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alumna and faculty member at Kansas State Agricultural College.","The collection is arranged into 11 subseries: 1) Nellie Kedzie Jones; 2) Howard Murray Jones; 3) Fairchild family; 4) Abby and Charles Marlatt; 5) Gertrude and Theodore Jessup; 6) Robert Clark Kedzie; 7) Addison Jones; 8) Ada Alice Tuttle; 9) Helen M. Jones; 10) Miscellaneous; 11) Photographs.","Previous accession schemes numbered this accession U 236 or UA 236, and presently it is U1989.16. Materials came to the university archives from the College, with undocumented provenance previously.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Student assistant Natalie Smith revised the description and input it in the collection management system in 2017. University archivist Cliff Hight reviewed it the same year.","Finding Aid Author: David Arends, Natalie Smith, and Cliff Hight  Processing Info: David Arends, Kansas State University Historical Society volunteer, originally processed the materials in the Fall 1990 semester.  Publication Date: 2017-08-29","The Nellie Kedzie Jones series is part of the College of Human Ecology historical files at Kansas State University. Nellie Sawyer Kedzie Jones was an 1876 alumna who returned to lead domestic science instruction from 1882 until 1897. This series reflects papers related to her and her relatives and friends.  The first subseries pertains to Nellie Sawyer Kedzie Jones with dates between 1889 and 1955. Contents include developments in human ecology and are reflected in publications, printed materials, published works, manuscripts, typescripts, awards, and correspondence. Materials are organized chronologically within each group.  The second subseries is devoted to Howard Murray Jones, Nellie's husband from 1901 until his death in 1953. He was a minister, including time as a professor and administrator at Berea College. Contents include minimal correspondence along with writings, sermons, and printed materials. His sermons are arranged chronologically divided between typed and handwritten. Because he often used sermons twice, there are two dates on the manuscripts. The bulk of the materials pertains to religion and Christianity.  The third through ninth subseries contain information about friends and relatives of Howard and Nellie. Included are documents associated with the Fairchild family (Frank, David, and George Fairchild), Abby and Charles Marlatt, Gertrude and Theodore Jessup, Robert Clark Kedzie (Nellie's first husband who died in 1882), Addison Jones, his father, Ada Alice Tuttle, and Helen M. Jones. Types of material include news articles, correspondence, memoranda, printed materials, scrapbooks, and biographical information.  The tenth subseries includes five items relevant to Nellie: an autograph book, a scrapbook, a personal Bible, an award ribbon, and a leather pouch or wallet (unknown origin or ownership).  The final subseries includes photographs of Nellie and those associated with her. They are divided by group photos, photos of her, and photos of others who include Robert Clark Kedzie, Howard Murray Jones, the Fairchilds, and others.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","College of Human Ecology","College of Human Ecology","English","Latin"],"unitid_tesim":["U1989.16","290"],"normalized_date_ssm":["1860–1955"],"normalized_title_ssm":["Nellie Kedzie Jones series, 1860–1955"],"collection_title_tesim":["Nellie Kedzie Jones series, 1860–1955"],"collection_ssim":["Nellie Kedzie Jones series, 1860–1955"],"creator_ssm":["College of Human Ecology"],"creator_ssim":["College of Human Ecology"],"creator_corpname_ssim":["College of Human Ecology"],"creators_ssim":["College of Human Ecology"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: College of Human Ecology Acqusition Method: Donation. Acqusition Date: 19890404"],"access_subjects_ssim":["Kansas State University history","Faculty and staff papers and contributions","Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas State University history","Faculty and staff papers and contributions","Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["3.00 Linear Feet, 6.00 Boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eThese records document portions of the life and career of Nellie Sawyer Kedzie Jones, a pioneer in home economics and an alumna and faculty member at Kansas State Agricultural College.\u003c/p\u003e"],"appraisal_tesim":["These records document portions of the life and career of Nellie Sawyer Kedzie Jones, a pioneer in home economics and an alumna and faculty member at Kansas State Agricultural College."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 11 subseries: 1) Nellie Kedzie Jones; 2) Howard Murray Jones; 3) Fairchild family; 4) Abby and Charles Marlatt; 5) Gertrude and Theodore Jessup; 6) Robert Clark Kedzie; 7) Addison Jones; 8) Ada Alice Tuttle; 9) Helen M. Jones; 10) Miscellaneous; 11) Photographs.\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged into 11 subseries: 1) Nellie Kedzie Jones; 2) Howard Murray Jones; 3) Fairchild family; 4) Abby and Charles Marlatt; 5) Gertrude and Theodore Jessup; 6) Robert Clark Kedzie; 7) Addison Jones; 8) Ada Alice Tuttle; 9) Helen M. Jones; 10) Miscellaneous; 11) Photographs."],"custodhist_html_tesm":["\u003cp\u003ePrevious accession schemes numbered this accession U 236 or UA 236, and presently it is U1989.16. Materials came to the university archives from the College, with undocumented provenance previously.\u003c/p\u003e"],"custodhist_tesim":["Previous accession schemes numbered this accession U 236 or UA 236, and presently it is U1989.16. Materials came to the university archives from the College, with undocumented provenance previously."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003e \u003cdate\u003eStudent assistant Natalie Smith revised the description and input it in the collection management system in 2017. University archivist Cliff Hight reviewed it the same year.\u003c/date\u003e \u003c/p\u003e","\u003cp\u003eFinding Aid Author: David Arends, Natalie Smith, and Cliff Hight \u003clb\u003e\u003c/lb\u003eProcessing Info: David Arends, Kansas State University Historical Society volunteer, originally processed the materials in the Fall 1990 semester. \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-08-29\u003c/p\u003e"],"processinfo_tesim":["Student assistant Natalie Smith revised the description and input it in the collection management system in 2017. University archivist Cliff Hight reviewed it the same year.","Finding Aid Author: David Arends, Natalie Smith, and Cliff Hight  Processing Info: David Arends, Kansas State University Historical Society volunteer, originally processed the materials in the Fall 1990 semester.  Publication Date: 2017-08-29"],"scopecontent_html_tesm":["\u003cp\u003eThe Nellie Kedzie Jones series is part of the College of Human Ecology historical files at Kansas State University. Nellie Sawyer Kedzie Jones was an 1876 alumna who returned to lead domestic science instruction from 1882 until 1897. This series reflects papers related to her and her relatives and friends.\u003clb\u003e\u003c/lb\u003e The first subseries pertains to Nellie Sawyer Kedzie Jones with dates between 1889 and 1955. Contents include developments in human ecology and are reflected in publications, printed materials, published works, manuscripts, typescripts, awards, and correspondence. Materials are organized chronologically within each group.\u003clb\u003e\u003c/lb\u003e The second subseries is devoted to Howard Murray Jones, Nellie's husband from 1901 until his death in 1953. He was a minister, including time as a professor and administrator at Berea College. Contents include minimal correspondence along with writings, sermons, and printed materials. His sermons are arranged chronologically divided between typed and handwritten. Because he often used sermons twice, there are two dates on the manuscripts. The bulk of the materials pertains to religion and Christianity.\u003clb\u003e\u003c/lb\u003e The third through ninth subseries contain information about friends and relatives of Howard and Nellie. Included are documents associated with the Fairchild family (Frank, David, and George Fairchild), Abby and Charles Marlatt, Gertrude and Theodore Jessup, Robert Clark Kedzie (Nellie's first husband who died in 1882), Addison Jones, his father, Ada Alice Tuttle, and Helen M. Jones. Types of material include news articles, correspondence, memoranda, printed materials, scrapbooks, and biographical information.\u003clb\u003e\u003c/lb\u003e The tenth subseries includes five items relevant to Nellie: an autograph book, a scrapbook, a personal Bible, an award ribbon, and a leather pouch or wallet (unknown origin or ownership).\u003clb\u003e\u003c/lb\u003e The final subseries includes photographs of Nellie and those associated with her. They are divided by group photos, photos of her, and photos of others who include Robert Clark Kedzie, Howard Murray Jones, the Fairchilds, and others.\u003c/p\u003e"],"scopecontent_tesim":["The Nellie Kedzie Jones series is part of the College of Human Ecology historical files at Kansas State University. Nellie Sawyer Kedzie Jones was an 1876 alumna who returned to lead domestic science instruction from 1882 until 1897. This series reflects papers related to her and her relatives and friends.  The first subseries pertains to Nellie Sawyer Kedzie Jones with dates between 1889 and 1955. Contents include developments in human ecology and are reflected in publications, printed materials, published works, manuscripts, typescripts, awards, and correspondence. Materials are organized chronologically within each group.  The second subseries is devoted to Howard Murray Jones, Nellie's husband from 1901 until his death in 1953. He was a minister, including time as a professor and administrator at Berea College. Contents include minimal correspondence along with writings, sermons, and printed materials. His sermons are arranged chronologically divided between typed and handwritten. Because he often used sermons twice, there are two dates on the manuscripts. The bulk of the materials pertains to religion and Christianity.  The third through ninth subseries contain information about friends and relatives of Howard and Nellie. Included are documents associated with the Fairchild family (Frank, David, and George Fairchild), Abby and Charles Marlatt, Gertrude and Theodore Jessup, Robert Clark Kedzie (Nellie's first husband who died in 1882), Addison Jones, his father, Ada Alice Tuttle, and Helen M. Jones. Types of material include news articles, correspondence, memoranda, printed materials, scrapbooks, and biographical information.  