{"links":{"self":"https://findingaids.lib.ksu.edu/catalog.json?page=43\u0026range%5Bdate_range%5D%5Bbegin%5D=1944\u0026range%5Bdate_range%5D%5Bend%5D=1945","prev":"https://findingaids.lib.ksu.edu/catalog.json?page=42\u0026range%5Bdate_range%5D%5Bbegin%5D=1944\u0026range%5Bdate_range%5D%5Bend%5D=1945","next":"https://findingaids.lib.ksu.edu/catalog.json?page=44\u0026range%5Bdate_range%5D%5Bbegin%5D=1944\u0026range%5Bdate_range%5D%5Bend%5D=1945","last":"https://findingaids.lib.ksu.edu/catalog.json?page=49\u0026range%5Bdate_range%5D%5Bbegin%5D=1944\u0026range%5Bdate_range%5D%5Bend%5D=1945"},"meta":{"pages":{"current_page":43,"next_page":44,"prev_page":42,"total_pages":49,"limit_value":10,"offset_value":420,"total_count":482,"first_page?":false,"last_page?":false}},"data":[{"id":"hill-family-papers","type":"collection","attributes":{"title":"Hill Family papers, 1929-1987","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/hill-family-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection was created by three members of the Hill family --Randall C. Hill, Maurice L. Hill, and Opal B. Hill. The earliest document in the collection is a contract from 1929, and the manuscripts continue into the 1980s.\u003cbr\u003e The bulk of Opal B. Hill's collection is her personal files that pertain to fabric and fabric history, and they are divided by subject. Also, the museum material is divided by subject for convenience and accessibility.\u003cbr\u003e The first series in the collection pertains to Randall Hill and concerns his involvement with Phi Kappa Tau Fraternity at Kansas State. The first five folders deal with the early years, starting with the house contract in 1929. The theme of his collection centers around financial responsibilities and dues that former members owed to the house. The correspondence from 1932 to 1942 is mainly letters to former members reminding them of their obligations and dues.\u003cbr\u003e The next series, that of Maurice Hill, is very similar to Randall Hill's papers. Maurice Hill was also involved with a fraternity, Phi Sigma Kappa, although his collection is smaller. In this series, however, there are a variety of formats; photos of former members, a newsletter, two fraternity songbooks, letterheads and envelopes, a gavel, and a large metal ring. There is a folder with a few letters from Hill to former members pertaining to dues owed to the fraternity.\u003cbr\u003e The third series, and the largest of the Hill Family Papers, is that of Opal Hill. The first folder pertains to a dinner recognition for Hill and her involvement with the establishment of a museum at Kansas State University and her contributions to Kansas State. Since she was an art instructor, the rest of her collection relates to fabrics and tapestries, including Peruvian, Irish, Persian, and Japanese. The collection contains mostly printed material on various subjects in the form of news articles, essays, pamphlets, and booklets.\u003cbr\u003e The fourth series, part of Opal Hill's papers, deals extensively with the proposal of a museum at Kansas State University. There are six folders, 1) letters, 2) proposals, 3) information about a curator, 4) grant information, 5) printed material about other university museums, and 6) articles about the museum. Another person who was heavily involved with the museum and is frequently mentioned throughout all six folders is Patricia O'Brian, who was a friend and fellow professor at Kansas State University.\u003cbr\u003e The donation includes a collection of photographs associated with Maurice Hill and members of Phi Sigma Kappa. They are of members who were involved with K-State athletics including football, baseball, and track. Also, there are some photos of the Phi Sigma Kappa members who participated in the military training program, and a few group photographs of the fraternity members. The photographs have been removed and filed in the Photograph Collection, Vertical File-People, and in flat storage boxes. An inventory can be found following the container list in this register.\u003cbr\u003e Also, there are six artifacts associated with the Hills that have been stored with the artifacts collection in the University Archives. These artifacts include 1) Phi Sigma Kappa metal nameplate, 2) Phi Delta Tau metal nameplate, 3) metal ring, 4) Gavel and base with Phi Delta Tau insignia, 5) Metals and ribbons with Phi Delta Tau insignia and 6) Lighted sign with Phi Delta Tau in Greek letters.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/hill-family-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"hill-family-papers","title_ssm":["Hill Family papers"],"title_tesim":["Hill Family papers"],"ead_ssi":"hill-family-papers","unitdate_ssm":["1929-1987"],"unitdate_other_ssim":["1929-1987"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U1999.15","58"],"text":["U1999.15","58","Hill Family papers, 1929-1987","Kansas State University history","3.00 Boxes Post-Fire Oversize Extent: Oversize Box (16.5 x 20.5): 509: 20/29/4","No access restrictions: All materials are open for research.","The collection is arranged chronologically whenever possible and consists of  six series: 1) Randall C. Hill, 2) Maurice Hill, 3) Opal Brown Hill, 4) Art Museum Collection, 5) Photographs, and 6) Artifacts.","Randall C. Hill was born on Sept. 30, 1901. He lived in Manhattan from 1917 to 1979 and attended Kansas State from 1919 to 1924, where he was a member of the Phi Kappa Tau Fraternity. He later became the financial advisor of the fraternity. After completion of his bachelor’s degree in social sciences in 1924, and his master’s degree in sociology in 1927, he was hired to teach at Manhattan High School. Hill decided to further his education by attending the University of Missouri where he completed his doctorate in sociology and rural sociology in 1929.  After returning to Manhattan, he became an associate professor in the Department of Economics and Sociology at Kansas State, and began service as the Kansas Supervisor of Rural Research for the Federal Emergency Relief Association in October of 1934. He was promoted to a full professor at K-State in 1935. Hill was elected secretary-treasurer of the National Rural Sociological Society in 1949. In July of 1956, he became a Rural Sociologist on the International Cooperation Administration-India-Kansas State College Team to Poona, India. Hill had a special interest in India thus he spent much of his time and research there.  He retired from Kansas State in 1969 and died on February 9, 1995.  Maurice Hil, the younger brother of Randall Hill, was born on November 7, 1904. He also was a Manhattan resident and attended Kansas State from 1923 to 1925. While at the college, Hill was a member of Phi Sigma Kappa, and he later served as a financial advisor for the fraternity. After his time at Kansas State, Hill worked as a banker at Union National Bank of Manhattan for 22 years. In 1947 he took a position at Home Building \u0026 Loan Association, where he worked for 35 years. Hill was very active in the financial affairs of the Manhattan community. He met Opal and the two were married on December 22, 1928. Maurice Hill died on March 18, 1982.  Opal Brown Hill, the wife of Maurice Hill, was born on September 23, 1903. She attended Kansas State and received her Bachelor of Science degree in Home Economics in 1944. She was employed as a clerk in the business office at Kansas State for seven years when she resigned to pursue a master’s degree in art, which she received from Kansas State in 1950. Mrs. Hill taught interior decorating, along with other subjects, in the art department as an associate professor. At that time, subjects such as interior decorating and architecture were part of the art department. Hill retired from the university in 1969, and in 1983 she received the Art Department Recognition Award. She died on August 14, 1997.","Received the accession number U1999.15. The Hill family papers were donated to the University Archives in 1999 by Joleen J. Hill who acquired the collection from the home of Opal Hill after her death in 1997.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: David Arends  Processing Info: The papers were processed in the fall of 2000 by David Arends, Kansas State University Historical Society volunteer. The accession number is U1999.15.","The collection was created by three members of the Hill family --Randall C. Hill, Maurice L. Hill, and Opal B. Hill. The earliest document in the collection is a contract from 1929, and the manuscripts continue into the 1980s.  The bulk of Opal B. Hill's collection is her personal files that pertain to fabric and fabric history, and they are divided by subject. Also, the museum material is divided by subject for convenience and accessibility.  The first series in the collection pertains to Randall Hill and concerns his involvement with Phi Kappa Tau Fraternity at Kansas State. The first five folders deal with the early years, starting with the house contract in 1929. The theme of his collection centers around financial responsibilities and dues that former members owed to the house. The correspondence from 1932 to 1942 is mainly letters to former members reminding them of their obligations and dues.  The next series, that of Maurice Hill, is very similar to Randall Hill's papers. Maurice Hill was also involved with a fraternity, Phi Sigma Kappa, although his collection is smaller. In this series, however, there are a variety of formats; photos of former members, a newsletter, two fraternity songbooks, letterheads and envelopes, a gavel, and a large metal ring. There is a folder with a few letters from Hill to former members pertaining to dues owed to the fraternity.  The third series, and the largest of the Hill Family Papers, is that of Opal Hill. The first folder pertains to a dinner recognition for Hill and her involvement with the establishment of a museum at Kansas State University and her contributions to Kansas State. Since she was an art instructor, the rest of her collection relates to fabrics and tapestries, including Peruvian, Irish, Persian, and Japanese. The collection contains mostly printed material on various subjects in the form of news articles, essays, pamphlets, and booklets.  The fourth series, part of Opal Hill's papers, deals extensively with the proposal of a museum at Kansas State University. There are six folders, 1) letters, 2) proposals, 3) information about a curator, 4) grant information, 5) printed material about other university museums, and 6) articles about the museum. Another person who was heavily involved with the museum and is frequently mentioned throughout all six folders is Patricia O'Brian, who was a friend and fellow professor at Kansas State University.  The donation includes a collection of photographs associated with Maurice Hill and members of Phi Sigma Kappa. They are of members who were involved with K-State athletics including football, baseball, and track. Also, there are some photos of the Phi Sigma Kappa members who participated in the military training program, and a few group photographs of the fraternity members. The photographs have been removed and filed in the Photograph Collection, Vertical File-People, and in flat storage boxes. An inventory can be found following the container list in this register.  Also, there are six artifacts associated with the Hills that have been stored with the artifacts collection in the University Archives. These artifacts include 1) Phi Sigma Kappa metal nameplate, 2) Phi Delta Tau metal nameplate, 3) metal ring, 4) Gavel and base with Phi Delta Tau insignia, 5) Metals and ribbons with Phi Delta Tau insignia and 6) Lighted sign with Phi Delta Tau in Greek letters.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Original accession number: U1999.15.   Location accession number: P2000.6   Additional material needs to be placed into the collection record from the finding aid.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Hill Family","Hill Family","English","Latin"],"unitid_tesim":["U1999.15","58"],"normalized_date_ssm":["1929-1987"],"normalized_title_ssm":["Hill Family papers, 1929-1987"],"collection_title_tesim":["Hill Family papers, 1929-1987"],"collection_ssim":["Hill Family papers, 1929-1987"],"creator_ssm":["Hill Family"],"creator_ssim":["Hill Family"],"creator_famname_ssim":["Hill Family"],"creators_ssim":["Hill Family"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Joleen J. Hill Acqusition Method: Donation. Acqusition Date: 19991101"],"access_subjects_ssim":["Kansas State University history"],"access_subjects_ssm":["Kansas State University history"],"has_online_content_ssim":["false"],"physdesc_tesim":["3.00 Boxes Post-Fire Oversize Extent: Oversize Box (16.5 x 20.5): 509: 20/29/4"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically whenever possible and consists of\u003clb\u003e\u003c/lb\u003e six series: 1) Randall C. Hill, 2) Maurice Hill, 3) Opal Brown Hill, 4) Art Museum Collection, 5) Photographs, and 6) Artifacts.\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged chronologically whenever possible and consists of  six series: 1) Randall C. Hill, 2) Maurice Hill, 3) Opal Brown Hill, 4) Art Museum Collection, 5) Photographs, and 6) Artifacts."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eRandall C. Hill was born on Sept. 30, 1901. He lived in Manhattan from 1917 to 1979 and attended Kansas State from 1919 to 1924, where he was a member of the Phi Kappa Tau Fraternity. He later became the financial advisor of the fraternity. After completion of his bachelor\u0026#x2019;s degree in social sciences in 1924, and his master\u0026#x2019;s degree in sociology in 1927, he was hired to teach at Manhattan High School. Hill decided to further his education by attending the University of Missouri where he completed his doctorate in sociology and rural sociology in 1929.