk left K-State to become the president of Washington State University in June 2016. Noel became a professor in the Washington State University School of Electrical Engineering and Computer Science, Voiland College of Engineering and Architecture.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Kirk and Noel Schulz were married in 1987 after meeting as students at Virginia Tech. Kirk served as the thirteenth president of Kansas State University, 2009 to 2016, and Noel was associate dean for research and graduate programs in the university's College of Engineering and director of the Engineering Experiment Station.   Kirk Herman Schulz was born to Carl and Judy Schulz in Portsmouth, Virginia, in 1963. He attended Old Dominion University before transferring to Virginia Tech in 1984, graduating from there with his B.S. and Ph.D. degrees in chemical engineering in 1986 and 1991, respectively. Noel Nunnally Schulz was born in Virginia in 1966 to Charles \"Butch\" and Joan Nunnally. She met Kirk while attending Virginia Tech, graduating from there with her B.S. and M.S. degrees in electrical engineering in 1988 and 1990, respectively. In 1995, she received her Ph.D. in the same field of study from the University of Minnesota.   Kirk and Noel Schulz have two children, Timothy and Andrew. The family lived in Virginia from 1987 to 1991 while Kirk and Noel attended school, after which they moved to North Dakota as Kirk became an assistant professor and Noel was an instructor at the University of North Dakota. In 1995, the family moved to Michigan where Kirk and Noel had professorships at Michigan Technological University. Kirk received tenure and was promoted to associate professor in 1998 and Noel received tenure and was promoted to associate professor in 2000. Kirk and Noel then moved to Mississippi State University in 2001 where Kirk began as director of the school of chemical engineering and Noel was associate professor of electrical engineering. By 2009, Kirk was vice president for research and economic development and Noel was the Tennessee Valley Authority professor in power systems engineering. They came to Kansas State University in 2009 when Kirk began his presidency and Noel became the LeRoy C. and Aileen H. Paslay professor of electrical and computer engineering. In 2012, Noel became associate dean for research and graduate programs in the university's College of Engineering and director of the Engineering Experiment Station.   In April 2016, Kirk left K-State to become the president of Washington State University in June 2016. Noel became a professor in the Washington State University School of Electrical Engineering and Computer Science, Voiland College of Engineering and Architecture."],"custodhist_html_tesm":["\u003cp\u003eMaterial donated by Noel Schulz and assigned accesion number U2011.15 with additional accurals being assigned numbers U2012.61, U2013.56, U2014.56, U2015.32, and 2015-16.061.\u003c/p\u003e"],"custodhist_tesim":["Material donated by Noel Schulz and assigned accesion number U2011.15 with additional accurals being assigned numbers U2012.61, U2013.56, U2014.56, U2015.32, and 2015-16.061."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: James Smith \u003clb\u003e\u003c/lb\u003eProcessing Info: Project archivist James Smith processed and described materials in July 2013. He created the series arrangement because no original order existed. Additional accruals added by processor Audrey Swartz in May 2018. \u003clb\u003e\u003c/lb\u003ePublication Date: 2013-07-17\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: James Smith  Processing Info: Project archivist James Smith processed and described materials in July 2013. He created the series arrangement because no original order existed. Additional accruals added by processor Audrey Swartz in May 2018.  Publication Date: 2013-07-17"],"scopecontent_html_tesm":["\u003cp\u003eThese papers include correspondence, photographs, publications, audio/visual items, events ephemera, and a poster. The papers span from early 2009 to early 2011 and document the Schulz family\u0026#x2019;s activities after moving to Manhattan, Kansas. 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The collection contains her biography and several personal photos, including those from notable birthdays, family pictures, and some portraits. A large portion of the collection is made up of magazine, newspaper clippings, and other documentation in regards to wine...","label":"Description"}},"creator":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-sarvis-papers#creator","type":"document_value","attributes":{"value":"Sarvis, Shirley","label":"Creator"}},"level":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-sarvis-papers#level","type":"document_value","attributes":{"value":"collection","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-sarvis-papers#collection_name","type":"document_value","attributes":{"value":"Shirley Sarvis papers, 1957-2007","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-sarvis-papers#eadid","type":"document_value","attributes":{"value":"shirley-sarvis-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-sarvis-papers#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-sarvis-papers#component?","type":"document_value","attributes":{"value":false,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-sarvis-papers#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/shirley-sarvis-papers"}},{"id":"shirley-smith-papers","type":"collection","attributes":{"title":"Shirley Smith papers, 1937-2011","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"shirley-smith-papers","title_ssm":["Shirley Smith papers"],"title_tesim":["Shirley Smith papers"],"ead_ssi":"shirley-smith-papers","unitdate_ssm":["1937-2011"],"unitdate_other_ssim":["1937-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.1o","279"],"text":["P2014.1o","279","Shirley Smith papers, 1937-2011","Kansas agriculture and rural life","9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer.","No access restriction: All materials are open for research.","The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.10.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Haley Claxton \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014 \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03"],"scopecontent_html_tesm":["\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.\u003c/p\u003e"],"scopecontent_tesim":["The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"sourcesDescription\"\u003e \u003cp\u003eInformation entered in Archon by Audrey Swartz, 2017.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Information entered in Archon by Audrey Swartz, 2017."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Smith, Shirley","Smith, Shirley"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":311,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eShirley Smith papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eShirley Smith papers\u003c/unittitle\u003e, 1937-2011"],"hashed_id_ssi":"027975a66a085b04","_root_":"shirley-smith-papers","timestamp":"2026-07-09T11:57:31.007Z","arrangement_html_tesm":["\u003cp\u003eThe collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"shirley-smith-papers","title_ssm":["Shirley Smith papers"],"title_tesim":["Shirley Smith papers"],"ead_ssi":"shirley-smith-papers","unitdate_ssm":["1937-2011"],"unitdate_other_ssim":["1937-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.1o","279"],"text":["P2014.1o","279","Shirley Smith papers, 1937-2011","Kansas agriculture and rural life","9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer.","No access restriction: All materials are open for research.","The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.10.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Haley Claxton \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014 \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03"],"scopecontent_html_tesm":["\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.\u003c/p\u003e"],"scopecontent_tesim":["The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. 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