The tenth subseries includes five items relevant to Nellie: an autograph book, a scrapbook, a personal Bible, an award ribbon, and a leather pouch or wallet (unknown origin or ownership).  The final subseries includes photographs of Nellie and those associated with her. They are divided by group photos, photos of her, and photos of others who include Robert Clark Kedzie, Howard Murray Jones, the Fairchilds, and others."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","College of Human Ecology","College of Human Ecology"],"corpname_ssim":["Richard L. D. and Marjorie J. 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collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.10.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Haley Claxton \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014 \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03"],"scopecontent_html_tesm":["\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.\u003c/p\u003e"],"scopecontent_tesim":["The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"sourcesDescription\"\u003e \u003cp\u003eInformation entered in Archon by Audrey Swartz, 2017.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Information entered in Archon by Audrey Swartz, 2017."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Smith, Shirley","Smith, Shirley"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":311,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eShirley Smith papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eShirley Smith papers\u003c/unittitle\u003e, 1937-2011"],"hashed_id_ssi":"027975a66a085b04","_root_":"shirley-smith-papers","timestamp":"2026-07-22T11:47:34.139Z","arrangement_html_tesm":["\u003cp\u003eThe collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831#normalized_title","type":"document_value","attributes":{"value":"Sub-Series 2: Modeling Advertisements","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831#parent_labels","type":"document_value","attributes":{"value":["Shirley Smith papers, 1937-2011","Series 7: Printed Material","Box 10"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831#parent_ids","type":"document_value","attributes":{"value":["shirley-smith-papers","shirley-smith-papers_al_aa8fdde2af8888fb89454837238efba79326acfa","shirley-smith-papers_al_815eac7d02da80aa059f3ca8476ccf600b3fd14c"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831#level","type":"document_value","attributes":{"value":"Subseries","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831#collection_name","type":"document_value","attributes":{"value":"Shirley Smith papers, 1937-2011","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831#eadid","type":"document_value","attributes":{"value":"shirley-smith-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831"}},{"id":"walter-t-dartland-papers_al_64a06967b87f65a217038f0535b307b3526259e4","type":"Other","attributes":{"title":"Box 11","breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/walter-t-dartland-papers_al_64a06967b87f65a217038f0535b307b3526259e4#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_64a06967b87f65a217038f0535b307b3526259e4","ref_ssm":["al_64a06967b87f65a217038f0535b307b3526259e4","al_64a06967b87f65a217038f0535b307b3526259e4"],"id":"walter-t-dartland-papers_al_64a06967b87f65a217038f0535b307b3526259e4","title_filing_ssi":"Box 11","title_ssm":["Box 11"],"title_tesim":["Box 11"],"normalized_title_ssm":["Box 11"],"text":["Box 11","Walter T. 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Dartland papers"],"title_tesim":["Walter T. Dartland papers"],"ead_ssi":"walter-t-dartland-papers","unitdate_ssm":["1970-2011"],"unitdate_other_ssim":["1970-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["47"],"text":["47","Walter T. Dartland papers, 1970-2011","16.50 Linear Feet, 11.00 Boxes","No access restrictions: All materials are open for research.","No additional accruals are expected.","The collection consists of five series: Series 1) subject files; Series 2) insurance; Series 3) Dade County Consumer Advocate, 1975-1986; Series 4) printed materials, Florida; Series 5) audiovisual materials. Series 1 and 2 are in alphabetical order by topic. Series 3 and 4 are in original order. Series 5 is arranged by audiovisual format.","Walter T. Dartland was born January 17, 1935. He is widely known for his expertise on consumer protection, investment and insurance fraud, and public interest issues. He earned a national reputation for diligence and effectiveness in exposing frauds and deceptive practices perpetrated against citizens and businesses alike. He gained national recognition as a consumer advocate from 1975 until 1986 while he was serving as the Miami-Dade County Consumer Advocate. Through his association with consumer groups, senior citizen organizations, and Florida business leaders, he exposed schemes directed at Florida’s elderly and low-income populations. In 1987, he was named Deputy Attorney General under Attorney General Bob Butterworth. For two years Dartland oversaw litigation in environmental protection, land use, consumer protection, antitrust enforcement, and execution of the Racketeer Influenced and Corrupt Organizations Act (RICO). At the request of the Attorney General, Dartland rejoined the office to serve as Special Counsel on critical issues from 1996 to 2000. While serving as Special Counsel, he earned the admiration of industry leaders for his unique ability to work with businesses to effectuate solutions to complex business transactions. Dartland has been involved with numerous professional, civic and charitable boards. Notable positions include past vice-president of the National Association of Consumer Agency Administrators, past Chairman of the Florida Bar Consumer Protection Committee, past president of the Consumer Credit Counseling Service of South Florida, past president of the Florida Association of Accountants in the Public Interest, board member of the Consumer Federation of America, founding member and co-chair of the National Coalition Against Insurance Fraud, member of the National Board of Common Cause, and chair of Florida Common Cause. Dartland’s education began at Rensselaer Polytechnic Institutes, where he earned a B.S. Degree in Engineering. He went on to earn a law degree from the University of Michigan. At some point in his career, he returned to Michigan when elected District Attorney.","It received accession number P2012.03.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Processing Info: Files were refoldered during processing and labeled with Mr. Dartland's original file title.   The collection was processed by curator Jane Schillie under the supervision of Anthony Crawford, curator of manuscripts.  Publication Date: 2013-04-24","This collection is comprised of files from Mr. Dartland's career in various capacities as a consumer advocate. The bulk of the materials cover the mid-1970s to mid-1990s. The vast majority pertain to Florida though there are examples of consumer advocacy from other states. Folder titles indicate the subjects included in the collection. Folders contain a wide variety of publications: business correspondence, brochures, pamphlets, speeches, flyers, newspaper clippings, reprints of trade articles, magazine clippings, ordinances, news releases, trade publications, agendas, reports, surveys, public hearing notices, legal documents, legislative documents, advertisements, business cards, conference proceedings, conference programs, printed email messages, registration forms and several other forms of ephemera and publications. Most items pertain to activities and issues that Mr. Dartland was directly involved in though some items seem to be just areas of interest. In addition to the publications, there are 34 VHS tapes, 3 DVDs, 1 flash drive, and 134 cassette tapes.","The researcher assumes full reponsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Dartland, Walt","Dartland, Walt","English"],"unitid_tesim":["47"],"normalized_date_ssm":["1970-2011"],"normalized_title_ssm":["Walter T. Dartland papers, 1970-2011"],"collection_title_tesim":["Walter T. Dartland papers, 1970-2011"],"collection_ssim":["Walter T. Dartland papers, 1970-2011"],"creator_ssm":["Dartland, Walt"],"creator_ssim":["Dartland, Walt"],"creator_persname_ssim":["Dartland, Walt"],"creators_ssim":["Dartland, Walt"],"access_terms_ssm":["The researcher assumes full reponsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Walter T. Dartland Acqusition Method: Mr. Dartland drove from his home in Florida to deliver 11 boxes of materials to the Morse Department of Special Collections. Acqusition Date: 20120426"],"has_online_content_ssim":["false"],"physdesc_tesim":["16.50 Linear Feet, 11.00 Boxes"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"accruals_html_tesm":["\u003cp\u003eNo additional accruals are expected.\u003c/p\u003e"],"accruals_tesim":["No additional accruals are expected."],"arrangement_html_tesm":["\u003cp\u003eThe collection consists of five series: Series 1) subject files; Series 2) insurance; Series 3) Dade County Consumer Advocate, 1975-1986; Series 4) printed materials, Florida; Series 5) audiovisual materials. Series 1 and 2 are in alphabetical order by topic. Series 3 and 4 are in original order. Series 5 is arranged by audiovisual format.\u003c/p\u003e"],"arrangement_tesim":["The collection consists of five series: Series 1) subject files; Series 2) insurance; Series 3) Dade County Consumer Advocate, 1975-1986; Series 4) printed materials, Florida; Series 5) audiovisual materials. Series 1 and 2 are in alphabetical order by topic. Series 3 and 4 are in original order. Series 5 is arranged by audiovisual format."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eWalter T. Dartland was born January 17, 1935. He is widely known for his expertise on consumer protection, investment and insurance fraud, and public interest issues. He earned a national reputation for diligence and effectiveness in exposing frauds and deceptive practices perpetrated against citizens and businesses alike. He gained national recognition as a consumer advocate from 1975 until 1986 while he was serving as the Miami-Dade County Consumer Advocate. Through his association with consumer groups, senior citizen organizations, and Florida business leaders, he exposed schemes directed at Florida\u0026#x2019;s elderly and low-income populations. In 1987, he was named Deputy Attorney General under Attorney General Bob Butterworth. For two years Dartland oversaw litigation in environmental protection, land use, consumer protection, antitrust enforcement, and execution of the Racketeer Influenced and Corrupt Organizations Act (RICO). At the request of the Attorney General, Dartland rejoined the office to serve as Special Counsel on critical issues from 1996 to 2000. While serving as Special Counsel, he earned the admiration of industry leaders for his unique ability to work with businesses to effectuate solutions to complex business transactions. Dartland has been involved with numerous professional, civic and charitable boards. Notable positions include past vice-president of the National Association of Consumer Agency Administrators, past Chairman of the Florida Bar Consumer Protection Committee, past president of the Consumer Credit Counseling Service of South Florida, past president of the Florida Association of Accountants in the Public Interest, board member of the Consumer Federation of America, founding member and co-chair of the National Coalition Against Insurance Fraud, member of the National Board of Common Cause, and chair of Florida Common Cause. Dartland\u0026#x2019;s education began at Rensselaer Polytechnic Institutes, where he earned a B.S. Degree in Engineering. He went on to earn a law degree from the University of Michigan. At some point in his career, he returned to Michigan when elected District Attorney.