\u003clb\u003e\u003c/lb\u003e After returning to Manhattan, he became an associate professor in the Department of Economics and Sociology at Kansas State, and began service as the Kansas Supervisor of Rural Research for the Federal Emergency Relief Association in October of 1934. He was promoted to a full professor at K-State in 1935. Hill was elected secretary-treasurer of the National Rural Sociological Society in 1949. In July of 1956, he became a Rural Sociologist on the International Cooperation Administration-India-Kansas State College Team to Poona, India. Hill had a special interest in India thus he spent much of his time and research there.\u003clb\u003e\u003c/lb\u003e He retired from Kansas State in 1969 and died on February 9, 1995.\u003clb\u003e\u003c/lb\u003e Maurice Hil, the younger brother of Randall Hill, was born on November 7, 1904. He also was a Manhattan resident and attended Kansas State from 1923 to 1925. While at the college, Hill was a member of Phi Sigma Kappa, and he later served as a financial advisor for the fraternity. After his time at Kansas State, Hill worked as a banker at Union National Bank of Manhattan for 22 years. In 1947 he took a position at Home Building \u0026amp; Loan Association, where he worked for 35 years. Hill was very active in the financial affairs of the Manhattan community. He met Opal and the two were married on December 22, 1928. Maurice Hill died on March 18, 1982.\u003clb\u003e\u003c/lb\u003e Opal Brown Hill, the wife of Maurice Hill, was born on September 23, 1903. She attended Kansas State and received her Bachelor of Science degree in Home Economics in 1944. She was employed as a clerk in the business office at Kansas State for seven years when she resigned to pursue a master\u0026#x2019;s degree in art, which she received from Kansas State in 1950. Mrs. Hill taught interior decorating, along with other subjects, in the art department as an associate professor. At that time, subjects such as interior decorating and architecture were part of the art department. Hill retired from the university in 1969, and in 1983 she received the Art Department Recognition Award. She died on August 14, 1997.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Randall C. Hill was born on Sept. 30, 1901. He lived in Manhattan from 1917 to 1979 and attended Kansas State from 1919 to 1924, where he was a member of the Phi Kappa Tau Fraternity. He later became the financial advisor of the fraternity. After completion of his bachelor’s degree in social sciences in 1924, and his master’s degree in sociology in 1927, he was hired to teach at Manhattan High School. Hill decided to further his education by attending the University of Missouri where he completed his doctorate in sociology and rural sociology in 1929.  After returning to Manhattan, he became an associate professor in the Department of Economics and Sociology at Kansas State, and began service as the Kansas Supervisor of Rural Research for the Federal Emergency Relief Association in October of 1934. He was promoted to a full professor at K-State in 1935. Hill was elected secretary-treasurer of the National Rural Sociological Society in 1949. In July of 1956, he became a Rural Sociologist on the International Cooperation Administration-India-Kansas State College Team to Poona, India. Hill had a special interest in India thus he spent much of his time and research there.  He retired from Kansas State in 1969 and died on February 9, 1995.  Maurice Hil, the younger brother of Randall Hill, was born on November 7, 1904. He also was a Manhattan resident and attended Kansas State from 1923 to 1925. While at the college, Hill was a member of Phi Sigma Kappa, and he later served as a financial advisor for the fraternity. After his time at Kansas State, Hill worked as a banker at Union National Bank of Manhattan for 22 years. In 1947 he took a position at Home Building \u0026 Loan Association, where he worked for 35 years. Hill was very active in the financial affairs of the Manhattan community. He met Opal and the two were married on December 22, 1928. Maurice Hill died on March 18, 1982.  Opal Brown Hill, the wife of Maurice Hill, was born on September 23, 1903. She attended Kansas State and received her Bachelor of Science degree in Home Economics in 1944. She was employed as a clerk in the business office at Kansas State for seven years when she resigned to pursue a master’s degree in art, which she received from Kansas State in 1950. Mrs. Hill taught interior decorating, along with other subjects, in the art department as an associate professor. At that time, subjects such as interior decorating and architecture were part of the art department. Hill retired from the university in 1969, and in 1983 she received the Art Department Recognition Award. She died on August 14, 1997."],"custodhist_html_tesm":["\u003cp\u003eReceived the accession number U1999.15. The Hill family papers were donated to the University Archives in 1999 by Joleen J. Hill who acquired the collection from the home of Opal Hill after her death in 1997.\u003c/p\u003e"],"custodhist_tesim":["Received the accession number U1999.15. The Hill family papers were donated to the University Archives in 1999 by Joleen J. Hill who acquired the collection from the home of Opal Hill after her death in 1997."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1995-15.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1995-15.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: David Arends \u003clb\u003e\u003c/lb\u003eProcessing Info: The papers were processed in the fall of 2000 by David Arends, Kansas State University Historical Society volunteer. The accession number is U1999.15.\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: David Arends  Processing Info: The papers were processed in the fall of 2000 by David Arends, Kansas State University Historical Society volunteer. The accession number is U1999.15."],"scopecontent_html_tesm":["\u003cp\u003eThe collection was created by three members of the Hill family --Randall C. Hill, Maurice L. Hill, and Opal B. Hill. The earliest document in the collection is a contract from 1929, and the manuscripts continue into the 1980s.\u003clb\u003e\u003c/lb\u003e The bulk of Opal B. Hill's collection is her personal files that pertain to fabric and fabric history, and they are divided by subject. Also, the museum material is divided by subject for convenience and accessibility.\u003clb\u003e\u003c/lb\u003e The first series in the collection pertains to Randall Hill and concerns his involvement with Phi Kappa Tau Fraternity at Kansas State. The first five folders deal with the early years, starting with the house contract in 1929. The theme of his collection centers around financial responsibilities and dues that former members owed to the house. The correspondence from 1932 to 1942 is mainly letters to former members reminding them of their obligations and dues.\u003clb\u003e\u003c/lb\u003e The next series, that of Maurice Hill, is very similar to Randall Hill's papers. Maurice Hill was also involved with a fraternity, Phi Sigma Kappa, although his collection is smaller. In this series, however, there are a variety of formats; photos of former members, a newsletter, two fraternity songbooks, letterheads and envelopes, a gavel, and a large metal ring. There is a folder with a few letters from Hill to former members pertaining to dues owed to the fraternity.\u003clb\u003e\u003c/lb\u003e The third series, and the largest of the Hill Family Papers, is that of Opal Hill. The first folder pertains to a dinner recognition for Hill and her involvement with the establishment of a museum at Kansas State University and her contributions to Kansas State. Since she was an art instructor, the rest of her collection relates to fabrics and tapestries, including Peruvian, Irish, Persian, and Japanese. The collection contains mostly printed material on various subjects in the form of news articles, essays, pamphlets, and booklets.\u003clb\u003e\u003c/lb\u003e The fourth series, part of Opal Hill's papers, deals extensively with the proposal of a museum at Kansas State University. There are six folders, 1) letters, 2) proposals, 3) information about a curator, 4) grant information, 5) printed material about other university museums, and 6) articles about the museum. Another person who was heavily involved with the museum and is frequently mentioned throughout all six folders is Patricia O'Brian, who was a friend and fellow professor at Kansas State University.\u003clb\u003e\u003c/lb\u003e The donation includes a collection of photographs associated with Maurice Hill and members of Phi Sigma Kappa. They are of members who were involved with K-State athletics including football, baseball, and track. Also, there are some photos of the Phi Sigma Kappa members who participated in the military training program, and a few group photographs of the fraternity members. The photographs have been removed and filed in the Photograph Collection, Vertical File-People, and in flat storage boxes. An inventory can be found following the container list in this register.\u003clb\u003e\u003c/lb\u003e Also, there are six artifacts associated with the Hills that have been stored with the artifacts collection in the University Archives. These artifacts include 1) Phi Sigma Kappa metal nameplate, 2) Phi Delta Tau metal nameplate, 3) metal ring, 4) Gavel and base with Phi Delta Tau insignia, 5) Metals and ribbons with Phi Delta Tau insignia and 6) Lighted sign with Phi Delta Tau in Greek letters.\u003c/p\u003e"],"scopecontent_tesim":["The collection was created by three members of the Hill family --Randall C. Hill, Maurice L. Hill, and Opal B. Hill. The earliest document in the collection is a contract from 1929, and the manuscripts continue into the 1980s.  The bulk of Opal B. Hill's collection is her personal files that pertain to fabric and fabric history, and they are divided by subject. Also, the museum material is divided by subject for convenience and accessibility.  The first series in the collection pertains to Randall Hill and concerns his involvement with Phi Kappa Tau Fraternity at Kansas State. The first five folders deal with the early years, starting with the house contract in 1929. The theme of his collection centers around financial responsibilities and dues that former members owed to the house. The correspondence from 1932 to 1942 is mainly letters to former members reminding them of their obligations and dues.  The next series, that of Maurice Hill, is very similar to Randall Hill's papers. Maurice Hill was also involved with a fraternity, Phi Sigma Kappa, although his collection is smaller. In this series, however, there are a variety of formats; photos of former members, a newsletter, two fraternity songbooks, letterheads and envelopes, a gavel, and a large metal ring. There is a folder with a few letters from Hill to former members pertaining to dues owed to the fraternity.  The third series, and the largest of the Hill Family Papers, is that of Opal Hill. The first folder pertains to a dinner recognition for Hill and her involvement with the establishment of a museum at Kansas State University and her contributions to Kansas State. Since she was an art instructor, the rest of her collection relates to fabrics and tapestries, including Peruvian, Irish, Persian, and Japanese. The collection contains mostly printed material on various subjects in the form of news articles, essays, pamphlets, and booklets.  The fourth series, part of Opal Hill's papers, deals extensively with the proposal of a museum at Kansas State University. There are six folders, 1) letters, 2) proposals, 3) information about a curator, 4) grant information, 5) printed material about other university museums, and 6) articles about the museum. Another person who was heavily involved with the museum and is frequently mentioned throughout all six folders is Patricia O'Brian, who was a friend and fellow professor at Kansas State University.  The donation includes a collection of photographs associated with Maurice Hill and members of Phi Sigma Kappa. They are of members who were involved with K-State athletics including football, baseball, and track. Also, there are some photos of the Phi Sigma Kappa members who participated in the military training program, and a few group photographs of the fraternity members. The photographs have been removed and filed in the Photograph Collection, Vertical File-People, and in flat storage boxes. An inventory can be found following the container list in this register.  Also, there are six artifacts associated with the Hills that have been stored with the artifacts collection in the University Archives. These artifacts include 1) Phi Sigma Kappa metal nameplate, 2) Phi Delta Tau metal nameplate, 3) metal ring, 4) Gavel and base with Phi Delta Tau insignia, 5) Metals and ribbons with Phi Delta Tau insignia and 6) Lighted sign with Phi Delta Tau in Greek letters."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"generalNote\"\u003e \u003cp\u003eOriginal accession number: U1999.15. \u003clb/\u003e Location accession number: P2000.6 \u003clb/\u003e \u003clb/\u003e Additional material needs to be placed into the collection record from the finding aid.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Original accession number: U1999.15.   Location accession number: P2000.6   Additional material needs to be placed into the collection record from the finding aid."