{"links":{"self":"https://findingaids.lib.ksu.edu/catalog.json?page=43\u0026range%5Bdate_range%5D%5Bbegin%5D=2001\u0026range%5Bdate_range%5D%5Bend%5D=2001","prev":"https://findingaids.lib.ksu.edu/catalog.json?page=42\u0026range%5Bdate_range%5D%5Bbegin%5D=2001\u0026range%5Bdate_range%5D%5Bend%5D=2001","next":"https://findingaids.lib.ksu.edu/catalog.json?page=44\u0026range%5Bdate_range%5D%5Bbegin%5D=2001\u0026range%5Bdate_range%5D%5Bend%5D=2001","last":"https://findingaids.lib.ksu.edu/catalog.json?page=49\u0026range%5Bdate_range%5D%5Bbegin%5D=2001\u0026range%5Bdate_range%5D%5Bend%5D=2001"},"meta":{"pages":{"current_page":43,"next_page":44,"prev_page":42,"total_pages":49,"limit_value":10,"offset_value":420,"total_count":481,"first_page?":false,"last_page?":false}},"data":[{"id":"joel-climenhaga-papers","type":"collection","attributes":{"title":"Joel Climenhaga papers, 1912-2001","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.\u003cbr\u003e The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.\u003cbr\u003e The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003cbr\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003cbr\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003cbr\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003cbr\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003cbr\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003cbr\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003cbr\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003cbr\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003cbr\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"joel-climenhaga-papers","title_ssm":["Joel Climenhaga papers"],"title_tesim":["Joel Climenhaga papers"],"ead_ssi":"joel-climenhaga-papers","unitdate_ssm":["1912-2001"],"unitdate_other_ssim":["1912-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U2001.02","62"],"text":["U2001.02","62","Joel Climenhaga papers, 1912-2001","68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2","No access restrictions: All materials are open for research.","The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.","Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001.","The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30","The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel","English","Latin"],"unitid_tesim":["U2001.02","62"],"normalized_date_ssm":["1912-2001"],"normalized_title_ssm":["Joel Climenhaga papers, 1912-2001"],"collection_title_tesim":["Joel Climenhaga papers, 1912-2001"],"collection_ssim":["Joel Climenhaga papers, 1912-2001"],"creator_ssm":["Climenhaga, Joel"],"creator_ssim":["Climenhaga, Joel"],"creator_persname_ssim":["Climenhaga, Joel"],"creators_ssim":["Climenhaga, Joel"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Zoe Climenhaga Acqusition Method: Donation. Acqusition Date: 20010201"],"has_online_content_ssim":["false"],"physdesc_tesim":["68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.\u003c/p\u003e"],"arrangement_tesim":["The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJoel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga\u0026#x2019;s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play \u0026#x201C;Marriage Wheel,\u0026#x201D; which won the Samuel Goldwyn Award, and in 1956, he published his play \u0026#x201C;Heathen Pioneer: a comedy in one act.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAfter completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga continued to publish his plays and writings while at K-State. This included the works \u0026#x201C;Hawk and Chameleon\u0026#x201D; in 1972, and the \u0026#x201C;One Man\u0026#x2019;s Frontier\u0026#x201D; column in the \u0026#x201C;Flinthills Journal\u0026#x201D; based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include \u0026#x201C;Awakening,\u0026#x201D; \u0026#x201C;The Back Shelf Dispatch,\u0026#x201D; \u0026#x201C;Below Ground Level,\u0026#x201D; \u0026#x201C;Counsel for the Offense,\u0026#x201D; and \u0026#x201C;Greenage.\u0026#x201D; From 1981 to 1987, some of his newspaper columns were broadcast over K-State\u0026#x2019;s radio station, KSAC, in a bi-monthly program entitled \u0026#x201C;One Man\u0026#x2019;s Journey.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column \u0026#x201C;Dear Good People.\u0026#x201D; After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work \u0026#x201C;Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems\u0026#x201D; was published posthumously in 2001.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001."],"custodhist_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.