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Walter T. Dartland was born January 17, 1935. He is widely known for his expertise on consumer protection, investment and insurance fraud, and public interest issues. He earned a national reputation for diligence and effectiveness in exposing frauds and deceptive practices perpetrated against citizens and businesses alike. He gained national recognition as a consumer advocate from 1975 until 1986 while he was serving as the Miami-Dade County Consumer Advocate. Through his association with consumer groups, senior citizen organizations, and Florida business leaders, he exposed schemes directed at Florida’s elderly and low-income populations. In 1987, he was named Deputy Attorney General under Attorney General Bob Butterworth. For two years Dartland oversaw litigation in environmental protection, land use, consumer protection, antitrust enforcement, and execution of the Racketeer Influenced and Corrupt Organizations Act (RICO). At the request of the Attorney General, Dartland rejoined the office to serve as Special Counsel on critical issues from 1996 to 2000. While serving as Special Counsel, he earned the admiration of industry leaders for his unique ability to work with businesses to effectuate solutions to complex business transactions. Dartland has been involved with numerous professional, civic and charitable boards. Notable positions include past vice-president of the National Association of Consumer Agency Administrators, past Chairman of the Florida Bar Consumer Protection Committee, past president of the Consumer Credit Counseling Service of South Florida, past president of the Florida Association of Accountants in the Public Interest, board member of the Consumer Federation of America, founding member and co-chair of the National Coalition Against Insurance Fraud, member of the National Board of Common Cause, and chair of Florida Common Cause. Dartland’s education began at Rensselaer Polytechnic Institutes, where he earned a B.S. Degree in Engineering. He went on to earn a law degree from the University of Michigan. At some point in his career, he returned to Michigan when elected District Attorney."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2012.03.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2012.03."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing Info: Files were refoldered during processing and labeled with Mr. Dartland's original file title. \u003clb\u003e\u003c/lb\u003e The collection was processed by curator Jane Schillie under the supervision of Anthony Crawford, curator of manuscripts. \u003clb\u003e\u003c/lb\u003ePublication Date: 2013-04-24\u003c/p\u003e"],"processinfo_tesim":["Processing Info: Files were refoldered during processing and labeled with Mr. Dartland's original file title.   The collection was processed by curator Jane Schillie under the supervision of Anthony Crawford, curator of manuscripts.  Publication Date: 2013-04-24"],"scopecontent_html_tesm":["\u003cp\u003eThis collection is comprised of files from Mr. Dartland's career in various capacities as a consumer advocate. The bulk of the materials cover the mid-1970s to mid-1990s. The vast majority pertain to Florida though there are examples of consumer advocacy from other states. Folder titles indicate the subjects included in the collection. Folders contain a wide variety of publications: business correspondence, brochures, pamphlets, speeches, flyers, newspaper clippings, reprints of trade articles, magazine clippings, ordinances, news releases, trade publications, agendas, reports, surveys, public hearing notices, legal documents, legislative documents, advertisements, business cards, conference proceedings, conference programs, printed email messages, registration forms and several other forms of ephemera and publications. Most items pertain to activities and issues that Mr. Dartland was directly involved in though some items seem to be just areas of interest. In addition to the publications, there are 34 VHS tapes, 3 DVDs, 1 flash drive, and 134 cassette tapes.\u003c/p\u003e"],"scopecontent_tesim":["This collection is comprised of files from Mr. Dartland's career in various capacities as a consumer advocate. The bulk of the materials cover the mid-1970s to mid-1990s. The vast majority pertain to Florida though there are examples of consumer advocacy from other states. Folder titles indicate the subjects included in the collection. Folders contain a wide variety of publications: business correspondence, brochures, pamphlets, speeches, flyers, newspaper clippings, reprints of trade articles, magazine clippings, ordinances, news releases, trade publications, agendas, reports, surveys, public hearing notices, legal documents, legislative documents, advertisements, business cards, conference proceedings, conference programs, printed email messages, registration forms and several other forms of ephemera and publications. Most items pertain to activities and issues that Mr. Dartland was directly involved in though some items seem to be just areas of interest. In addition to the publications, there are 34 VHS tapes, 3 DVDs, 1 flash drive, and 134 cassette tapes."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full reponsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full reponsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Dartland, Walt","Dartland, Walt"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Dartland, Walt","Dartland, Walt"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":407,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eWalter T. 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509S: 19/2/5 Box 10, 13, 16 (19x25); 509S: 19/8/5 Box 14, 15 (19x25); 509S: 19/10/5","No access restriction: All materials are open for research.","Box 19 and 20.","The Doris and Leona Velen Collection was donated to Kansas State University by Kevin Larson, a history teacher at Riley County High School, in 2004. Doris and Leona Velens' grandfather, Sven Velen, homesteaded in the Blue Valley in 1867, and his son, Frank Velen, resided on the original site with his family for several decades. When plans for construction of a large dam in the Blue Valley were announced, the daughters of Frank Velen, Doris and Leona, both schoolteachers in Manhattan, initiated a valiant and persistent anti-dam campaign. Despite their prolonged effort to stop construction of the dam, thousands of acres of farmland in the Blue Valley were inundated, including their home in the small town of Cleburne, Kansas, to make way for the project. Materials in this collection span the time from the Velen sisters' initial involvement in the Tuttle Creek project during the mid 1940s until construction of the dam was completed in 1962. Material is also included from their continued interest on the subject through the late 1980s and early 1990s. Information in this collection centers around the Velen sisters' involvement in the campaign against Tuttle Creek Dam. The decision to construct Tuttle Creek Dam produced a surge of passionate opposition. Doris and Leona Velen wrote numerous letters to members of Congress and governors, organized meetings and gave speeches, to gather support to preserve the Blue Valley. This collection, however, is not merely a study of one local movement. The campaign to \"Stop the Big Dam Foolishness\" represents a political struggle between local and federal governments, and explores flood control and soil conservation issues that are commonplace throughout the country.","The collection is divided into six series: 1) Correspondence, 1944-1963; 2) Subject Files, 1937-1988; 3) Speeches, 1951-1955; 4) Maps, 1944-1956; 5) Printed Materials, 1933- 2000; and 6) Scrapbooks, 1951-1962. The bulk of the correspondence series contains letters written and received by Doris and Leona Velen.  The sisters maintained separate correspondence files, and that distinction was preserved throughout the correspondence series where possible. Additional correspondence from other key individuals are also filed separately, including Lloyd Woodburn, Paul Jameson, and Frank and Esther Velen, the parents of Doris and Leona. All correspondence is arranged chronologically. The contents of this series describes how the Velen sisters gained support for their cause through Congress, local and national media, and their neighbors in the Blue Valley.","Leona Velen 1916-2001   Doris Velen 1919-2003","The Doris and Leona Velen Collection is identified by accession number P2004.10.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Diane Soldan  Processing Info: Processing was completed by Diane Soldan, student employee, in July 2004.   Archon processing by Edward Nagurny, graduate research assistant, June 2015.  Publication Date: 2015-06-26","The Doris and Leona Velen Collection contains materials pertaining to the sisters' campaign against the construction of Tuttle Creek Dam near Manhattan, Kansas from approximately 1937 to1962. The women were part of a large campaign of Blue Valley residents who attempted to save their homes from being flooded by the construction of Tuttle Creek Dam. Their efforts produced hundreds of letters, dozens of scrapbooks and pamphlets and numerous magazine and newspaper articles.  Subject files covering a broad range of topics relevant to Tuttle Creek Dam are assembled to complete the second series. Most notable among them are the files relating to the Blue Valley Open House, held October 22, 1955; trips taken by Blue Valley residents to Denver in 1952 and Washington D.C. in 1955 to meet with President Eisenhower; material used in political campaigns to elect anti-dam supporters to Congress; and the Tuttle Creek Story film, created to chronicle the creation of the dam.  