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Hill Family","Hill Family"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"famname_ssim":["Hill Family","Hill Family"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":90,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eHill Family papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eHill Family papers\u003c/unittitle\u003e, 1929-1987"],"hashed_id_ssi":"a32820e116d9f4cd","_root_":"hill-family-papers","timestamp":"2026-07-10T12:01:00.618Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"hill-family-papers","title_ssm":["Hill Family papers"],"title_tesim":["Hill Family papers"],"ead_ssi":"hill-family-papers","unitdate_ssm":["1929-1987"],"unitdate_other_ssim":["1929-1987"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U1999.15","58"],"text":["U1999.15","58","Hill Family papers, 1929-1987","Kansas State University history","3.00 Boxes Post-Fire Oversize Extent: Oversize Box (16.5 x 20.5): 509: 20/29/4","No access restrictions: All materials are open for research.","The collection is arranged chronologically whenever possible and consists of  six series: 1) Randall C. Hill, 2) Maurice Hill, 3) Opal Brown Hill, 4) Art Museum Collection, 5) Photographs, and 6) Artifacts.","Randall C. Hill was born on Sept. 30, 1901. He lived in Manhattan from 1917 to 1979 and attended Kansas State from 1919 to 1924, where he was a member of the Phi Kappa Tau Fraternity. He later became the financial advisor of the fraternity. After completion of his bachelor’s degree in social sciences in 1924, and his master’s degree in sociology in 1927, he was hired to teach at Manhattan High School. Hill decided to further his education by attending the University of Missouri where he completed his doctorate in sociology and rural sociology in 1929.  After returning to Manhattan, he became an associate professor in the Department of Economics and Sociology at Kansas State, and began service as the Kansas Supervisor of Rural Research for the Federal Emergency Relief Association in October of 1934. He was promoted to a full professor at K-State in 1935. Hill was elected secretary-treasurer of the National Rural Sociological Society in 1949. In July of 1956, he became a Rural Sociologist on the International Cooperation Administration-India-Kansas State College Team to Poona, India. Hill had a special interest in India thus he spent much of his time and research there.  He retired from Kansas State in 1969 and died on February 9, 1995.  Maurice Hil, the younger brother of Randall Hill, was born on November 7, 1904. He also was a Manhattan resident and attended Kansas State from 1923 to 1925. While at the college, Hill was a member of Phi Sigma Kappa, and he later served as a financial advisor for the fraternity. After his time at Kansas State, Hill worked as a banker at Union National Bank of Manhattan for 22 years. In 1947 he took a position at Home Building \u0026 Loan Association, where he worked for 35 years. Hill was very active in the financial affairs of the Manhattan community. He met Opal and the two were married on December 22, 1928. Maurice Hill died on March 18, 1982.  Opal Brown Hill, the wife of Maurice Hill, was born on September 23, 1903. She attended Kansas State and received her Bachelor of Science degree in Home Economics in 1944. She was employed as a clerk in the business office at Kansas State for seven years when she resigned to pursue a master’s degree in art, which she received from Kansas State in 1950. Mrs. Hill taught interior decorating, along with other subjects, in the art department as an associate professor. At that time, subjects such as interior decorating and architecture were part of the art department. Hill retired from the university in 1969, and in 1983 she received the Art Department Recognition Award. She died on August 14, 1997.","Received the accession number U1999.15. The Hill family papers were donated to the University Archives in 1999 by Joleen J. Hill who acquired the collection from the home of Opal Hill after her death in 1997.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: David Arends  Processing Info: The papers were processed in the fall of 2000 by David Arends, Kansas State University Historical Society volunteer. The accession number is U1999.15.","The collection was created by three members of the Hill family --Randall C. Hill, Maurice L. Hill, and Opal B. Hill. The earliest document in the collection is a contract from 1929, and the manuscripts continue into the 1980s.  The bulk of Opal B. Hill's collection is her personal files that pertain to fabric and fabric history, and they are divided by subject. Also, the museum material is divided by subject for convenience and accessibility.  The first series in the collection pertains to Randall Hill and concerns his involvement with Phi Kappa Tau Fraternity at Kansas State. The first five folders deal with the early years, starting with the house contract in 1929. The theme of his collection centers around financial responsibilities and dues that former members owed to the house. The correspondence from 1932 to 1942 is mainly letters to former members reminding them of their obligations and dues.  The next series, that of Maurice Hill, is very similar to Randall Hill's papers. Maurice Hill was also involved with a fraternity, Phi Sigma Kappa, although his collection is smaller. In this series, however, there are a variety of formats; photos of former members, a newsletter, two fraternity songbooks, letterheads and envelopes, a gavel, and a large metal ring. There is a folder with a few letters from Hill to former members pertaining to dues owed to the fraternity.  The third series, and the largest of the Hill Family Papers, is that of Opal Hill. The first folder pertains to a dinner recognition for Hill and her involvement with the establishment of a museum at Kansas State University and her contributions to Kansas State. Since she was an art instructor, the rest of her collection relates to fabrics and tapestries, including Peruvian, Irish, Persian, and Japanese. The collection contains mostly printed material on various subjects in the form of news articles, essays, pamphlets, and booklets.  The fourth series, part of Opal Hill's papers, deals extensively with the proposal of a museum at Kansas State University. There are six folders, 1) letters, 2) proposals, 3) information about a curator, 4) grant information, 5) printed material about other university museums, and 6) articles about the museum. Another person who was heavily involved with the museum and is frequently mentioned throughout all six folders is Patricia O'Brian, who was a friend and fellow professor at Kansas State University.  The donation includes a collection of photographs associated with Maurice Hill and members of Phi Sigma Kappa. They are of members who were involved with K-State athletics including football, baseball, and track. Also, there are some photos of the Phi Sigma Kappa members who participated in the military training program, and a few group photographs of the fraternity members. The photographs have been removed and filed in the Photograph Collection, Vertical File-People, and in flat storage boxes. An inventory can be found following the container list in this register.  Also, there are six artifacts associated with the Hills that have been stored with the artifacts collection in the University Archives. These artifacts include 1) Phi Sigma Kappa metal nameplate, 2) Phi Delta Tau metal nameplate, 3) metal ring, 4) Gavel and base with Phi Delta Tau insignia, 5) Metals and ribbons with Phi Delta Tau insignia and 6) Lighted sign with Phi Delta Tau in Greek letters.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Original accession number: U1999.15.   Location accession number: P2000.6   Additional material needs to be placed into the collection record from the finding aid.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Hill Family","Hill Family","English","Latin"],"unitid_tesim":["U1999.15","58"],"normalized_date_ssm":["1929-1987"],"normalized_title_ssm":["Hill Family papers, 1929-1987"],"collection_title_tesim":["Hill Family papers, 1929-1987"],"collection_ssim":["Hill Family papers, 1929-1987"],"creator_ssm":["Hill Family"],"creator_ssim":["Hill Family"],"creator_famname_ssim":["Hill Family"],"creators_ssim":["Hill Family"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Joleen J. Hill Acqusition Method: Donation. Acqusition Date: 19991101"],"access_subjects_ssim":["Kansas State University history"],"access_subjects_ssm":["Kansas State University history"],"has_online_content_ssim":["false"],"physdesc_tesim":["3.00 Boxes Post-Fire Oversize Extent: Oversize Box (16.5 x 20.5): 509: 20/29/4"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically whenever possible and consists of\u003clb\u003e\u003c/lb\u003e six series: 1) Randall C. Hill, 2) Maurice Hill, 3) Opal Brown Hill, 4) Art Museum Collection, 5) Photographs, and 6) Artifacts.\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged chronologically whenever possible and consists of  six series: 1) Randall C. Hill, 2) Maurice Hill, 3) Opal Brown Hill, 4) Art Museum Collection, 5) Photographs, and 6) Artifacts."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eRandall C. Hill was born on Sept. 30, 1901. He lived in Manhattan from 1917 to 1979 and attended Kansas State from 1919 to 1924, where he was a member of the Phi Kappa Tau Fraternity. He later became the financial advisor of the fraternity. After completion of his bachelor\u0026#x2019;s degree in social sciences in 1924, and his master\u0026#x2019;s degree in sociology in 1927, he was hired to teach at Manhattan High School. Hill decided to further his education by attending the University of Missouri where he completed his doctorate in sociology and rural sociology in 1929.\u003clb\u003e\u003c/lb\u003e After returning to Manhattan, he became an associate professor in the Department of Economics and Sociology at Kansas State, and began service as the Kansas Supervisor of Rural Research for the Federal Emergency Relief Association in October of 1934. He was promoted to a full professor at K-State in 1935. Hill was elected secretary-treasurer of the National Rural Sociological Society in 1949. In July of 1956, he became a Rural Sociologist on the International Cooperation Administration-India-Kansas State College Team to Poona, India. Hill had a special interest in India thus he spent much of his time and research there.\u003clb\u003e\u003c/lb\u003e He retired from Kansas State in 1969 and died on February 9, 1995.\u003clb\u003e\u003c/lb\u003e Maurice Hil, the younger brother of Randall Hill, was born on November 7, 1904. He also was a Manhattan resident and attended Kansas State from 1923 to 1925. While at the college, Hill was a member of Phi Sigma Kappa, and he later served as a financial advisor for the fraternity. After his time at Kansas State, Hill worked as a banker at Union National Bank of Manhattan for 22 years. In 1947 he took a position at Home Building \u0026amp; Loan Association, where he worked for 35 years. Hill was very active in the financial affairs of the Manhattan community. He met Opal and the two were married on December 22, 1928. Maurice Hill died on March 18, 1982.\u003clb\u003e\u003c/lb\u003e Opal Brown Hill, the wife of Maurice Hill, was born on September 23, 1903. She attended Kansas State and received her Bachelor of Science degree in Home Economics in 1944. She was employed as a clerk in the business office at Kansas State for seven years when she resigned to pursue a master\u0026#x2019;s degree in art, which she received from Kansas State in 1950. Mrs. Hill taught interior decorating, along with other subjects, in the art department as an associate professor. At that time, subjects such as interior decorating and architecture were part of the art department. Hill retired from the university in 1969, and in 1983 she received the Art Department Recognition Award. She died on August 14, 1997.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Randall C. Hill was born on Sept. 30, 1901. He lived in Manhattan from 1917 to 1979 and attended Kansas State from 1919 to 1924, where he was a member of the Phi Kappa Tau Fraternity. He later became the financial advisor of the fraternity. After completion of his bachelor’s degree in social sciences in 1924, and his master’s degree in sociology in 1927, he was hired to teach at Manhattan High School. Hill decided to further his education by attending the University of Missouri where he completed his doctorate in sociology and rural sociology in 1929.  After returning to Manhattan, he became an associate professor in the Department of Economics and Sociology at Kansas State, and began service as the Kansas Supervisor of Rural Research for the Federal Emergency Relief Association in October of 1934. He was promoted to a full professor at K-State in 1935. Hill was elected secretary-treasurer of the National Rural Sociological Society in 1949. In July of 1956, he became a Rural Sociologist on the International Cooperation Administration-India-Kansas State College Team to Poona, India. Hill had a special interest in India thus he spent much of his time and research there.  He retired from Kansas State in 1969 and died on February 9, 1995.  Maurice Hil, the younger brother of Randall Hill, was born on November 7, 1904. He also was a Manhattan resident and attended Kansas State from 1923 to 1925. While at the college, Hill was a member of Phi Sigma Kappa, and he later served as a financial advisor for the fraternity. After his time at Kansas State, Hill worked as a banker at Union National Bank of Manhattan for 22 years. In 1947 he took a position at Home Building \u0026 Loan Association, where he worked for 35 years. Hill was very active in the financial affairs of the Manhattan community. He met Opal and the two were married on December 22, 1928. Maurice Hill died on March 18, 1982.  