\u003c/p\u003e"],"custodhist_tesim":["The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant. \u003clb\u003e\u003c/lb\u003ePublication Date: 2009-11-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30"],"scopecontent_tesim":["The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003clb\u003e\u003c/lb\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003clb\u003e\u003c/lb\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003clb\u003e\u003c/lb\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003clb\u003e\u003c/lb\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003clb\u003e\u003c/lb\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003clb\u003e\u003c/lb\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003clb\u003e\u003c/lb\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003clb\u003e\u003c/lb\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003clb\u003e\u003c/lb\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"joel-climenhaga-papers","title_ssm":["Joel Climenhaga papers"],"title_tesim":["Joel Climenhaga papers"],"ead_ssi":"joel-climenhaga-papers","unitdate_ssm":["1912-2001"],"unitdate_other_ssim":["1912-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U2001.02","62"],"text":["U2001.02","62","Joel Climenhaga papers, 1912-2001","68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2","No access restrictions: All materials are open for research.","The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.","Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001.","The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30","The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel","English","Latin"],"unitid_tesim":["U2001.02","62"],"normalized_date_ssm":["1912-2001"],"normalized_title_ssm":["Joel Climenhaga papers, 1912-2001"],"collection_title_tesim":["Joel Climenhaga papers, 1912-2001"],"collection_ssim":["Joel Climenhaga papers, 1912-2001"],"creator_ssm":["Climenhaga, Joel"],"creator_ssim":["Climenhaga, Joel"],"creator_persname_ssim":["Climenhaga, Joel"],"creators_ssim":["Climenhaga, Joel"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Zoe Climenhaga Acqusition Method: Donation. Acqusition Date: 20010201"],"has_online_content_ssim":["false"],"physdesc_tesim":["68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.\u003c/p\u003e"],"arrangement_tesim":["The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJoel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga\u0026#x2019;s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play \u0026#x201C;Marriage Wheel,\u0026#x201D; which won the Samuel Goldwyn Award, and in 1956, he published his play \u0026#x201C;Heathen Pioneer: a comedy in one act.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAfter completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga continued to publish his plays and writings while at K-State. This included the works \u0026#x201C;Hawk and Chameleon\u0026#x201D; in 1972, and the \u0026#x201C;One Man\u0026#x2019;s Frontier\u0026#x201D; column in the \u0026#x201C;Flinthills Journal\u0026#x201D; based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include \u0026#x201C;Awakening,\u0026#x201D; \u0026#x201C;The Back Shelf Dispatch,\u0026#x201D; \u0026#x201C;Below Ground Level,\u0026#x201D; \u0026#x201C;Counsel for the Offense,\u0026#x201D; and \u0026#x201C;Greenage.\u0026#x201D; From 1981 to 1987, some of his newspaper columns were broadcast over K-State\u0026#x2019;s radio station, KSAC, in a bi-monthly program entitled \u0026#x201C;One Man\u0026#x2019;s Journey.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column \u0026#x201C;Dear Good People.\u0026#x201D; After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work \u0026#x201C;Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems\u0026#x201D; was published posthumously in 2001.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001."],"custodhist_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.\u003c/p\u003e"],"custodhist_tesim":["The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant. \u003clb\u003e\u003c/lb\u003ePublication Date: 2009-11-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30"],"scopecontent_tesim":["The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003clb\u003e\u003c/lb\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003clb\u003e\u003c/lb\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003clb\u003e\u003c/lb\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003clb\u003e\u003c/lb\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003clb\u003e\u003c/lb\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003clb\u003e\u003c/lb\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003clb\u003e\u003c/lb\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003clb\u003e\u003c/lb\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003clb\u003e\u003c/lb\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#normalized_title","type":"document_value","attributes":{"value":"Joel Climenhaga papers, 1912-2001","label":"Title"}},"short_description":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#short_description","type":"document_value","attributes":{"value":"The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends. The Biographical Series consist of two boxes which include Climenhaga\u0026#39;s baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes. 