The third series consists of speeches given between 1951 and 1955. Speeches were delivered before various groups and commissions in order to gather support in defense of the Blue Valley. The maps in the fourth series range in scope from local to national areas. Maps are used to illustrate how Tuttle Creek Dam relates to the other flood control projects along the Missouri River Basin. Various types of printed material are organized into the fifth series. Included among them are pamphlets and propaganda unique to the movement against Tuttle Creek Dam.  A large portion of this series contains newspaper clippings from various local and regional newspapers as well as an assortment of magazine articles. These articles provide a continuing narrative of the Tuttle Creek project, from its beginnings in the 1940s, through the controversy caused by its construction, and ending with the historic flood of 1993.  Scrapbooks created by Doris and Leona Velen make up the sixth and final series in the collection. The 69 scrapbooks span the years 1951-1962 and contain newspaper and magazine articles and congressional records concerning the Tuttle Creek project. A small number of broadsides, photographs, artifacts, and a 16mm film are listed at the end of the container list.","The researcher assumes full responsibility for all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Velen, Doris and Leona","Velen, Doris and Leona","English","Latin"],"unitid_tesim":["P2004.10","204"],"normalized_date_ssm":["1937-1962"],"normalized_title_ssm":["Doris and Leona Velen papers, 1937-1962"],"collection_title_tesim":["Doris and Leona Velen papers, 1937-1962"],"collection_ssim":["Doris and Leona Velen papers, 1937-1962"],"creator_ssm":["Velen, Doris and Leona"],"creator_ssim":["Velen, Doris and Leona"],"creator_persname_ssim":["Velen, Doris and Leona"],"creators_ssim":["Velen, Doris and Leona"],"access_terms_ssm":["The researcher assumes full responsibility for all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Kevin Larson Acqusition Method: Donation"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["12.00 Linear Feet, 18.00 Boxes Post- Fire Oversize Boxes: Box 11, 12, 17, 18 (19x25); 509S: 19/2/5 Box 10, 13, 16 (19x25); 509S: 19/8/5 Box 14, 15 (19x25); 509S: 19/10/5"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"accruals_html_tesm":["\u003cp\u003eBox 19 and 20.\u003c/p\u003e"],"accruals_tesim":["Box 19 and 20."],"appraisal_html_tesm":["\u003cp\u003eThe Doris and Leona Velen Collection was donated to Kansas State University by Kevin Larson, a history teacher at Riley County High School, in 2004. Doris and Leona Velens' grandfather, Sven Velen, homesteaded in the Blue Valley in 1867, and his son, Frank Velen, resided on the original site with his family for several decades. When plans for construction of a large dam in the Blue Valley were announced, the daughters of Frank Velen, Doris and Leona, both schoolteachers in Manhattan, initiated a valiant and persistent anti-dam campaign. Despite their prolonged effort to stop construction of the dam, thousands of acres of farmland in the Blue Valley were inundated, including their home in the small town of Cleburne, Kansas, to make way for the project. Materials in this collection span the time from the Velen sisters' initial involvement in the Tuttle Creek project during the mid 1940s until construction of the dam was completed in 1962. Material is also included from their continued interest on the subject through the late 1980s and early 1990s. Information in this collection centers around the Velen sisters' involvement in the campaign against Tuttle Creek Dam. The decision to construct Tuttle Creek Dam produced a surge of passionate opposition. Doris and Leona Velen wrote numerous letters to members of Congress and governors, organized meetings and gave speeches, to gather support to preserve the Blue Valley. This collection, however, is not merely a study of one local movement. The campaign to \"Stop the Big Dam Foolishness\" represents a political struggle between local and federal governments, and explores flood control and soil conservation issues that are commonplace throughout the country.\u003c/p\u003e"],"appraisal_tesim":["The Doris and Leona Velen Collection was donated to Kansas State University by Kevin Larson, a history teacher at Riley County High School, in 2004. Doris and Leona Velens' grandfather, Sven Velen, homesteaded in the Blue Valley in 1867, and his son, Frank Velen, resided on the original site with his family for several decades. When plans for construction of a large dam in the Blue Valley were announced, the daughters of Frank Velen, Doris and Leona, both schoolteachers in Manhattan, initiated a valiant and persistent anti-dam campaign. Despite their prolonged effort to stop construction of the dam, thousands of acres of farmland in the Blue Valley were inundated, including their home in the small town of Cleburne, Kansas, to make way for the project. Materials in this collection span the time from the Velen sisters' initial involvement in the Tuttle Creek project during the mid 1940s until construction of the dam was completed in 1962. Material is also included from their continued interest on the subject through the late 1980s and early 1990s. Information in this collection centers around the Velen sisters' involvement in the campaign against Tuttle Creek Dam. The decision to construct Tuttle Creek Dam produced a surge of passionate opposition. Doris and Leona Velen wrote numerous letters to members of Congress and governors, organized meetings and gave speeches, to gather support to preserve the Blue Valley. This collection, however, is not merely a study of one local movement. The campaign to \"Stop the Big Dam Foolishness\" represents a political struggle between local and federal governments, and explores flood control and soil conservation issues that are commonplace throughout the country."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into six series: 1) Correspondence, 1944-1963; 2) Subject Files, 1937-1988; 3) Speeches, 1951-1955; 4) Maps, 1944-1956; 5) Printed Materials, 1933- 2000; and 6) Scrapbooks, 1951-1962. The bulk of the correspondence series contains letters written and received by Doris and Leona Velen.\u003clb\u003e\u003c/lb\u003e The sisters maintained separate correspondence files, and that distinction was preserved throughout the correspondence series where possible. Additional correspondence from other key individuals are also filed separately, including Lloyd Woodburn, Paul Jameson, and Frank and Esther Velen, the parents of Doris and Leona. All correspondence is arranged chronologically. The contents of this series describes how the Velen sisters gained support for their cause through Congress, local and national media, and their neighbors in the Blue Valley.\u003c/p\u003e"],"arrangement_tesim":["The collection is divided into six series: 1) Correspondence, 1944-1963; 2) Subject Files, 1937-1988; 3) Speeches, 1951-1955; 4) Maps, 1944-1956; 5) Printed Materials, 1933- 2000; and 6) Scrapbooks, 1951-1962. The bulk of the correspondence series contains letters written and received by Doris and Leona Velen.  The sisters maintained separate correspondence files, and that distinction was preserved throughout the correspondence series where possible. Additional correspondence from other key individuals are also filed separately, including Lloyd Woodburn, Paul Jameson, and Frank and Esther Velen, the parents of Doris and Leona. All correspondence is arranged chronologically. The contents of this series describes how the Velen sisters gained support for their cause through Congress, local and national media, and their neighbors in the Blue Valley."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eLeona Velen 1916-2001 \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e Doris Velen 1919-2003\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Leona Velen 1916-2001   Doris Velen 1919-2003"],"custodhist_html_tesm":["\u003cp\u003eThe Doris and Leona Velen Collection is identified by accession number P2004.10.\u003c/p\u003e"],"custodhist_tesim":["The Doris and Leona Velen Collection is identified by accession number P2004.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2004-10.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2004-10.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Diane Soldan \u003clb\u003e\u003c/lb\u003eProcessing Info: Processing was completed by Diane Soldan, student employee, in July 2004. \u003clb\u003e\u003c/lb\u003e Archon processing by Edward Nagurny, graduate research assistant, June 2015. \u003clb\u003e\u003c/lb\u003ePublication Date: 2015-06-26\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Diane Soldan  Processing Info: Processing was completed by Diane Soldan, student employee, in July 2004.   Archon processing by Edward Nagurny, graduate research assistant, June 2015.  Publication Date: 2015-06-26"],"scopecontent_html_tesm":["\u003cp\u003eThe Doris and Leona Velen Collection contains materials pertaining to the sisters' campaign against the construction of Tuttle Creek Dam near Manhattan, Kansas from approximately 1937 to1962. The women were part of a large campaign of Blue Valley residents who attempted to save their homes from being flooded by the construction of Tuttle Creek Dam. Their efforts produced hundreds of letters, dozens of scrapbooks and pamphlets and numerous magazine and newspaper articles.\u003clb\u003e\u003c/lb\u003e Subject files covering a broad range of topics relevant to Tuttle Creek Dam are assembled to complete the second series. Most notable among them are the files relating to the Blue Valley Open House, held October 22, 1955; trips taken by Blue Valley residents to Denver in 1952 and Washington D.C. in 1955 to meet with President Eisenhower; material used in political campaigns to elect anti-dam supporters to Congress; and the Tuttle Creek Story film, created to chronicle the creation of the dam.\u003clb\u003e\u003c/lb\u003e The third series consists of speeches given between 1951 and 1955. Speeches were delivered before various groups and commissions in order to gather support in defense of the Blue Valley. The maps in the fourth series range in scope from local to national areas. Maps are used to illustrate how Tuttle Creek Dam relates to the other flood control projects along the Missouri River Basin. Various types of printed material are organized into the fifth series. Included among them are pamphlets and propaganda unique to the movement against Tuttle Creek Dam.