Opal Brown Hill, the wife of Maurice Hill, was born on September 23, 1903. She attended Kansas State and received her Bachelor of Science degree in Home Economics in 1944. She was employed as a clerk in the business office at Kansas State for seven years when she resigned to pursue a master’s degree in art, which she received from Kansas State in 1950. Mrs. Hill taught interior decorating, along with other subjects, in the art department as an associate professor. At that time, subjects such as interior decorating and architecture were part of the art department. Hill retired from the university in 1969, and in 1983 she received the Art Department Recognition Award. She died on August 14, 1997."],"custodhist_html_tesm":["\u003cp\u003eReceived the accession number U1999.15. The Hill family papers were donated to the University Archives in 1999 by Joleen J. Hill who acquired the collection from the home of Opal Hill after her death in 1997.\u003c/p\u003e"],"custodhist_tesim":["Received the accession number U1999.15. The Hill family papers were donated to the University Archives in 1999 by Joleen J. Hill who acquired the collection from the home of Opal Hill after her death in 1997."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1995-15.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1995-15.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: David Arends \u003clb\u003e\u003c/lb\u003eProcessing Info: The papers were processed in the fall of 2000 by David Arends, Kansas State University Historical Society volunteer. The accession number is U1999.15.\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: David Arends  Processing Info: The papers were processed in the fall of 2000 by David Arends, Kansas State University Historical Society volunteer. The accession number is U1999.15."],"scopecontent_html_tesm":["\u003cp\u003eThe collection was created by three members of the Hill family --Randall C. Hill, Maurice L. Hill, and Opal B. Hill. The earliest document in the collection is a contract from 1929, and the manuscripts continue into the 1980s.\u003clb\u003e\u003c/lb\u003e The bulk of Opal B. Hill's collection is her personal files that pertain to fabric and fabric history, and they are divided by subject. Also, the museum material is divided by subject for convenience and accessibility.\u003clb\u003e\u003c/lb\u003e The first series in the collection pertains to Randall Hill and concerns his involvement with Phi Kappa Tau Fraternity at Kansas State. The first five folders deal with the early years, starting with the house contract in 1929. The theme of his collection centers around financial responsibilities and dues that former members owed to the house. The correspondence from 1932 to 1942 is mainly letters to former members reminding them of their obligations and dues.\u003clb\u003e\u003c/lb\u003e The next series, that of Maurice Hill, is very similar to Randall Hill's papers. Maurice Hill was also involved with a fraternity, Phi Sigma Kappa, although his collection is smaller. In this series, however, there are a variety of formats; photos of former members, a newsletter, two fraternity songbooks, letterheads and envelopes, a gavel, and a large metal ring. There is a folder with a few letters from Hill to former members pertaining to dues owed to the fraternity.\u003clb\u003e\u003c/lb\u003e The third series, and the largest of the Hill Family Papers, is that of Opal Hill. The first folder pertains to a dinner recognition for Hill and her involvement with the establishment of a museum at Kansas State University and her contributions to Kansas State. Since she was an art instructor, the rest of her collection relates to fabrics and tapestries, including Peruvian, Irish, Persian, and Japanese. The collection contains mostly printed material on various subjects in the form of news articles, essays, pamphlets, and booklets.\u003clb\u003e\u003c/lb\u003e The fourth series, part of Opal Hill's papers, deals extensively with the proposal of a museum at Kansas State University. There are six folders, 1) letters, 2) proposals, 3) information about a curator, 4) grant information, 5) printed material about other university museums, and 6) articles about the museum. Another person who was heavily involved with the museum and is frequently mentioned throughout all six folders is Patricia O'Brian, who was a friend and fellow professor at Kansas State University.\u003clb\u003e\u003c/lb\u003e The donation includes a collection of photographs associated with Maurice Hill and members of Phi Sigma Kappa. They are of members who were involved with K-State athletics including football, baseball, and track. Also, there are some photos of the Phi Sigma Kappa members who participated in the military training program, and a few group photographs of the fraternity members. The photographs have been removed and filed in the Photograph Collection, Vertical File-People, and in flat storage boxes. An inventory can be found following the container list in this register.\u003clb\u003e\u003c/lb\u003e Also, there are six artifacts associated with the Hills that have been stored with the artifacts collection in the University Archives. These artifacts include 1) Phi Sigma Kappa metal nameplate, 2) Phi Delta Tau metal nameplate, 3) metal ring, 4) Gavel and base with Phi Delta Tau insignia, 5) Metals and ribbons with Phi Delta Tau insignia and 6) Lighted sign with Phi Delta Tau in Greek letters.\u003c/p\u003e"],"scopecontent_tesim":["The collection was created by three members of the Hill family --Randall C. Hill, Maurice L. Hill, and Opal B. Hill. The earliest document in the collection is a contract from 1929, and the manuscripts continue into the 1980s.  The bulk of Opal B. Hill's collection is her personal files that pertain to fabric and fabric history, and they are divided by subject. Also, the museum material is divided by subject for convenience and accessibility.  The first series in the collection pertains to Randall Hill and concerns his involvement with Phi Kappa Tau Fraternity at Kansas State. The first five folders deal with the early years, starting with the house contract in 1929. The theme of his collection centers around financial responsibilities and dues that former members owed to the house. The correspondence from 1932 to 1942 is mainly letters to former members reminding them of their obligations and dues.  The next series, that of Maurice Hill, is very similar to Randall Hill's papers. Maurice Hill was also involved with a fraternity, Phi Sigma Kappa, although his collection is smaller. In this series, however, there are a variety of formats; photos of former members, a newsletter, two fraternity songbooks, letterheads and envelopes, a gavel, and a large metal ring. There is a folder with a few letters from Hill to former members pertaining to dues owed to the fraternity.  The third series, and the largest of the Hill Family Papers, is that of Opal Hill. The first folder pertains to a dinner recognition for Hill and her involvement with the establishment of a museum at Kansas State University and her contributions to Kansas State. Since she was an art instructor, the rest of her collection relates to fabrics and tapestries, including Peruvian, Irish, Persian, and Japanese. The collection contains mostly printed material on various subjects in the form of news articles, essays, pamphlets, and booklets.  The fourth series, part of Opal Hill's papers, deals extensively with the proposal of a museum at Kansas State University. There are six folders, 1) letters, 2) proposals, 3) information about a curator, 4) grant information, 5) printed material about other university museums, and 6) articles about the museum. Another person who was heavily involved with the museum and is frequently mentioned throughout all six folders is Patricia O'Brian, who was a friend and fellow professor at Kansas State University.  The donation includes a collection of photographs associated with Maurice Hill and members of Phi Sigma Kappa. They are of members who were involved with K-State athletics including football, baseball, and track. Also, there are some photos of the Phi Sigma Kappa members who participated in the military training program, and a few group photographs of the fraternity members. The photographs have been removed and filed in the Photograph Collection, Vertical File-People, and in flat storage boxes. An inventory can be found following the container list in this register.  Also, there are six artifacts associated with the Hills that have been stored with the artifacts collection in the University Archives. These artifacts include 1) Phi Sigma Kappa metal nameplate, 2) Phi Delta Tau metal nameplate, 3) metal ring, 4) Gavel and base with Phi Delta Tau insignia, 5) Metals and ribbons with Phi Delta Tau insignia and 6) Lighted sign with Phi Delta Tau in Greek letters."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"generalNote\"\u003e \u003cp\u003eOriginal accession number: U1999.15. \u003clb/\u003e Location accession number: P2000.6 \u003clb/\u003e \u003clb/\u003e Additional material needs to be placed into the collection record from the finding aid.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Original accession number: U1999.15.   Location accession number: P2000.6   Additional material needs to be placed into the collection record from the finding aid."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Hill Family","Hill Family"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"famname_ssim":["Hill Family","Hill Family"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":90,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eHill Family papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eHill Family papers\u003c/unittitle\u003e, 1929-1987"],"hashed_id_ssi":"a32820e116d9f4cd","_root_":"hill-family-papers","timestamp":"2026-07-10T12:01:00.618Z"}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/hill-family-papers#normalized_title","type":"document_value","attributes":{"value":"Hill Family papers, 1929-1987","label":"Title"}},"short_description":{"id":"https://findingaids.lib.ksu.edu/catalog/hill-family-papers#short_description","type":"document_value","attributes":{"value":"The collection was created by three members of the Hill family --Randall C. Hill, Maurice L. Hill, and Opal B. Hill. The earliest document in the collection is a contract from 1929, and the manuscripts continue into the 1980s. The bulk of Opal B. Hill\u0026#39;s collection is her personal files that pertain to fabric and fabric history, and they are divided by subject. 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These photographs, slides, and glass slides document horticulture areas near campus, as well as in Honduras, Costa Rica, Florida, and elsewhere. Images largely include crops, trees, floriculture, and landscapes. There are also photographs of various events held or attended by the department, notably Kansas State Fairs, the apple blossom festival, and the 1921 Potato Show, as well as student and faculty awards. Medals and framed certificates are included. Approximate years covered by the records are 1876-1991.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/horticulture-forestry-and-recreation-resources-photographs#breadcrumbs","type":"document_value","attributes":{"value":{"id":"horticulture-forestry-and-recreation-resources-photographs","title_ssm":["Horticulture, Forestry, and Recreation Resources photographs"],"title_tesim":["Horticulture, Forestry, and Recreation Resources photographs"],"ead_ssi":"horticulture-forestry-and-recreation-resources-photographs","unitdate_ssm":["1876-1989"],"unitdate_other_ssim":["1876-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U1994.13","319"],"text":["U1994.13","319","Horticulture, Forestry, and Recreation Resources photographs, 1876-1989","19.50 Linear Feet, 13.00 Boxes","Slide Various Box 1 contains slide boxes 1A-1D of slides from this collection.","It received accession number U1994.13.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Amy Wedel  Processing Info: Entered into Archon by Amy Wedel, student processor, 2017.","The following boxes are also labeled as belonging to the Horticulture Department - A83412066212, “Horticulture Collection,” Box 2, 509: 10/2/4 - A83412065915, “Horticulture Collection,” Box 5, 509: 10/1/6 - A83412080761, “Horticulture Collection,” Box 6, G: 15/23/5 - A83412066165, “Horticulture Collection,” Box 7, 509: 10/3/4 - A83412056380, “SC Department of Horticulture,” Box 8, 509: 9/3/1 - A83412160260, “Horticulture Collection,” no box number, G: 15/23/6 - A83412160278, “Horticulture Collection,” no box number, G: 15/23/6","The Horticulture, Forestry, and Recreation photographs were generated by the Department of Horticulture. 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Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.\u003cbr\u003e The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.