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Minor, a Kansas State University alumnus, worked in both local and regional cooperatives, taught Vocational Agriculture, and provided educational programs for regional cooperatives as an employee of FAR-MAR-CO and Farmland Industries. He grew up on a farm a mile west of Bloom, Kansas in Ford County, and his grandfather was a board member of the Bloom Cooperative Exchange (which later merged with the Mineola Cooperative Exchange). He taught Vocational Agriculture in Abilene and Scott City, Kansas, the latter for four years. At Scott City, he so impressed Roderic Simpson, a FAR-MAR-CO fieldman, that he was recruited at the end of his tenure by FAR-MAR-CO. FAR-MAR-CO arranged a subsidized internship at the Scott City Cooperative, during which he moved across departments for training. At the end of ten months, he became the coordinator for the new Careers in Cooperatives education program for FAR-MAR-CO in Hutchinson, Kansas. 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He grew up on a farm a mile west of Bloom, Kansas in Ford County, and his grandfather was a board member of the Bloom Cooperative Exchange (which later merged with the Mineola Cooperative Exchange). He taught Vocational Agriculture in Abilene and Scott City, Kansas, the latter for four years. At Scott City, he so impressed Roderic Simpson, a FAR-MAR-CO fieldman, that he was recruited at the end of his tenure by FAR-MAR-CO. FAR-MAR-CO arranged a subsidized internship at the Scott City Cooperative, during which he moved across departments for training. At the end of ten months, he became the coordinator for the new Careers in Cooperatives education program for FAR-MAR-CO in Hutchinson, Kansas. Following the 1977 FAR-MAR-CO merger with Farmland Industries, he moved to Kansas City and the Farmland Educational department. In 1983, he returned to general management at a local cooperative, the Producers Cooperative of Girard, Kansas, for a span of four and a half years, after which he returned to Farmland. In 1998 he joined new special projects group called One System Group for Farmland Industries, in order to re-design all of their business enterprises and departments and create a new business model built into a Y2K initiative compliant software package. In 2001, One System Group became an equal partnership between Farmland Industries and Ernst \u0026 Young, an accounting firm. Later in the new millennium, One System Group became an independent company when Farmland’s share was bought out, and subsequently changed hands several times before John W. 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Minor’s career in cooperative agriculture, in particular his work with the regional cooperatives FAR-MAR-CO and Farmland Industries. Training programs and presentations include a variety of courses spanning accounting, business planning, grain storage, and professional development, many with handwritten notes and additions. Publications include assorted booklets and circulars relating to cooperative farming. Annual reports from Farmland Industries and FAR-MAR-CO (as well as its PROMARK system) range discontinuously from 1975 to 2001. Artifacts include paperweights and other commemorative items.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Minor, John W.","Minor, John W.","English"],"unitid_tesim":["2016-17.043","293"],"normalized_date_ssm":["1971-2001"],"normalized_title_ssm":["John W. 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Minor, a Kansas State University alumnus, worked in both local and regional cooperatives, taught Vocational Agriculture, and provided educational programs for regional cooperatives as an employee of FAR-MAR-CO and Farmland Industries. He grew up on a farm a mile west of Bloom, Kansas in Ford County, and his grandfather was a board member of the Bloom Cooperative Exchange (which later merged with the Mineola Cooperative Exchange). He taught Vocational Agriculture in Abilene and Scott City, Kansas, the latter for four years. At Scott City, he so impressed Roderic Simpson, a FAR-MAR-CO fieldman, that he was recruited at the end of his tenure by FAR-MAR-CO. FAR-MAR-CO arranged a subsidized internship at the Scott City Cooperative, during which he moved across departments for training. At the end of ten months, he became the coordinator for the new Careers in Cooperatives education program for FAR-MAR-CO in Hutchinson, Kansas. Following the 1977 FAR-MAR-CO merger with Farmland Industries, he moved to Kansas City and the Farmland Educational department. In 1983, he returned to general management at a local cooperative, the Producers Cooperative of Girard, Kansas, for a span of four and a half years, after which he returned to Farmland. In 1998 he joined new special projects group called One System Group for Farmland Industries, in order to re-design all of their business enterprises and departments and create a new business model built into a Y2K initiative compliant software package. In 2001, One System Group became an equal partnership between Farmland Industries and Ernst \u0026amp; Young, an accounting firm. Later in the new millennium, One System Group became an independent company when Farmland\u0026#x2019;s share was bought out, and subsequently changed hands several times before John W. Minor\u0026#x2019;s retirement in 2005.