\u003clb\u003e\u003c/lb\u003e A large portion of this series contains newspaper clippings from various local and regional newspapers as well as an assortment of magazine articles. These articles provide a continuing narrative of the Tuttle Creek project, from its beginnings in the 1940s, through the controversy caused by its construction, and ending with the historic flood of 1993.\u003clb\u003e\u003c/lb\u003e Scrapbooks created by Doris and Leona Velen make up the sixth and final series in the collection. The 69 scrapbooks span the years 1951-1962 and contain newspaper and magazine articles and congressional records concerning the Tuttle Creek project. A small number of broadsides, photographs, artifacts, and a 16mm film are listed at the end of the container list.\u003c/p\u003e"],"scopecontent_tesim":["The Doris and Leona Velen Collection contains materials pertaining to the sisters' campaign against the construction of Tuttle Creek Dam near Manhattan, Kansas from approximately 1937 to1962. The women were part of a large campaign of Blue Valley residents who attempted to save their homes from being flooded by the construction of Tuttle Creek Dam. Their efforts produced hundreds of letters, dozens of scrapbooks and pamphlets and numerous magazine and newspaper articles.  Subject files covering a broad range of topics relevant to Tuttle Creek Dam are assembled to complete the second series. Most notable among them are the files relating to the Blue Valley Open House, held October 22, 1955; trips taken by Blue Valley residents to Denver in 1952 and Washington D.C. in 1955 to meet with President Eisenhower; material used in political campaigns to elect anti-dam supporters to Congress; and the Tuttle Creek Story film, created to chronicle the creation of the dam.  The third series consists of speeches given between 1951 and 1955. Speeches were delivered before various groups and commissions in order to gather support in defense of the Blue Valley. The maps in the fourth series range in scope from local to national areas. Maps are used to illustrate how Tuttle Creek Dam relates to the other flood control projects along the Missouri River Basin. Various types of printed material are organized into the fifth series. Included among them are pamphlets and propaganda unique to the movement against Tuttle Creek Dam.  A large portion of this series contains newspaper clippings from various local and regional newspapers as well as an assortment of magazine articles. These articles provide a continuing narrative of the Tuttle Creek project, from its beginnings in the 1940s, through the controversy caused by its construction, and ending with the historic flood of 1993.  Scrapbooks created by Doris and Leona Velen make up the sixth and final series in the collection. The 69 scrapbooks span the years 1951-1962 and contain newspaper and magazine articles and congressional records concerning the Tuttle Creek project. A small number of broadsides, photographs, artifacts, and a 16mm film are listed at the end of the container list."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Velen, Doris and Leona","Velen, Doris and Leona"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Velen, Doris and Leona","Velen, Doris and Leona"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":266,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eDoris and Leona Velen papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eDoris and Leona Velen papers\u003c/unittitle\u003e, 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Kedzie Jones, a pioneer in home economics and an alumna and faculty member at Kansas State Agricultural College.","The collection is arranged into 11 subseries: 1) Nellie Kedzie Jones; 2) Howard Murray Jones; 3) Fairchild family; 4) Abby and Charles Marlatt; 5) Gertrude and Theodore Jessup; 6) Robert Clark Kedzie; 7) Addison Jones; 8) Ada Alice Tuttle; 9) Helen M. Jones; 10) Miscellaneous; 11) Photographs.","Previous accession schemes numbered this accession U 236 or UA 236, and presently it is U1989.16. Materials came to the university archives from the College, with undocumented provenance previously.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Student assistant Natalie Smith revised the description and input it in the collection management system in 2017. University archivist Cliff Hight reviewed it the same year.","Finding Aid Author: David Arends, Natalie Smith, and Cliff Hight  Processing Info: David Arends, Kansas State University Historical Society volunteer, originally processed the materials in the Fall 1990 semester.  Publication Date: 2017-08-29","The Nellie Kedzie Jones series is part of the College of Human Ecology historical files at Kansas State University. Nellie Sawyer Kedzie Jones was an 1876 alumna who returned to lead domestic science instruction from 1882 until 1897. This series reflects papers related to her and her relatives and friends.  The first subseries pertains to Nellie Sawyer Kedzie Jones with dates between 1889 and 1955. Contents include developments in human ecology and are reflected in publications, printed materials, published works, manuscripts, typescripts, awards, and correspondence. Materials are organized chronologically within each group.  The second subseries is devoted to Howard Murray Jones, Nellie's husband from 1901 until his death in 1953. He was a minister, including time as a professor and administrator at Berea College. Contents include minimal correspondence along with writings, sermons, and printed materials. His sermons are arranged chronologically divided between typed and handwritten. Because he often used sermons twice, there are two dates on the manuscripts. The bulk of the materials pertains to religion and Christianity.  The third through ninth subseries contain information about friends and relatives of Howard and Nellie. Included are documents associated with the Fairchild family (Frank, David, and George Fairchild), Abby and Charles Marlatt, Gertrude and Theodore Jessup, Robert Clark Kedzie (Nellie's first husband who died in 1882), Addison Jones, his father, Ada Alice Tuttle, and Helen M. Jones. Types of material include news articles, correspondence, memoranda, printed materials, scrapbooks, and biographical information.  The tenth subseries includes five items relevant to Nellie: an autograph book, a scrapbook, a personal Bible, an award ribbon, and a leather pouch or wallet (unknown origin or ownership).  The final subseries includes photographs of Nellie and those associated with her. They are divided by group photos, photos of her, and photos of others who include Robert Clark Kedzie, Howard Murray Jones, the Fairchilds, and others.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","College of Human Ecology","College of Human Ecology","English","Latin"],"unitid_tesim":["U1989.16","290"],"normalized_date_ssm":["1860–1955"],"normalized_title_ssm":["Nellie Kedzie Jones series, 1860–1955"],"collection_title_tesim":["Nellie Kedzie Jones series, 1860–1955"],"collection_ssim":["Nellie Kedzie Jones series, 1860–1955"],"creator_ssm":["College of Human Ecology"],"creator_ssim":["College of Human Ecology"],"creator_corpname_ssim":["College of Human Ecology"],"creators_ssim":["College of Human Ecology"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: College of Human Ecology Acqusition Method: Donation. Acqusition Date: 19890404"],"access_subjects_ssim":["Kansas State University history","Faculty and staff papers and contributions","Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas State University history","Faculty and staff papers and contributions","Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["3.00 Linear Feet, 6.00 Boxes"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eThese records document portions of the life and career of Nellie Sawyer Kedzie Jones, a pioneer in home economics and an alumna and faculty member at Kansas State Agricultural College.\u003c/p\u003e"],"appraisal_tesim":["These records document portions of the life and career of Nellie Sawyer Kedzie Jones, a pioneer in home economics and an alumna and faculty member at Kansas State Agricultural College."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 11 subseries: 1) Nellie Kedzie Jones; 2) Howard Murray Jones; 3) Fairchild family; 4) Abby and Charles Marlatt; 5) Gertrude and Theodore Jessup; 6) Robert Clark Kedzie; 7) Addison Jones; 8) Ada Alice Tuttle; 9) Helen M. Jones; 10) Miscellaneous; 11) Photographs.\u003c/p\u003e"],"arrangement_tesim":["The collection is arranged into 11 subseries: 1) Nellie Kedzie Jones; 2) Howard Murray Jones; 3) Fairchild family; 4) Abby and Charles Marlatt; 5) Gertrude and Theodore Jessup; 6) Robert Clark Kedzie; 7) Addison Jones; 8) Ada Alice Tuttle; 9) Helen M. Jones; 10) Miscellaneous; 11) Photographs."],"custodhist_html_tesm":["\u003cp\u003ePrevious accession schemes numbered this accession U 236 or UA 236, and presently it is U1989.16. Materials came to the university archives from the College, with undocumented provenance previously.\u003c/p\u003e"],"custodhist_tesim":["Previous accession schemes numbered this accession U 236 or UA 236, and presently it is U1989.16. Materials came to the university archives from the College, with undocumented provenance previously."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003e \u003cdate\u003eStudent assistant Natalie Smith revised the description and input it in the collection management system in 2017. University archivist Cliff Hight reviewed it the same year.\u003c/date\u003e \u003c/p\u003e","\u003cp\u003eFinding Aid Author: David Arends, Natalie Smith, and Cliff Hight \u003clb\u003e\u003c/lb\u003eProcessing Info: David Arends, Kansas State University Historical Society volunteer, originally processed the materials in the Fall 1990 semester. \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-08-29\u003c/p\u003e"],"processinfo_tesim":["Student assistant Natalie Smith revised the description and input it in the collection management system in 2017. University archivist Cliff Hight reviewed it the same year.","Finding Aid Author: David Arends, Natalie Smith, and Cliff Hight  Processing Info: David Arends, Kansas State University Historical Society volunteer, originally processed the materials in the Fall 1990 semester.  Publication Date: 2017-08-29"],"scopecontent_html_tesm":["\u003cp\u003eThe Nellie Kedzie Jones series is part of the College of Human Ecology historical files at Kansas State University. Nellie Sawyer Kedzie Jones was an 1876 alumna who returned to lead domestic science instruction from 1882 until 1897. This series reflects papers related to her and her relatives and friends.