\u003cbr\u003e Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"jimmy-rogers-papers","title_ssm":["Jimmy Rogers papers"],"title_tesim":["Jimmy Rogers papers"],"ead_ssi":"jimmy-rogers-papers","unitdate_ssm":["1930-2008"],"unitdate_other_ssim":["1930-2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.06","278"],"text":["P2014.06","278","Jimmy Rogers papers, 1930-2008","Kansas agriculture and rural life","14.00 Boxes Post-Fire Oversize Boxes: Box 13 ( 23x31); 509S: 19/3/5 Box 8, 12, 14 (16.5x20.5); 509S: 19/1/4 Box 7, 9 (19x25x1.5); 509S: 19/4/5","No access restriction: All materials are open for research.","Acquired because it enhances faculty research and student curriculum.","This collection was arranged using More Product Less Process (MPLP) at Box level. While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection.","Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.","It received accession number P2014.06.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  Publication Date: 2017-02-15","Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Rogers, Jimmy","Rogers, Jimmy","English","Latin"],"unitid_tesim":["P2014.06","278"],"normalized_date_ssm":["1930-2008"],"normalized_title_ssm":["Jimmy Rogers papers, 1930-2008"],"collection_title_tesim":["Jimmy Rogers papers, 1930-2008"],"collection_ssim":["Jimmy Rogers papers, 1930-2008"],"creator_ssm":["Rogers, Jimmy"],"creator_ssim":["Rogers, Jimmy"],"creator_persname_ssim":["Rogers, Jimmy"],"creators_ssim":["Rogers, Jimmy"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights."],"acqinfo_ssim":["Acqusition Source: Brand Used Works, Auction House Acqusition Method: Purchased by K-State Libraries. Acqusition Date: 20140301"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["14.00 Boxes Post-Fire Oversize Boxes: Box 13 ( 23x31); 509S: 19/3/5 Box 8, 12, 14 (16.5x20.5); 509S: 19/1/4 Box 7, 9 (19x25x1.5); 509S: 19/4/5"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eAcquired because it enhances faculty research and student curriculum.\u003c/p\u003e"],"appraisal_tesim":["Acquired because it enhances faculty research and student curriculum."],"arrangement_html_tesm":["\u003cp\u003eThis collection was arranged using More Product Less Process (MPLP) at Box level. While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection.\u003c/p\u003e"],"arrangement_tesim":["This collection was arranged using More Product Less Process (MPLP) at Box level. While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026amp;B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026amp;B charts in 1957 with the single \u0026#x201C;Walking by Myself.\u0026#x201D; After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers\u0026#x2019;s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, \u0026#x201C;Gold Tailed Bird,\u0026#x201D; was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song \u0026#x201C;Ludella.\u0026#x201D; He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.06.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.06."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Wayne Goins \u003clb\u003e\u003c/lb\u003eProcessing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014. \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-15\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  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Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.\u003clb\u003e\u003c/lb\u003e Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).\u003c/p\u003e"],"scopecontent_tesim":["Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor)."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. 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While the collection includes personal business material, photographs, audio materials and artifacts, these items are scattered throughout the 14 boxes that make up the collection.","Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.","It received accession number P2014.06.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  Publication Date: 2017-02-15","Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Rogers, Jimmy","Rogers, Jimmy","English","Latin"],"unitid_tesim":["P2014.06","278"],"normalized_date_ssm":["1930-2008"],"normalized_title_ssm":["Jimmy Rogers papers, 1930-2008"],"collection_title_tesim":["Jimmy Rogers papers, 1930-2008"],"collection_ssim":["Jimmy Rogers papers, 1930-2008"],"creator_ssm":["Rogers, Jimmy"],"creator_ssim":["Rogers, Jimmy"],"creator_persname_ssim":["Rogers, Jimmy"],"creators_ssim":["Rogers, Jimmy"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. 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Rogers first charted as a solo artist on the Billboard R\u0026amp;B charts in 1957 with the single \u0026#x201C;Walking by Myself.\u0026#x201D; After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers\u0026#x2019;s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, \u0026#x201C;Gold Tailed Bird,\u0026#x201D; was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song \u0026#x201C;Ludella.\u0026#x201D; He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Jimmy Rogers was a famous blues musician, known for his work with Muddy Waters as well as his R\u0026B solo songs. In 1947, Rogers first began playing with Muddy Waters and Little Walter in Chicago, and in 1950, the trio began recording with Chess Records. Rogers first charted as a solo artist on the Billboard R\u0026B charts in 1957 with the single “Walking by Myself.” After the rise of rock and roll, Chess Records placed less emphasis on blues music and Rodgers’s career, so Rodgers briefly left the music business in the early 60s. He returned to the blues scene in the late 60s and toured Europe, where blues music had become particularly popular. A new song, “Gold Tailed Bird,” was released in 1972, and Rogers continued to tour across the U.S. and around the world throughout the 1980s. In 1991, Rogers was awarded the W. C. Handy Award from the Blues Foundation for his song “Ludella.” He was inducted into the Blues Hall of Fame in 1995, and he received the W. C. Handy Award for Best Male Traditional Blues Artist in 1996. Rogers died in 1997, but his last album, Blues Blues Blues, was released posthumously in 1998 and featured contributions from Mick Jagger, Eric Clapton, Keith Richards, and others."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.06.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.06."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Wayne Goins \u003clb\u003e\u003c/lb\u003eProcessing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014. \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-15\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Wayne Goins  Processing Info: Wayne Goins, professor of music at Kansas State University, processed the collection and curator Tony Crawford reviewed it July 18, 2014.  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Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.\u003clb\u003e\u003c/lb\u003e Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor).\u003c/p\u003e"],"scopecontent_tesim":["Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound.  The bulk of the collection consists of photograph albums documenting Jimmy Rogers' later career, circa 1970-1979. Studio recordings, address books, business cards, mementos, awards and musical instruments are also included.  Some items of interest include typed lyric sheets of \"Goos Pond\" by Rogers who stated he started writing this work in 1941 at Vance, Mississippi and \"Don't Start Me To Talking\" by Rogers that is not dated; performance dates, times, costs, hotels, etc. for all dates from July 17, 1997 to December 1998 (Rogers died before he could complete all these dates); and photographs of The Aces, Frank Bandy, Scott Bradbury (Badboy Scotty), Lonnie Brooks, Eric Clapton, Frank Craig (Left Hand Frank), Ted Harvey, Walter Horton (Big Walter), Mick Jagger, Robert Johnson, S. P. Leary, Willie Mabon, McKinley Morganfield (Muddy Waters), Joseph William Perkins (Pinetop), Keith Richards, Willie Lee Smith (Big Eyes) and Cora Anna Walton (Koko Taylor)."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply. K-State does not hold IP rights."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Rogers, Jimmy","Rogers, Jimmy"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Rogers, Jimmy","Rogers, Jimmy"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":15,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJimmy Rogers papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJimmy Rogers papers\u003c/unittitle\u003e, 1930-2008"],"hashed_id_ssi":"7179c8fab90596ff","_root_":"jimmy-rogers-papers","timestamp":"2026-07-10T12:05:35.025Z"}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#normalized_title","type":"document_value","attributes":{"value":"Jimmy Rogers papers, 1930-2008","label":"Title"}},"short_description":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#short_description","type":"document_value","attributes":{"value":"Jimmy Rogers (1924-1997) was a Chicago blues singer, guitarist and harmonica players who was born James A. Lane in Rule, Mississippi. An association of Robert Lockwood, Jr., Muddy Waters and Little Water, Rogers became known for his rhythm guitar and his South Side Chicago sound. The bulk of the collection consists of photograph albums documenting Jimmy Rogers\u0026#39; later career, circa 1970-1979....","label":"Description"}},"creator":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#creator","type":"document_value","attributes":{"value":"Rogers, Jimmy","label":"Creator"}},"level":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#level","type":"document_value","attributes":{"value":"collection","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#collection_name","type":"document_value","attributes":{"value":"Jimmy Rogers papers, 1930-2008","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#eadid","type":"document_value","attributes":{"value":"jimmy-rogers-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#component?","type":"document_value","attributes":{"value":false,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/jimmy-rogers-papers"}},{"id":"joel-climenhaga-papers","type":"collection","attributes":{"title":"Joel Climenhaga papers, 1912-2001","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.\u003cbr\u003e The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.\u003cbr\u003e The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003cbr\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003cbr\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003cbr\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003cbr\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003cbr\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003cbr\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003cbr\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003cbr\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003cbr\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"joel-climenhaga-papers","title_ssm":["Joel Climenhaga papers"],"title_tesim":["Joel Climenhaga papers"],"ead_ssi":"joel-climenhaga-papers","unitdate_ssm":["1912-2001"],"unitdate_other_ssim":["1912-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U2001.02","62"],"text":["U2001.02","62","Joel Climenhaga papers, 1912-2001","68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2","No access restrictions: All materials are open for research.","The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.","Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001.","The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30","The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel","English","Latin"],"unitid_tesim":["U2001.02","62"],"normalized_date_ssm":["1912-2001"],"normalized_title_ssm":["Joel Climenhaga papers, 1912-2001"],"collection_title_tesim":["Joel Climenhaga papers, 1912-2001"],"collection_ssim":["Joel Climenhaga papers, 1912-2001"],"creator_ssm":["Climenhaga, Joel"],"creator_ssim":["Climenhaga, Joel"],"creator_persname_ssim":["Climenhaga, Joel"],"creators_ssim":["Climenhaga, Joel"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Zoe Climenhaga Acqusition Method: Donation. Acqusition Date: 20010201"],"has_online_content_ssim":["false"],"physdesc_tesim":["68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.\u003c/p\u003e"],"arrangement_tesim":["The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJoel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga\u0026#x2019;s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play \u0026#x201C;Marriage Wheel,\u0026#x201D; which won the Samuel Goldwyn Award, and in 1956, he published his play \u0026#x201C;Heathen Pioneer: a comedy in one act.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAfter completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga continued to publish his plays and writings while at K-State. This included the works \u0026#x201C;Hawk and Chameleon\u0026#x201D; in 1972, and the \u0026#x201C;One Man\u0026#x2019;s Frontier\u0026#x201D; column in the \u0026#x201C;Flinthills Journal\u0026#x201D; based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include \u0026#x201C;Awakening,\u0026#x201D; \u0026#x201C;The Back Shelf Dispatch,\u0026#x201D; \u0026#x201C;Below Ground Level,\u0026#x201D; \u0026#x201C;Counsel for the Offense,\u0026#x201D; and \u0026#x201C;Greenage.\u0026#x201D; From 1981 to 1987, some of his newspaper columns were broadcast over K-State\u0026#x2019;s radio station, KSAC, in a bi-monthly program entitled \u0026#x201C;One Man\u0026#x2019;s Journey.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column \u0026#x201C;Dear Good People.\u0026#x201D; After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work \u0026#x201C;Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems\u0026#x201D; was published posthumously in 2001.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001."],"custodhist_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.