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["John W. Minor, a Kansas State University alumnus, worked in both local and regional cooperatives, taught Vocational Agriculture, and provided educational programs for regional cooperatives as an employee of FAR-MAR-CO and Farmland Industries. He grew up on a farm a mile west of Bloom, Kansas in Ford County, and his grandfather was a board member of the Bloom Cooperative Exchange (which later merged with the Mineola Cooperative Exchange). He taught Vocational Agriculture in Abilene and Scott City, Kansas, the latter for four years. At Scott City, he so impressed Roderic Simpson, a FAR-MAR-CO fieldman, that he was recruited at the end of his tenure by FAR-MAR-CO. FAR-MAR-CO arranged a subsidized internship at the Scott City Cooperative, during which he moved across departments for training. At the end of ten months, he became the coordinator for the new Careers in Cooperatives education program for FAR-MAR-CO in Hutchinson, Kansas. Following the 1977 FAR-MAR-CO merger with Farmland Industries, he moved to Kansas City and the Farmland Educational department. In 1983, he returned to general management at a local cooperative, the Producers Cooperative of Girard, Kansas, for a span of four and a half years, after which he returned to Farmland. In 1998 he joined new special projects group called One System Group for Farmland Industries, in order to re-design all of their business enterprises and departments and create a new business model built into a Y2K initiative compliant software package. In 2001, One System Group became an equal partnership between Farmland Industries and Ernst \u0026 Young, an accounting firm. Later in the new millennium, One System Group became an independent company when Farmland’s share was bought out, and subsequently changed hands several times before John W. 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Minor papers are a part of the Arthur Capper Cooperative Research Collection, a resource for the study of agricultural cooperatives. This collection includes training programs, presentations, publications, annual reports, and artifacts related to John W. Minor’s career in cooperative agriculture, in particular his work with the regional cooperatives FAR-MAR-CO and Farmland Industries. Training programs and presentations include a variety of courses spanning accounting, business planning, grain storage, and professional development, many with handwritten notes and additions. Publications include assorted booklets and circulars relating to cooperative farming. Annual reports from Farmland Industries and FAR-MAR-CO (as well as its PROMARK system) range discontinuously from 1975 to 2001. 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Tucker Massey Harvest Brigade Collection, 1939-1949, 2000, 2005, 2013, undated","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection includes documents, photographs, magazines, personal records, and other materials related to the life of Joseph Maxwell Tucker and his work in formulating and organizing the Massey-Harris Harvest Brigade in 1944 and 1945 which used Massey-Harris self-propelled combines to harvest wheat and other crops in a wartime environment of both scarce labor and rationing of raw materials. The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California.\u003cbr\u003e\u003cbr\u003eThe Subject Series is made up of five folders and includes an organization chart for VP \u0026amp; GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates.\u003cbr\u003e\u003cbr\u003eThe Printed Material Series consists of fourteen folders and includes a calendar, four journal articles, a speech Joseph Tucker gave in 1946, and seven publications.\u003cbr\u003e\u003cbr\u003eThe Don \u0026amp; Kay Kluck Series is comprised of seven folders. This series pertains to The Kluck Brothers: Custom Harvesters (Emil Kluck, Ray Kluck, and Roy Kluck), the combines they purchased, and a few photographs.\u003cbr\u003e\u003cbr\u003eThe Photograph Series contains four folders. There are photographs of Lawrence John Letnes, Joseph Tucker, and a photograph of the medal, Order of the British Empire give to Joseph Tucker by King George VI in 1946.\u003cbr\u003e\u003cbr\u003eThe Oversize Printed Materials Subseries consists of three journal articles, three publications, and two advertising posters.\u003cbr\u003e\u003cbr\u003eThe Oversize Photographs Subseries has two photographs: 1) Proclamation by King George VI, 1946 September 9, that nominates and appoints Joseph Maxwell Tucker “to an Honorary Officer of the Civil Division of Our said and Most Excellent Order of the British Empire\" and 2) a newspaper advertisement poking fun at Joseph Tucker titled “Retribution Overdue.