\u003clb\u003e\u003c/lb\u003e The first subseries pertains to Nellie Sawyer Kedzie Jones with dates between 1889 and 1955. Contents include developments in human ecology and are reflected in publications, printed materials, published works, manuscripts, typescripts, awards, and correspondence. Materials are organized chronologically within each group.\u003clb\u003e\u003c/lb\u003e The second subseries is devoted to Howard Murray Jones, Nellie's husband from 1901 until his death in 1953. He was a minister, including time as a professor and administrator at Berea College. Contents include minimal correspondence along with writings, sermons, and printed materials. His sermons are arranged chronologically divided between typed and handwritten. Because he often used sermons twice, there are two dates on the manuscripts. The bulk of the materials pertains to religion and Christianity.\u003clb\u003e\u003c/lb\u003e The third through ninth subseries contain information about friends and relatives of Howard and Nellie. Included are documents associated with the Fairchild family (Frank, David, and George Fairchild), Abby and Charles Marlatt, Gertrude and Theodore Jessup, Robert Clark Kedzie (Nellie's first husband who died in 1882), Addison Jones, his father, Ada Alice Tuttle, and Helen M. Jones. Types of material include news articles, correspondence, memoranda, printed materials, scrapbooks, and biographical information.\u003clb\u003e\u003c/lb\u003e The tenth subseries includes five items relevant to Nellie: an autograph book, a scrapbook, a personal Bible, an award ribbon, and a leather pouch or wallet (unknown origin or ownership).\u003clb\u003e\u003c/lb\u003e The final subseries includes photographs of Nellie and those associated with her. They are divided by group photos, photos of her, and photos of others who include Robert Clark Kedzie, Howard Murray Jones, the Fairchilds, and others.\u003c/p\u003e"],"scopecontent_tesim":["The Nellie Kedzie Jones series is part of the College of Human Ecology historical files at Kansas State University. Nellie Sawyer Kedzie Jones was an 1876 alumna who returned to lead domestic science instruction from 1882 until 1897. This series reflects papers related to her and her relatives and friends.  The first subseries pertains to Nellie Sawyer Kedzie Jones with dates between 1889 and 1955. Contents include developments in human ecology and are reflected in publications, printed materials, published works, manuscripts, typescripts, awards, and correspondence. Materials are organized chronologically within each group.  The second subseries is devoted to Howard Murray Jones, Nellie's husband from 1901 until his death in 1953. He was a minister, including time as a professor and administrator at Berea College. Contents include minimal correspondence along with writings, sermons, and printed materials. His sermons are arranged chronologically divided between typed and handwritten. Because he often used sermons twice, there are two dates on the manuscripts. The bulk of the materials pertains to religion and Christianity.  The third through ninth subseries contain information about friends and relatives of Howard and Nellie. Included are documents associated with the Fairchild family (Frank, David, and George Fairchild), Abby and Charles Marlatt, Gertrude and Theodore Jessup, Robert Clark Kedzie (Nellie's first husband who died in 1882), Addison Jones, his father, Ada Alice Tuttle, and Helen M. Jones. Types of material include news articles, correspondence, memoranda, printed materials, scrapbooks, and biographical information.  The tenth subseries includes five items relevant to Nellie: an autograph book, a scrapbook, a personal Bible, an award ribbon, and a leather pouch or wallet (unknown origin or ownership).  The final subseries includes photographs of Nellie and those associated with her. They are divided by group photos, photos of her, and photos of others who include Robert Clark Kedzie, Howard Murray Jones, the Fairchilds, and others."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","College of Human Ecology","College of Human Ecology"],"corpname_ssim":["Richard L. D. and Marjorie J. 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papers"],"title_tesim":["Shirley Smith papers"],"ead_ssi":"shirley-smith-papers","unitdate_ssm":["1937-2011"],"unitdate_other_ssim":["1937-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.1o","279"],"text":["P2014.1o","279","Shirley Smith papers, 1937-2011","Kansas agriculture and rural life","9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer.","No access restriction: All materials are open for research.","The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.10.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Haley Claxton \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014 \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03"],"scopecontent_html_tesm":["\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.\u003c/p\u003e"],"scopecontent_tesim":["The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"sourcesDescription\"\u003e \u003cp\u003eInformation entered in Archon by Audrey Swartz, 2017.\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Information entered in Archon by Audrey Swartz, 2017."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Smith, Shirley","Smith, Shirley"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":311,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eShirley Smith papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eShirley Smith papers\u003c/unittitle\u003e, 1937-2011"],"hashed_id_ssi":"027975a66a085b04","_root_":"shirley-smith-papers","timestamp":"2026-07-22T11:47:34.139Z","arrangement_html_tesm":["\u003cp\u003eThe collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590#normalized_title","type":"document_value","attributes":{"value":"Folder 09: Vicky Vaughn Jr in Seventeen, May 1953","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590#parent_labels","type":"document_value","attributes":{"value":["Shirley Smith papers, 1937-2011","Series 7: Printed Material","Box 10","Sub-Series 2: Modeling Advertisements"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590#parent_ids","type":"document_value","attributes":{"value":["shirley-smith-papers","shirley-smith-papers_al_aa8fdde2af8888fb89454837238efba79326acfa","shirley-smith-papers_al_815eac7d02da80aa059f3ca8476ccf600b3fd14c","shirley-smith-papers_al_f0b922344e27d3a9b9b8ff9ff813e635ee53d831"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590#level","type":"document_value","attributes":{"value":"File","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590#collection_name","type":"document_value","attributes":{"value":"Shirley Smith papers, 1937-2011","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590#eadid","type":"document_value","attributes":{"value":"shirley-smith-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_9deefd02e1e211d6eeed44e5927b073600b60590"}},{"id":"jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b","type":"File","attributes":{"title":"Folder 10: American Express, Energy Project, 1979-1980","breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b","ref_ssm":["al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b","al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b"],"id":"jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b","title_filing_ssi":"Folder 10: American Express, Energy Project","title_ssm":["Folder 10: American Express, Energy Project"],"title_tesim":["Folder 10: American Express, Energy Project"],"unitdate_other_ssim":["1979-1980"],"normalized_date_ssm":["1979-1980"],"normalized_title_ssm":["Folder 10: American Express, Energy Project, 1979-1980"],"text":["Folder 10: American Express, Energy Project, 1979-1980","Jane Butel papers, 1956-2014","Series 8: Early Career","Box 4","9295","Published"],"component_level_isim":[3],"parent_ssi":"al_607c204894db805946c3fc855edb162f3bd41ba1","parent_ids_ssim":["jane-butel-papers","jane-butel-papers_al_105b746bbbdddeb5204b40fb9b699f5245656aa7","jane-butel-papers_al_607c204894db805946c3fc855edb162f3bd41ba1"],"parent_unittitles_ssm":["Jane Butel papers, 1956-2014","Series 8: Early Career","Box 4"],"parent_unittitles_tesim":["Jane Butel papers, 1956-2014","Series 8: Early Career","Box 4"],"parent_levels_ssm":["collection","Series","Other"],"unitid_ssm":["9295"],"collection_ssim":["Jane Butel papers, 1956-2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":257,"parent_access_restrict_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"parent_access_terms_tesm":["\u003cp\u003eRestrictions apply to audiovisual materials. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e"],"odd_tesim":["Published"],"barcode_ssim":["Box 1|A83412010944","Box 2|A83412011788","Box 3|A83412009888","Box 4|A83412010813","Box 5|A83412010821","Box 6|A83412011770","Box 7|A83412010009","Box 8|A83412010106","Box 9|A83412010936","Box 10|A83412010114","Box 11|A83412009993","Box 12|A83412012491","Box 13|A83411996927"],"barcode_tesim":["A83412010944","A83412011788","A83412009888","A83412010813","A83412010821","A83412011770","A83412010009","A83412010106","A83412010936","A83412010114","A83412009993","A83412012491","A83411996927"],"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFolder 10: American Express, Energy Project\u003c/unittitle\u003e"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFolder 10: American Express, Energy Project\u003c/unittitle\u003e, 1979-1980"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#7/components#0/components#9","_nest_parent_":"jane-butel-papers_al_607c204894db805946c3fc855edb162f3bd41ba1","_root_":"jane-butel-papers","timestamp":"2026-07-22T11:43:04.400Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"jane-butel-papers","title_ssm":["Jane Butel papers"],"title_tesim":["Jane Butel papers"],"ead_ssi":"jane-butel-papers","unitdate_ssm":["1956-2014"],"unitdate_other_ssim":["1956-2014"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2013.08","88"],"text":["P2013.08","88","Jane Butel papers, 1956-2014","Cookery","12.00 Cubic Feet, 13.00 Boxes","No access restrictions: All materials are open for research.","Jane Franz Butel is a 1959 graduate of Kansas State University. She is an internationally recognized authority on regional cooking of the American Southwest and is credited with starting the Tex-Mex craze in the United States. Her papers are a very important addition to the Morse Department of Special Collections' holdings because of the contents and the significance of her impact on American and Southwestern cooking.","Materials in the collection are arranged by subject.  