\u003c/p\u003e"],"custodhist_tesim":["The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant. \u003clb\u003e\u003c/lb\u003ePublication Date: 2009-11-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30"],"scopecontent_tesim":["The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Climenhaga, Joel","Climenhaga, Joel"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":10,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJoel Climenhaga papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJoel Climenhaga papers\u003c/unittitle\u003e, 1912-2001"],"hashed_id_ssi":"f7cc7169514ef686","_root_":"joel-climenhaga-papers","timestamp":"2026-07-10T11:58:17.093Z","scopecontent_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.\u003clb\u003e\u003c/lb\u003e The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.\u003clb\u003e\u003c/lb\u003e The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003clb\u003e\u003c/lb\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003clb\u003e\u003c/lb\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003clb\u003e\u003c/lb\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003clb\u003e\u003c/lb\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003clb\u003e\u003c/lb\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003clb\u003e\u003c/lb\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003clb\u003e\u003c/lb\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003clb\u003e\u003c/lb\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003clb\u003e\u003c/lb\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e"],"collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"joel-climenhaga-papers","title_ssm":["Joel Climenhaga papers"],"title_tesim":["Joel Climenhaga papers"],"ead_ssi":"joel-climenhaga-papers","unitdate_ssm":["1912-2001"],"unitdate_other_ssim":["1912-2001"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["U2001.02","62"],"text":["U2001.02","62","Joel Climenhaga papers, 1912-2001","68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2","No access restrictions: All materials are open for research.","The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.","Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001.","The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30","The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel","English","Latin"],"unitid_tesim":["U2001.02","62"],"normalized_date_ssm":["1912-2001"],"normalized_title_ssm":["Joel Climenhaga papers, 1912-2001"],"collection_title_tesim":["Joel Climenhaga papers, 1912-2001"],"collection_ssim":["Joel Climenhaga papers, 1912-2001"],"creator_ssm":["Climenhaga, Joel"],"creator_ssim":["Climenhaga, Joel"],"creator_persname_ssim":["Climenhaga, Joel"],"creators_ssim":["Climenhaga, Joel"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Zoe Climenhaga Acqusition Method: Donation. Acqusition Date: 20010201"],"has_online_content_ssim":["false"],"physdesc_tesim":["68.00 Linear Feet, 103.00 Boxes Post-Fire Oversize Extent: Boxes 76-78 (12.5 x 14.5): 509S: 19/12/2"],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material.\u003c/p\u003e"],"arrangement_tesim":["The collection is organized in nine Series: 1) Biographical; 2) Correspondence; 3) Literary Works; 4) Subjects; 5) Photographs and Slides; 6) Media; 7) Scrapbooks; 8) Oversize; and 9) Printed Material."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJoel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga\u0026#x2019;s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play \u0026#x201C;Marriage Wheel,\u0026#x201D; which won the Samuel Goldwyn Award, and in 1956, he published his play \u0026#x201C;Heathen Pioneer: a comedy in one act.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eAfter completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga continued to publish his plays and writings while at K-State. This included the works \u0026#x201C;Hawk and Chameleon\u0026#x201D; in 1972, and the \u0026#x201C;One Man\u0026#x2019;s Frontier\u0026#x201D; column in the \u0026#x201C;Flinthills Journal\u0026#x201D; based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include \u0026#x201C;Awakening,\u0026#x201D; \u0026#x201C;The Back Shelf Dispatch,\u0026#x201D; \u0026#x201C;Below Ground Level,\u0026#x201D; \u0026#x201C;Counsel for the Offense,\u0026#x201D; and \u0026#x201C;Greenage.\u0026#x201D; From 1981 to 1987, some of his newspaper columns were broadcast over K-State\u0026#x2019;s radio station, KSAC, in a bi-monthly program entitled \u0026#x201C;One Man\u0026#x2019;s Journey.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eClimenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column \u0026#x201C;Dear Good People.\u0026#x201D; After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work \u0026#x201C;Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems\u0026#x201D; was published posthumously in 2001.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Joel Climenhaga was a writer and playwright, as well as a professor of theater at Kansas State University. After being born in Zimbabwe in 1922, Climenhaga’s family moved frequently throughout his childhood. Climenhaga began his writing career in 1937 by writing short stories and poems, many about his childhood in Africa. From 1939 to 1941, he attended Messiah College in Grantham, Pennsylvania, but he did not graduate. In 1942, Climenhaga moved to California to work at Upland Lemon Growers Association. He entered the U.S. Army in 1945 as a conscientious objector and was discharged in 1946. From 1948 to 1950, Climenhaga attended Chaffey College in Ontario, California, earning his A.A. in Theater Arts, Art, and English in 1949. Climenhaga then attended UCLA from 1950 to 1956, earning his B.A. in Theater Arts in 1953 and his M.A. in Theater Arts in 1958. While at UCLA, Climenhaga wrote the play “Marriage Wheel,” which won the Samuel Goldwyn Award, and in 1956, he published his play “Heathen Pioneer: a comedy in one act.” After completing his studies, Climenhaga was a visiting professor at Wilmington College and the University of North Carolina, Chapel Hill. From 1963 to 1968, he was an Associate Professor of Speech, Drama, and English at Culver-Stockton College in Canton, Missouri, where he was also the chairman of the Department of Speech and Drama from 1964 to 1968. In 1968, Climenhaga became an Associate Professor of Theatre, as well as a member of the graduate faculty, at Kansas State University, a position he would hold until 1987. Climenhaga also served at K-State as the Director of Theatre from 1968 to 1987 and the coordinator of the New Play Program from 1972 to 1987. Climenhaga continued to publish his plays and writings while at K-State. This included the works “Hawk and Chameleon” in 1972, and the “One Man’s Frontier” column in the “Flinthills Journal” based in Wamego, Kansas from 1979 to 1980. Other works of his published throughout the 1970s include “Awakening,” “The Back Shelf Dispatch,” “Below Ground Level,” “Counsel for the Offense,” and “Greenage.” From 1981 to 1987, some of his newspaper columns were broadcast over K-State’s radio station, KSAC, in a bi-monthly program entitled “One Man’s Journey.” Climenhaga left K-State in 1987 to become a professor of Theatre Arts and English and the coordinator of the New Play Program at Tarkio College in Tarkio, Missouri. He worked at Tarkio until 1991. Throughout this time, he published multiple collections of poems, as well as the newspaper column “Dear Good People.” After briefly working for one year from 1991 to 1992 as professor of Theatre Arts and coordinator of the New Play Program at Teikyo Westmar University in LeMars, Iowa, Climenhaga retired in 1992 and moved to Bisbee, Arizona. In retirement, Climenhaga remained active in theater and writing, including serving on the Board of Directors of the Bisbee Repertory Theatre. Climenhaga died in 2000, and his work “Eighty Six Thousand Five Hundred and Fifty Three: a Sequence of Journey Poems” was published posthumously in 2001."],"custodhist_html_tesm":["\u003cp\u003eThe Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02.\u003c/p\u003e"],"custodhist_tesim":["The Joel Climenhaga Papers were donated to Kansas State University by his widow, Zoe Climenhaga in 2001. It received accession number U2001.02."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua2001-02.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cynthia Harris \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant. \u003clb\u003e\u003c/lb\u003ePublication Date: 2009-11-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cynthia Harris  Processing Info: The collection was processed by Cynthia Harris, Manuscripts/Collections Processor and Tamara DeRossi, student assistant.  Publication Date: 2009-11-30"],"scopecontent_tesim":["The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends.  The Biographical Series consist of two boxes which include Climenhaga's baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes.  The Correspondence Series is made up of fourteen boxes and arranged alphabetically. Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.  The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.  Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.  Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.  The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.  Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.  There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.  Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.  The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.  Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Climenhaga, Joel","Climenhaga, Joel"],"corpname_ssim":["Richard L. D. and Marjorie J. 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Climenhaga was a prolific and voluminous writer. He corresponded with Mina Cooper, Carlos Cortez, Charles Jones, George Moberg, Lawrence Ferlinghetti, and Kenneth Patchen to name a few. Within the Charles Jones correspondence there are letters by LBJ (Lyndon B. Johnson) and from people who opposed him agreeing with the NCAAP- these letters were signed by \"a white Christian\" or \"a white, white, American.\" There are twenty-four folders of correspondence between Climenhaga and Fred Shaw. The two men planned to turn their correspondence into a book titled The Mephisto Addenda. Before this could manifest, Fred Shaw passed away. The Climenhaga's were good friends with Kenneth and Miriam Patchen and there is extensive correspondence between the two families. The sub-series \"Correspondence to Poetry Magazines\" is listed alphabetically by magazine title and consists of one box.\u003clb\u003e\u003c/lb\u003e The sub-series \"Correspondence Log\" is arranged chronologically and is stored in eighteen boxes. It is similar to a journal as Climenhaga made personal entries on specific dates and if those dates corresponded with writing or receiving a letter, the letter was included. Names of those who Climenhaga corresponded includes Marlon Brando, Milton Bernard, John and Emma Climenhaga, Mina Cooper, Norman Fedder, Henry Miller, Kenneth Patchen, George Savage, Fred Shaw, Wesley Van Tassel, Myrna Wolfe, and Kenneth Woodroofe. These letters were pulled from the alphabetical listing by Climenhaga. It is not known why Climenhaga separated these letters.\u003clb\u003e\u003c/lb\u003e Literary Works is comprised of twenty-two boxes that contain Climenhaga's plays and poems, as well as fiction stories and essays. During his lifetime Climenhaga had at least seven columns in various newspapers and newsletters. Three of his columns One Man's Frontier, One Man's Journey, and Dear Good People often had the same material while the introduction was sometimes different or a sentence or two rearranged. One Man's Journey was also broadcasted on the KKSC Radio station at Kansas State University during the 1980s. Climenhaga was a notorious recycler of paper. He often used recycled paper which can be confusing to researchers. If researchers pay close attention, however, they just might find that \"recycled\" paper useful after all, as it could be a part of another story, poem, etc., whether written by Climenhaga or one of his many friends or colleagues. Climenhaga wrote his first poem at age six. By 1989, he had written approximately 2,500 poems of which 1,200 had been published in various magazines and journals. Volumes of his published poems include: The Age of Pollution; Belief in Chaos; Hawk and Chameleon; The Month of the Shadow on My Heart; Ninety-Nine Messages from Separate Places; None of this Really Matters a Great Deal Now; One Hundred and One Songs are Promised for Tomorrow; Preliminary Walk into the Sweat of Dying; Report on the Progress of the Bearded One's Homework; Spontaneity is a Deceiving God; and The Thirteenth Winter.\u003clb\u003e\u003c/lb\u003e Subject Series is contained in seventeen boxes and is organized alphabetically. It includes names such as Charles Jackson Jones, Jr. who was married to artist Molly Ramolla, Kenneth Patchen, and Larry Smith. It also includes programs from plays produced, written, and directed by Climenhaga. Other programs include plays produced at the Purple Masque Theatre, Kansas State University; by the Pine Cone Players, Grand Lake, CO; and at UCLA.\u003clb\u003e\u003c/lb\u003e The Photograph and Slides Series consists of one box and includes photos of the 1976 Pine Cone Players, Grand Lake, Colorado, production of Mark Twain. Photos taken at the Purple Masque Theatre, Kansas State University include the 1981 production of Kenneth Patchen's Don't Look Now, the 1989 production of Dust-Storm Wedding, and Climenhaga's own play the Marriage Wheel. The Slides consist of Kenneth Patchen's art poetry.