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#breadcrumbs","type":"document_value","attributes":{"value":{"id":"joseph-m-tucker-massey-harvest-brigade-collection","title_ssm":["Joseph M. Tucker Massey Harvest Brigade Collection"],"title_tesim":["Joseph M. Tucker Massey Harvest Brigade Collection"],"ead_ssi":"joseph-m-tucker-massey-harvest-brigade-collection","unitdate_ssm":["1939-1949, 2000, 2005, 2013, undated"],"unitdate_other_ssim":["1939-1949, 2000, 2005, 2013, undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2019-20.001"],"text":["2019-20.001","Joseph M. Tucker Massey Harvest Brigade Collection, 1939-1949, 2000, 2005, 2013, undated","Kansas agriculture and rural life","2.00 Boxes, 2.5 linear feet","No access restrictions. All materials are open for research.","These documents support the Kansas life and culture collections by showing how crops, especially wheat, were harvested by the Harvest Brigade throughout the Central Plains and on the west coast during World War II.","This collection is arranged in two boxes. Box one consists of four series: 1) Subject Series; 2) Printed Material; 3) Don \u0026 Kay Kluck Series; 4) Photograph Series. Box two houses the Oversize Series and consists of two subseries: 1) Printed Material and 2) Photographs.","Donated by Judy A. Horsch, Andale, KS, and delivered by Jason Holcomb to Bluemont Hall on June 24, 2019. Moved to Ag Press building where it was accessioned and processed by Cynthia Harris began in July 2019. It received Accession Number 2019-20.001.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Original materials available during open hours of repository and any digitized materials that are online are available with the Internet.","Cynthia Harris, Manuscripts/Collections Processor processed and described materials and curator, David Allen reviewed the finding aid in July 2019. Publication occurred on July 25, 2019.","Collection includes documents, photographs, magazines, personal records, and other materials related to the life of Joseph Maxwell Tucker and his work in formulating and organizing the Massey-Harris Harvest Brigade in 1944 and 1945 which used Massey-Harris self-propelled combines to harvest wheat and other crops in a wartime environment of both scarce labor and rationing of raw materials. The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California. The Subject Series is made up of five folders and includes an organization chart for VP \u0026 GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates. The Printed Material Series consists of fourteen folders and includes a calendar, four journal articles, a speech Joseph Tucker gave in 1946, and seven publications. The Don \u0026 Kay Kluck Series is comprised of seven folders. This series pertains to The Kluck Brothers: Custom Harvesters (Emil Kluck, Ray Kluck, and Roy Kluck), the combines they purchased, and a few photographs. The Photograph Series contains four folders. There are photographs of Lawrence John Letnes, Joseph Tucker, and a photograph of the medal, Order of the British Empire give to Joseph Tucker by King George VI in 1946. The Oversize Printed Materials Subseries consists of three journal articles, three publications, and two advertising posters. 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There are also 3 small books containing Annual Report to the Kansas Board of Regents- Educational Communications Center (ECC) 1990-1992, and a book on Information About the Kansas Regents -ECC. Box 2, A83412158920 – Contains files labeled Academic Committee Background- info and Materials I, Academic Committee Background- info and Materials II, Technical Committee Minutes and Info, Academic Committee (Correspondence), Joint Committee on Economic Development- October 1991, Bob Dole Hall Dedication, Bob Dole Hall Groundbreaking, BOR Advisory Committee- Technology Solutions, another file has Kansas Regents ECC- Academic Committee Meeting Minutes, and there is another File containing correspondence to Dr. Jon Wefald and Kansas State and the ECC-1989. U2011.17 Box 1, A83412060672 – Contains photographs from the Kansas Regents Educational Communications Center. 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Donated by Asgard Press.  U2012.12: accessioned on 5/9/2012 and includes 16 calendars from 1997 to 2012. Some received because University Archives content was included, and others were produced by university units.  U2012.57: accessioned on 12/10/2012 and includes one Friends of Konza Prairie calendar for 2013.  U2013.47: accessioned on 12/30/2013 and includes one Friends of Konza Prairie calendar for 2014.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Cliff Hight  Processing Info: Cliff Hight, university archivist, first processed the materials in 2012 and added accruals as they were processed.  Publication Date: 2012-05-09","These calendars are produced by the university or by vendors with historical materials from the university. 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