Series:  1) Articles, 1976-2009  2) Cookbook Materials, undated  3) Cooking Schools, 1998-2006, undated  4) Corporate Consulting, 1980-1982, 1992-1995, 2002-2003, undated  5) JBA (Jane Butel Associates), 1980, 2001, undated  6) Pecos Valley Spice Co., 1979-1984, 1996, 2004, undated  7) Correspondence1965-2009, undated  8) Early Career, 1971-1980, 1997, undated  9) Awards and Speeches, 1964-1969, 1996-1997, 2002, undated  10) K-State Years, 1956-1958, undated  11) Professional Organizations, 1964, 1970-1975, 1999, 2002-2005, undated  12) Publicity, 1981-1989, 1991-2009, undated  13) Cooking Shows, 1993-2008, undated  14) Sponsors, 1999-2005, undated  15) Potential Sponsors, 1994-2005, undated  16) Photographs, 1982, 1995, 2000, undated  17) Audiovisuals, 1990 - 2000, 2002, 2004, undated","Born in 1938, Jane Anne Franz Butel would grow up to be known as the mother of Tex-Mex, being credited with bringing the regional culinary style into popular demand. Graduating from Soldier Rural High School as Valedictorian put Butel on the path to success. She enrolled at Kansas State University with a double major in Home Economics and Journalism with a four-year scholarship from Sears Roebuck for all of her tuition.   In 1958 Butel married Donald Allen Butel and by the next year had graduated K-State and moved to Albuquerque, New Mexico where she began her expansive career. By 1961 Butel was already making a name for herself in southwest cuisine. She was promoted to Head of the Department of Home Service, won seven national awards from programming and overall achievement and been elected president of New Mexico Home Economics Association and Chairman of the Women’s Committee of Albuquerque Chamber of Commerce. She also had a weekly television news segment from 1967-1969 as well as appearing frequently as a guest on several radio programs. In 1968, Butel self-published her second cookbook, Favorite Mexican Foods.   From 1969-1973, Butel was employed by Consolidated Edison of New York as the Director of Consumer Affairs where she developed 15 programs and decentralized the staff to eight boroughs. In 1971, Butel was appointed to develop the world’s first energy conservation program. It was successful and was later copied by 65 other utility companies. Butel’s radio and television success continued as she hosted a weekly radio program, “All About Energy,” in New York City. In 1973 she was hired by General Electric to head their Consumers Institute with responsibility for consumer education worldwide. She also had a national radio consumer show which distributed to 431 radio stations nationwide. Leaving GE, Butel was hired by American Express in 1976 to be their first female Corporate Vice President of Consumer Affairs and Marketing, a position she kept until 1978. After resigning from American Express, Butel incorporated Pecos River Spice Co (later known as Pecos Valley Spice Co.) and Jane Butel Associates (JBA).   Pecos Valley Spice Co. Launched its first product line in September 1979 at a Spice Sampler trade show in which Butel had the first woman-owned company. Also in 1979, Jane Butel’s Tex-Mex cookbook was published and was met with immediate success, staying in print until 2008. This publication was credited with starting the rise in popularity Southwestern cooking that came in the 1980s. Published a year later, Chili Madness also became a best seller and has sold nearly a million copies to date. This sparked a rapid expansion of the Pecos Valley product line and for Bloomingdales to order the product line to be hosted in stores. Unfortunately, Butel faced business difficulties from 1983 to 1991 citing sales of shares, poor funding and the hiring of an incapable managing partner as the cause. Ultimately, Pecos Valley Spice Co. switched to a mail order direct business, where the company is still operating.   During this time, Butel published Tacos, Tortillas and Tostadas, The Best of Mexican Cooing and Woman’s Day Book of New Mexican Cooking. In July of 1983, Butel developed the concept of a week-long cooking school which she then operated as sold-out sessions from 10 years in Santa Fe, New Mexico. As a new corporate venture, Butel opened a New Mexican/Southwestern upscale restaurant in New York City’s Upper East Side called Pecos River Café. The café was quite successful until personal and managerial problems led to its closing in 1990. February of 1993 found Butel building the first hotel-based cooking school, naming it Hotel Albuquerque. From 1993 to 2006 Butel worked to centralize and streamline both Pecos Valley Spice Co. and her cooking schools, opening another hotel called the Andaluz and redesigning the Pecos Valley line and packaging. Throughout this time Butel published five other cookbooks to add to her collection, these include Fiestas for Four Seasons, Jane Butel’s Quick \u0026 Easy Southwestern Cookbook, and Real Women Eat Chiles as well as a revised edition of her previous book, Hotter than Hell.   From January of 2010 to present, Butel has been developing proposals to sell her combined business in a Culinary Institute concept, but it is still a work in progress. Currently, Jane Butel is still conducting both the cooking classes and operating the spice business. She also has the intention to write more books and an autobiography.","The accession number is P2013.08. The papers were in Jane Butel's possession until donated to the Morse Department of Special Collections. Personal papers and related items arrived in shipments in February 2010, July 2012 and April 2013.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Processing Info: Kenan Dannenberg, student assistant, Brittany Roberts, student assistant, and Jane Schillie, curator, processed the papers in the fall of 2013 and the spring of 2014.  Publication Date: 2014-08-05","Related Materials: Cookbooks authored by Jane Butel are held in the Morse Department of Special Collections.","The collection was created by Jane Franz Butel during her college education and her career.  Series 1 is divided into two sub-series: Articles about Jane Butel and Articles by Jane Butel. Articles about Jane Butel include numerous newspaper and magazine articles ranging from 1976-2014, covering interviews with Jane Butel as well as reviews of her cookbooks and featured recipes. Included are articles from the LA Times, New York Times, and the San Francisco Chronicle, as well as travel magazines, ladies magazines, and cooking magazines. The March 1996 issue of Bon Appetit names Butel's cooking school as one of the top four in the world. Articles by Jane Butel include clippings from newspapers and magazines written by Jane Butel between 1976-2008, covering topics such as chili and the history of Mexican cuisine. Included are recipes and stories appearing in Cooking Light, Food and Wine, Los Angeles Times, First for Women, and several publications from New Mexico.  Series 2 includes undated documents relating to publishing, press releases, research, and publicity tours for three of Butel’s cookbooks, Chili Madness, Tex Mex, and Hotter than Hell, as well as her unpublished manuscript, The Efficient Kitchen.  Series 3 includes documents relating to cooking schools, many of which Butel hosted for private corporations as team building events. Microsoft, Southwest Airlines, Hewlett Packard, Firestone and the Carlyle group are among her clients.  Series 4 contains documents on Butel’s consulting for corporations. Companies include Grand Union, Del Taco, Sargento and many others. Most include background information on revenue for these companies.  Series 5 has limited documentation about JBA, Jane Butel Associates.  Series 6 has product information and promotions for her business, Pecos Valley Spice Co. Yearly reports, status updates and demographic reports for the company are among the documents.  Series 7 contains letters sent to Jane Butel from 1965-2009, including fan mail (\"nice letters\") and thank you cards from school attendants. Also included is correspondence to and from magazines, newspapers, publicity companies and television stations.  Series 8 documents the early years of Butel’s career. Her work for the Public Service Co. of New Mexico, resumes, and extensive consumer papers from GE and Con Edison are included as well as papers relating to her work as Vice President of Consumer Affair and Marketing at American Express.  Series 9 contains copies of Con Edison speeches about cooking. Woman of Achievement award, KSU Entrepreneurship award, as well as New Mexico Woman award are included along with an invitation to the 1969 Presidential Inauguration.  Series 10 has Butel's coursework for her journalism and reporting classes as a student at Kansas State University.  Series 11 chronicles meetings and conferences Butel attended as a guest or honored award winner.  Series 12 contains extensive documentation about Butel’s publicity tours, advertisements, book promotions for things such as her books, as well as cooking schools and JBA. Included are contact lists, press releases and schedules.  Series 13 includes papers relating to organizing, planning, distributing, producing, and financing Jane Butel’s cooking show, as well as television show scripts and outlines.  Series 14 contains correspondence and contracts with Jane Butel’s Southwest Kitchen television show sponsors. They include the American Dairy Association, A.G. Russell Knives and Vitamax.  Series 15 contains correspondences with potential sponsors for Jane Butel’s cooking show. They include Con Agra Foods, Inc., Eastman Kodak, Gallo of Sonoma, General Electric, Land of Lakes, Mrs. Dash, and Southwest Airlines.  Series 16 has approximately 2,400 photographs taken of and by Butel, mainly of her cooking school and participants. There are also publicity photos, personal photos, and food photos. Only a few photographs are dated. Most of the people in the photographs are unidentified.  Series 17 has over 100 tapes of Butel's cooking shows, television appearances and feature stories. Of note are appearances on Regis and Kathy Lee, Emeril and Friends, and the Today Show. Filming for Butel's cooking shows, including Jane Butel's Southwest Kitchen, took place in 1998-2000. The series ran for seven years nationally on PBS as well as a channel out of Denver and one out of Dallas. The cooking shows are recorded on Betacam SP tapes.","Restrictions apply to audiovisual materials. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. 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The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Jane Franz Butel Acqusition Method: Donation Acqusition Date: 20100226"],"access_subjects_ssim":["Cookery"],"access_subjects_ssm":["Cookery"],"has_online_content_ssim":["false"],"physdesc_tesim":["12.00 Cubic Feet, 13.00 Boxes"],"date_range_isim":[1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"appraisal_html_tesm":["\u003cp\u003eJane Franz Butel is a 1959 graduate of Kansas State University. She is an internationally recognized authority on regional cooking of the American Southwest and is credited with starting the Tex-Mex craze in the United States. Her papers are a very important addition to the Morse Department of Special Collections' holdings because of the contents and the significance of her impact on American and Southwestern cooking.