\u003clb\u003e\u003c/lb\u003e Comprised of seven boxes, the Media Series includes cassette tapes, reel to reel tapes, VHS videotapes, and computer disks. The computer disks contain some of Climenhaga's manuscripts that were incorporated in the Literary Works Series. The cassette tapes include interviews with Ben Nyberg and Jonathan Holden, 1985 letters from Charles Jones, and Climenhaga's 1980s One Man's Journey recorded at KKSU radio, Kansas State University. The reel to reel tapes includes several different readings from Patchen's Don't Look Now. The VHS tapes include the \"50th Anniversary of the 1939 Pottstown High School Graduates\" of interviews with Earl \"Yogi\" Storm, Dr. Joel Esner, and Raymond Elliott conducted by Bill Achatz. Climenhaga was unable to attend this anniversary gathering where he and others were inducted into the Alumni Honor Roll. Climenhaga created a video to be played at the anniversary program and it is included in this series. The tape Miriam Is Not Amused, a film by Kim Roberts, 1996, is a profile of the life of Miriam Patchen with interesting information about her husband Kenneth Patchen. The most interesting tapes in this series, however, are the interviews with Joel Climenhaga. The one that stands out the most is the one created by the Manhattan, Kansas Art Councils, 1992, where John Biggs interviews Climenhaga.\u003clb\u003e\u003c/lb\u003e There are some very interesting interviews with Joel Climenhaga, especially the one filmed by the Manhattan, Kansas Arts Council titled Joel: Creative Profile. Another VHS tape of interest is Miriam Is Not Amused, a film by Kim Roberts, 1996. This is a profile of the life of Miriam Patchen with interesting information about her husband, Kenneth Patchen.\u003clb\u003e\u003c/lb\u003e Scrapbooks are contained in one box. The most notable is the Marriage Wheel by Joel Climenhaga with his notes written on the sides of each page. Another item of interest is the 1983-1988 Travel Journal. Climenhaga kept notes of his summer travels, how many miles he traveled, where he traveled to, and when and where he stopped to eat.\u003clb\u003e\u003c/lb\u003e The Oversize Series is made up of one box that includes art, art poetry, poetry, and program posters. Notable sketches in this series are the drawing of Joel Climenhaga by Lawrence Ferlinghetti and the greeting to the Climenhagas from Carlos and Marianna Cortez in 1972. Kenneth Patchen's art poetry shows up in Lee Artz's \"Passion for Peace,\" Peace Works, Mid-Peninsula Peace Center, Palo Alto, California and in Steven Ratiner's \"The Picture Poems of Kenneth Patchen,\" California Living, 1983. There are four Kenneth Patchen poems included: \"The Way Men Live Is a Life,\" 1944, \"A Poem For Christmas,\" 1961, \"What I'd Like To Know Is, 1967\" and \"A Mercy Filled and Defiant Xmas To All Still Worthy To Be Called Man,\" 1970. Program posters from the Kansas State University Purple Masque Theatre that are interesting include Mark Edward's Larger Than Life, 1978, Cindy Helfertstay's From Heaven to Hell, 1978, and Chloris Killian's 1981, The Dust-Storm Wedding. Other items of interest include Climenhaga's 1987 retirement certificate from Kansas State University and a letter from the then Provost, Owen J. Koeppe.\u003clb\u003e\u003c/lb\u003e Stored in twenty boxes, the Printed Material includes Climenhaga's poetry magazines, published by him under his publishing company, Transient Press, and other research journals and books.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#normalized_title","type":"document_value","attributes":{"value":"Joel Climenhaga papers, 1912-2001","label":"Title"}},"short_description":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#short_description","type":"document_value","attributes":{"value":"The Joel Climenhaga Papers (1912-2001) consist primarily of his literary works and correspondence to and from family and friends. The Biographical Series consist of two boxes which include Climenhaga\u0026#39;s baby book, family genealogy, obituary, and memorial service program, and 1987 Kansas State University retirement tributes. The Correspondence Series is made up of fourteen boxes and arranged...","label":"Description"}},"creator":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#creator","type":"document_value","attributes":{"value":"Climenhaga, Joel","label":"Creator"}},"level":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#level","type":"document_value","attributes":{"value":"collection","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#collection_name","type":"document_value","attributes":{"value":"Joel Climenhaga papers, 1912-2001","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#eadid","type":"document_value","attributes":{"value":"joel-climenhaga-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#component?","type":"document_value","attributes":{"value":false,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/joel-climenhaga-papers"}},{"id":"john-m-lilley-papers","type":"collection","attributes":{"title":"John M. 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Administrative records associated with Lilley's role as Assistant Dean of the College of Arts and Sciences document enrollment programming during the late 1970s.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/john-m-lilley-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"john-m-lilley-papers","title_ssm":["John M. Lilley papers"],"title_tesim":["John M. Lilley papers"],"ead_ssi":"john-m-lilley-papers","unitdate_ssm":["1914-1980"],"unitdate_other_ssim":["1914-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2001.03","336"],"text":["P2001.03","336","John M. 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Administrative records associated with Lilley's role as Assistant Dean of the College of Arts and Sciences document enrollment programming during the late 1970s.","The researcher assumes full responsibility for observing all copright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","English","Latin"],"unitid_tesim":["P2001.03","336"],"normalized_date_ssm":["1914-1980"],"normalized_title_ssm":["John M. Lilley papers, 1914-1980"],"collection_title_tesim":["John M. Lilley papers, 1914-1980"],"collection_ssim":["John M. Lilley papers, 1914-1980"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: John M. 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Tucker Massey Harvest Brigade Collection, 1939-1949, 2000, 2005, 2013, undated","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eCollection includes documents, photographs, magazines, personal records, and other materials related to the life of Joseph Maxwell Tucker and his work in formulating and organizing the Massey-Harris Harvest Brigade in 1944 and 1945 which used Massey-Harris self-propelled combines to harvest wheat and other crops in a wartime environment of both scarce labor and rationing of raw materials. The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California.\u003cbr\u003e\u003cbr\u003eThe Subject Series is made up of five folders and includes an organization chart for VP \u0026amp; GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates.\u003cbr\u003e\u003cbr\u003eThe Printed Material Series consists of fourteen folders and includes a calendar, four journal articles, a speech Joseph Tucker gave in 1946, and seven publications.\u003cbr\u003e\u003cbr\u003eThe Don \u0026amp; Kay Kluck Series is comprised of seven folders. This series pertains to The Kluck Brothers: Custom Harvesters (Emil Kluck, Ray Kluck, and Roy Kluck), the combines they purchased, and a few photographs.\u003cbr\u003e\u003cbr\u003eThe Photograph Series contains four folders. There are photographs of Lawrence John Letnes, Joseph Tucker, and a photograph of the medal, Order of the British Empire give to Joseph Tucker by King George VI in 1946.\u003cbr\u003e\u003cbr\u003eThe Oversize Printed Materials Subseries consists of three journal articles, three publications, and two advertising posters.\u003cbr\u003e\u003cbr\u003eThe Oversize Photographs Subseries has two photographs: 1) Proclamation by King George VI, 1946 September 9, that nominates and appoints Joseph Maxwell Tucker “to an Honorary Officer of the Civil Division of Our said and Most Excellent Order of the British Empire\" and 2) a newspaper advertisement poking fun at Joseph Tucker titled “Retribution Overdue.\"\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/joseph-m-tucker-massey-harvest-brigade-collection#breadcrumbs","type":"document_value","attributes":{"value":{"id":"joseph-m-tucker-massey-harvest-brigade-collection","title_ssm":["Joseph M. 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Box one consists of four series: 1) Subject Series; 2) Printed Material; 3) Don \u0026 Kay Kluck Series; 4) Photograph Series. Box two houses the Oversize Series and consists of two subseries: 1) Printed Material and 2) Photographs.","Donated by Judy A. Horsch, Andale, KS, and delivered by Jason Holcomb to Bluemont Hall on June 24, 2019. Moved to Ag Press building where it was accessioned and processed by Cynthia Harris began in July 2019. It received Accession Number 2019-20.001.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Original materials available during open hours of repository and any digitized materials that are online are available with the Internet.","Cynthia Harris, Manuscripts/Collections Processor processed and described materials and curator, David Allen reviewed the finding aid in July 2019. Publication occurred on July 25, 2019.","Collection includes documents, photographs, magazines, personal records, and other materials related to the life of Joseph Maxwell Tucker and his work in formulating and organizing the Massey-Harris Harvest Brigade in 1944 and 1945 which used Massey-Harris self-propelled combines to harvest wheat and other crops in a wartime environment of both scarce labor and rationing of raw materials. The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California. The Subject Series is made up of five folders and includes an organization chart for VP \u0026 GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates. The Printed Material Series consists of fourteen folders and includes a calendar, four journal articles, a speech Joseph Tucker gave in 1946, and seven publications. The Don \u0026 Kay Kluck Series is comprised of seven folders. This series pertains to The Kluck Brothers: Custom Harvesters (Emil Kluck, Ray Kluck, and Roy Kluck), the combines they purchased, and a few photographs. The Photograph Series contains four folders. There are photographs of Lawrence John Letnes, Joseph Tucker, and a photograph of the medal, Order of the British Empire give to Joseph Tucker by King George VI in 1946. The Oversize Printed Materials Subseries consists of three journal articles, three publications, and two advertising posters. 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It received Accession Number 2019-20.001."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"phystech_html_tesm":["\u003cp\u003eOriginal materials available during open hours of repository and any digitized materials that are online are available with the Internet.\u003c/p\u003e"],"phystech_tesim":["Original materials available during open hours of repository and any digitized materials that are online are available with the Internet."],"processinfo_html_tesm":["\u003cp\u003eCynthia Harris, Manuscripts/Collections Processor processed and described materials and curator, David Allen reviewed the finding aid in July 2019. 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The combines were used to harvest crops in the Great Plains states, Pacific Northwest states, Arizona, and California. The Subject Series is made up of five folders and includes an organization chart for VP \u0026 GSM Sales Department, Joseph Tucker's 1941 job application with the War Food Administration, a 1943 memorandum on the organization of the Massey-Harris Emergency Harvest Brigade, the 1943 proposal of the Massey-Harris Harvest Brigade, and two War Production Board certificates. The Printed Material Series consists of fourteen folders and includes a calendar, four journal articles, a speech Joseph Tucker gave in 1946, and seven publications. The Don \u0026 Kay Kluck Series is comprised of seven folders. This series pertains to The Kluck Brothers: Custom Harvesters (Emil Kluck, Ray Kluck, and Roy Kluck), the combines they purchased, and a few photographs. The Photograph Series contains four folders. 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Willard papers, 1847–1947","abstract_or_scope":{"id":"https://findingaids.lib.ksu.edu/catalog/julius-t-willard-papers#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters.\u003cbr\u003e\u003cbr\u003eThe subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member.\u003cbr\u003e\u003cbr\u003eMaterials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences.\u003cbr\u003e\u003cbr\u003eThe military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State.\u003cbr\u003e\u003cbr\u003eThe final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/julius-t-willard-papers#breadcrumbs","type":"document_value","attributes":{"value":{"id":"julius-t-willard-papers","title_ssm":["Julius T. Willard papers"],"title_tesim":["Julius T. Willard papers"],"ead_ssi":"julius-t-willard-papers","unitdate_ssm":["1847–1947"],"unitdate_other_ssim":["1847–1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["176"],"text":["176","Julius T. Willard papers, 1847–1947","Kansas State University history","16.00 Linear Feet, 19.00 Boxes","No access restriction: All materials are open for research.","The collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically.","Julius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of “History of the Kansas State College of Agriculture and Applied Science” in 1940. Willard died in 1950.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","The original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21.","The Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters. The subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member. Materials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences. The military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State. The final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Willard, J. T. (Julius Terrass)","Willard, J. T. (Julius Terrass)","English","Latin"],"unitid_tesim":["176"],"normalized_date_ssm":["1847–1947"],"normalized_title_ssm":["Julius T. Willard papers, 1847–1947"],"collection_title_tesim":["Julius T. Willard papers, 1847–1947"],"collection_ssim":["Julius T. Willard papers, 1847–1947"],"creator_ssm":["Willard, J. T. (Julius Terrass)"],"creator_ssim":["Willard, J. T. (Julius Terrass)"],"creator_persname_ssim":["Willard, J. T. (Julius Terrass)"],"creators_ssim":["Willard, J. T. (Julius Terrass)"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Julius T. Willard is the likely donor."],"access_subjects_ssim":["Kansas State University history"],"access_subjects_ssm":["Kansas State University history"],"has_online_content_ssim":["false"],"physdesc_tesim":["16.00 Linear Feet, 19.00 Boxes"],"date_range_isim":[1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically.\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJulius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of \u0026#x201C;History of the Kansas State College of Agriculture and Applied Science\u0026#x201D; in 1940. Willard died in 1950.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Julius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of “History of the Kansas State College of Agriculture and Applied Science” in 1940. Willard died in 1950."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1987-35.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1987-35.php"],"processinfo_html_tesm":["\u003cp\u003eThe original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21.\u003c/p\u003e"],"processinfo_tesim":["The original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21."],"scopecontent_html_tesm":["\u003cp\u003eThe Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894\u0026#x2013;1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard\u0026#x2019;s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard\u0026#x2019;s work at Kansas State College (KSC) as well as personal matters.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eMaterials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard\u0026#x2019;s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled \u0026#x201C;Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard\u0026#x2019;s autobiographical reminiscences.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe military file series includes business files related to the Students' Army Training Corps and the Reserve Officers\u0026#x2019; Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard\u0026#x2019;s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.\u003c/p\u003e"],"scopecontent_tesim":["The Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters. The subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member. Materials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences. The military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State. The final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Willard, J. T. (Julius Terrass)","Willard, J. T. (Julius Terrass)"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Willard, J. T. (Julius Terrass)","Willard, J. T. 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Willard papers\u003c/unittitle\u003e, 1847–1947"],"hashed_id_ssi":"5f7e306d6653fa33","_root_":"julius-t-willard-papers","timestamp":"2026-07-10T12:15:17.287Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"julius-t-willard-papers","title_ssm":["Julius T. Willard papers"],"title_tesim":["Julius T. Willard papers"],"ead_ssi":"julius-t-willard-papers","unitdate_ssm":["1847–1947"],"unitdate_other_ssim":["1847–1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["176"],"text":["176","Julius T. Willard papers, 1847–1947","Kansas State University history","16.00 Linear Feet, 19.00 Boxes","No access restriction: All materials are open for research.","The collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically.","Julius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of “History of the Kansas State College of Agriculture and Applied Science” in 1940. Willard died in 1950.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","The original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21.","The Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters. The subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member. Materials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences. The military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State. The final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Willard, J. T. (Julius Terrass)","Willard, J. T. (Julius Terrass)","English","Latin"],"unitid_tesim":["176"],"normalized_date_ssm":["1847–1947"],"normalized_title_ssm":["Julius T. Willard papers, 1847–1947"],"collection_title_tesim":["Julius T. Willard papers, 1847–1947"],"collection_ssim":["Julius T. Willard papers, 1847–1947"],"creator_ssm":["Willard, J. T. (Julius Terrass)"],"creator_ssim":["Willard, J. T. (Julius Terrass)"],"creator_persname_ssim":["Willard, J. T. (Julius Terrass)"],"creators_ssim":["Willard, J. T. (Julius Terrass)"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Julius T. Willard is the likely donor."],"access_subjects_ssim":["Kansas State University history"],"access_subjects_ssm":["Kansas State University history"],"has_online_content_ssim":["false"],"physdesc_tesim":["16.00 Linear Feet, 19.00 Boxes"],"date_range_isim":[1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically.\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged in nine series: Correspondence, Subject Files: K-State and Personal, Estate Records, Literary Works, Speeches, Military Files, Financial Documents, Statistics, Reports, Printed Materials, Card Files. Subject files are arranged alphabetically."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eJulius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of \u0026#x201C;History of the Kansas State College of Agriculture and Applied Science\u0026#x201D; in 1940. Willard died in 1950.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Julius T. Willard was a Kansas State graduate and chemistry professor, as well as the longtime college historian and vice president. After receiving his B.S. from K-State in 1883, Willard worked as assistant chemist at K-State until he received his M.S. in 1886, after which he studied for two years at Johns Hopkins University. In 1888, Willard returned to Kansas as assistant chemist of the Kansas Experiment Station, a position he held until 1897, and in 1890, he became an assistant professor of chemistry at K-State. From 1900 to 1901, Willard was promoted to Professor of Chemistry and Director of the Kansas Experiment Station, eventually becoming the Dean of the Division of General Science at K-State in 1909, a position he held until 1930. Willard also twice served as the acting president of K-State, in 1914 and 1918, and served as vice president from 1918 to 1935. From 1936 to 1950, Willard was the college historian for K-State, a position which led to his publishing of “History of the Kansas State College of Agriculture and Applied Science” in 1940. Willard died in 1950."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1987-35.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/ua1987-35.php"],"processinfo_html_tesm":["\u003cp\u003eThe original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21.\u003c/p\u003e"],"processinfo_tesim":["The original finding aid author is unknown. Graduate research assistant Edward Nagurny revised the finding aid in April 2015 when moving content to a previous archival collection management system. Student assistant Natalie Smith rehoused and updated the container list in 2017, reducing the number of boxes from 25 to 21."],"scopecontent_html_tesm":["\u003cp\u003eThe Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894\u0026#x2013;1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard\u0026#x2019;s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard\u0026#x2019;s work at Kansas State College (KSC) as well as personal matters.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eMaterials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard\u0026#x2019;s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled \u0026#x201C;Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard\u0026#x2019;s autobiographical reminiscences.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe military file series includes business files related to the Students' Army Training Corps and the Reserve Officers\u0026#x2019; Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard\u0026#x2019;s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State.\u003c/p\u003e"],"scopecontent_tesim":["The Julius T. Willard papers include records related to his tenure at Kansas State University, personal records, the Students' Army Training Corps, financial documents, statistics related to the university, literary works, and various reports and printed materials. The correspondence series, 1894–1926, includes letters from the chief of the United States Department of Agriculture, the Riley County Treasurer, Kansas Attorney General Aretas Allen Gotard, professors at other universities, and many others. Correspondence also includes letters from the Agricultural Experiment Stations throughout Kansas, the United States, and Cuba, as well as correspondence related to reports of the Agricultural Experiment Stations. Subjects in the correspondence series relate to Willard’s travels abroad, personal purchases, character references, normal schools, articles by Willard submitted to Farm Life, subscriptions to various publications, chemistry coursework, etc. Correspondence relates both to Willard’s work at Kansas State College (KSC) as well as personal matters. The subject file series includes both K-State and personal files. The K-State subject files are extensive, including academic calendars, applications for employment, correspondence about the selection of the official K-State college color, and information about various campus departments. The subject files also include information about various campus organizations, as well as biographical information about various faculty members, including Nellie Kedzie Jones and Mary Van Zile. Personal subject files contain financial documents pertaining to the Tacoma Company and the Portland Cement Company, as well as various organizations with which Willard was a member. Materials in the estate series include correspondence related to the Willard farm and estate, expenditures, and receipts. The literary works series contains history of KSC in newspapers and in letters, drafts of works, and autobiographical reminiscences. The history of KSC in newspapers includes copies of articles printed in newspapers connected to K-State. The history of KSC in letters contains letters and newspaper correspondence pertaining to acts by the Board of Regents from 1897 to 1899. Additionally, there is a chapter omitted from Willard’s 1940 book, History of Kansas State College of Agriculture and Applied Science, titled “Discussion of the Controversy of the Seventies\" [1870s]. The literary works series includes drafts of his 1940 book and Willard’s autobiographical reminiscences. The military file series includes business files related to the Students' Army Training Corps and the Reserve Officers’ Training Corps, as well as materials connected to training camp at Fort Sheridan. The bulk of the materials dates from 1918 and 1919. The financial documents series of Willard’s papers contains receipts, vouchers, and other materials related to K-State expenses including laboratory charges. The statistics series contains materials related to grade distribution, attendance, and enrollment. The report series includes reports for American Universities and Colleges, the Department of the Interior Bureau of Education, the North Central Association of Colleges and Secondary Schools, as well as other reports such as the cost of attending K-State. The final series includes a variety of printed materials including invitations, programs, a speech class syllabus, articles, and quotations. Also included are card files with lecture notes, names and positions of numerous faculty and students, and notes on various pieces of history related to K-State."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Willard, J. T. (Julius Terrass)","Willard, J. T. (Julius Terrass)"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Willard, J. T. (Julius Terrass)","Willard, J. T. 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Maps, promotional brochures, and travel guides feature prominently.\u003cbr\u003e Most materials pertain to the state of Kansas. Topics include plants, regions, municipalities, sites, programming, and transportation routes. Researchers interested in the state's highway and water resources, the tourist industry, and public services may find the collection especially beneficial. Highlights include a state-issued map illustrated by F. 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