\u003c/p\u003e"],"appraisal_tesim":["Jane Franz Butel is a 1959 graduate of Kansas State University. She is an internationally recognized authority on regional cooking of the American Southwest and is credited with starting the Tex-Mex craze in the United States. Her papers are a very important addition to the Morse Department of Special Collections' holdings because of the contents and the significance of her impact on American and Southwestern cooking."],"arrangement_html_tesm":["\u003cp\u003eMaterials in the collection are arranged by subject.\u003clb\u003e\u003c/lb\u003e Series:\u003clb\u003e\u003c/lb\u003e 1) Articles, 1976-2009\u003clb\u003e\u003c/lb\u003e 2) Cookbook Materials, undated\u003clb\u003e\u003c/lb\u003e 3) Cooking Schools, 1998-2006, undated\u003clb\u003e\u003c/lb\u003e 4) Corporate Consulting, 1980-1982, 1992-1995, 2002-2003, undated\u003clb\u003e\u003c/lb\u003e 5) JBA (Jane Butel Associates), 1980, 2001, undated\u003clb\u003e\u003c/lb\u003e 6) Pecos Valley Spice Co., 1979-1984, 1996, 2004, undated\u003clb\u003e\u003c/lb\u003e 7) Correspondence1965-2009, undated\u003clb\u003e\u003c/lb\u003e 8) Early Career, 1971-1980, 1997, undated\u003clb\u003e\u003c/lb\u003e 9) Awards and Speeches, 1964-1969, 1996-1997, 2002, undated\u003clb\u003e\u003c/lb\u003e 10) K-State Years, 1956-1958, undated\u003clb\u003e\u003c/lb\u003e 11) Professional Organizations, 1964, 1970-1975, 1999, 2002-2005, undated\u003clb\u003e\u003c/lb\u003e 12) Publicity, 1981-1989, 1991-2009, undated\u003clb\u003e\u003c/lb\u003e 13) Cooking Shows, 1993-2008, undated\u003clb\u003e\u003c/lb\u003e 14) Sponsors, 1999-2005, undated\u003clb\u003e\u003c/lb\u003e 15) Potential Sponsors, 1994-2005, undated\u003clb\u003e\u003c/lb\u003e 16) Photographs, 1982, 1995, 2000, undated\u003clb\u003e\u003c/lb\u003e 17) Audiovisuals, 1990 - 2000, 2002, 2004, undated\u003c/p\u003e"],"arrangement_tesim":["Materials in the collection are arranged by subject.  Series:  1) Articles, 1976-2009  2) Cookbook Materials, undated  3) Cooking Schools, 1998-2006, undated  4) Corporate Consulting, 1980-1982, 1992-1995, 2002-2003, undated  5) JBA (Jane Butel Associates), 1980, 2001, undated  6) Pecos Valley Spice Co., 1979-1984, 1996, 2004, undated  7) Correspondence1965-2009, undated  8) Early Career, 1971-1980, 1997, undated  9) Awards and Speeches, 1964-1969, 1996-1997, 2002, undated  10) K-State Years, 1956-1958, undated  11) Professional Organizations, 1964, 1970-1975, 1999, 2002-2005, undated  12) Publicity, 1981-1989, 1991-2009, undated  13) Cooking Shows, 1993-2008, undated  14) Sponsors, 1999-2005, undated  15) Potential Sponsors, 1994-2005, undated  16) Photographs, 1982, 1995, 2000, undated  17) Audiovisuals, 1990 - 2000, 2002, 2004, undated"],"bioghist_tesim":["Born in 1938, Jane Anne Franz Butel would grow up to be known as the mother of Tex-Mex, being credited with bringing the regional culinary style into popular demand. Graduating from Soldier Rural High School as Valedictorian put Butel on the path to success. She enrolled at Kansas State University with a double major in Home Economics and Journalism with a four-year scholarship from Sears Roebuck for all of her tuition.   In 1958 Butel married Donald Allen Butel and by the next year had graduated K-State and moved to Albuquerque, New Mexico where she began her expansive career. By 1961 Butel was already making a name for herself in southwest cuisine. She was promoted to Head of the Department of Home Service, won seven national awards from programming and overall achievement and been elected president of New Mexico Home Economics Association and Chairman of the Women’s Committee of Albuquerque Chamber of Commerce. She also had a weekly television news segment from 1967-1969 as well as appearing frequently as a guest on several radio programs. In 1968, Butel self-published her second cookbook, Favorite Mexican Foods.   From 1969-1973, Butel was employed by Consolidated Edison of New York as the Director of Consumer Affairs where she developed 15 programs and decentralized the staff to eight boroughs. In 1971, Butel was appointed to develop the world’s first energy conservation program. It was successful and was later copied by 65 other utility companies. Butel’s radio and television success continued as she hosted a weekly radio program, “All About Energy,” in New York City. In 1973 she was hired by General Electric to head their Consumers Institute with responsibility for consumer education worldwide. She also had a national radio consumer show which distributed to 431 radio stations nationwide. Leaving GE, Butel was hired by American Express in 1976 to be their first female Corporate Vice President of Consumer Affairs and Marketing, a position she kept until 1978. After resigning from American Express, Butel incorporated Pecos River Spice Co (later known as Pecos Valley Spice Co.) and Jane Butel Associates (JBA).   Pecos Valley Spice Co. Launched its first product line in September 1979 at a Spice Sampler trade show in which Butel had the first woman-owned company. Also in 1979, Jane Butel’s Tex-Mex cookbook was published and was met with immediate success, staying in print until 2008. This publication was credited with starting the rise in popularity Southwestern cooking that came in the 1980s. Published a year later, Chili Madness also became a best seller and has sold nearly a million copies to date. This sparked a rapid expansion of the Pecos Valley product line and for Bloomingdales to order the product line to be hosted in stores. Unfortunately, Butel faced business difficulties from 1983 to 1991 citing sales of shares, poor funding and the hiring of an incapable managing partner as the cause. Ultimately, Pecos Valley Spice Co. switched to a mail order direct business, where the company is still operating.   During this time, Butel published Tacos, Tortillas and Tostadas, The Best of Mexican Cooing and Woman’s Day Book of New Mexican Cooking. In July of 1983, Butel developed the concept of a week-long cooking school which she then operated as sold-out sessions from 10 years in Santa Fe, New Mexico. As a new corporate venture, Butel opened a New Mexican/Southwestern upscale restaurant in New York City’s Upper East Side called Pecos River Café. The café was quite successful until personal and managerial problems led to its closing in 1990. February of 1993 found Butel building the first hotel-based cooking school, naming it Hotel Albuquerque. From 1993 to 2006 Butel worked to centralize and streamline both Pecos Valley Spice Co. and her cooking schools, opening another hotel called the Andaluz and redesigning the Pecos Valley line and packaging. Throughout this time Butel published five other cookbooks to add to her collection, these include Fiestas for Four Seasons, Jane Butel’s Quick \u0026 Easy Southwestern Cookbook, and Real Women Eat Chiles as well as a revised edition of her previous book, Hotter than Hell.   From January of 2010 to present, Butel has been developing proposals to sell her combined business in a Culinary Institute concept, but it is still a work in progress. Currently, Jane Butel is still conducting both the cooking classes and operating the spice business. She also has the intention to write more books and an autobiography."],"custodhist_html_tesm":["\u003cp\u003eThe accession number is P2013.08. The papers were in Jane Butel's possession until donated to the Morse Department of Special Collections. Personal papers and related items arrived in shipments in February 2010, July 2012 and April 2013.\u003c/p\u003e"],"custodhist_tesim":["The accession number is P2013.08. The papers were in Jane Butel's possession until donated to the Morse Department of Special Collections. Personal papers and related items arrived in shipments in February 2010, July 2012 and April 2013."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing Info: Kenan Dannenberg, student assistant, Brittany Roberts, student assistant, and Jane Schillie, curator, processed the papers in the fall of 2013 and the spring of 2014. \u003clb\u003e\u003c/lb\u003ePublication Date: 2014-08-05\u003c/p\u003e"],"processinfo_tesim":["Processing Info: Kenan Dannenberg, student assistant, Brittany Roberts, student assistant, and Jane Schillie, curator, processed the papers in the fall of 2013 and the spring of 2014.  Publication Date: 2014-08-05"],"relatedmaterial_html_tesm":["\u003cp\u003eRelated Materials: Cookbooks authored by Jane Butel are held in the Morse Department of Special Collections.\u003c/p\u003e"],"relatedmaterial_tesim":["Related Materials: Cookbooks authored by Jane Butel are held in the Morse Department of Special Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe collection was created by Jane Franz Butel during her college education and her career.\u003clb\u003e\u003c/lb\u003e Series 1 is divided into two sub-series: Articles about Jane Butel and Articles by Jane Butel. Articles about Jane Butel include numerous newspaper and magazine articles ranging from 1976-2014, covering interviews with Jane Butel as well as reviews of her cookbooks and featured recipes. Included are articles from the LA Times, New York Times, and the San Francisco Chronicle, as well as travel magazines, ladies magazines, and cooking magazines. The March 1996 issue of Bon Appetit names Butel's cooking school as one of the top four in the world. Articles by Jane Butel include clippings from newspapers and magazines written by Jane Butel between 1976-2008, covering topics such as chili and the history of Mexican cuisine. Included are recipes and stories appearing in Cooking Light, Food and Wine, Los Angeles Times, First for Women, and several publications from New Mexico.\u003clb\u003e\u003c/lb\u003e Series 2 includes undated documents relating to publishing, press releases, research, and publicity tours for three of Butel\u0026#x2019;s cookbooks, Chili Madness, Tex Mex, and Hotter than Hell, as well as her unpublished manuscript, The Efficient Kitchen.\u003clb\u003e\u003c/lb\u003e Series 3 includes documents relating to cooking schools, many of which Butel hosted for private corporations as team building events. Microsoft, Southwest Airlines, Hewlett Packard, Firestone and the Carlyle group are among her clients.\u003clb\u003e\u003c/lb\u003e Series 4 contains documents on Butel\u0026#x2019;s consulting for corporations. Companies include Grand Union, Del Taco, Sargento and many others. Most include background information on revenue for these companies.\u003clb\u003e\u003c/lb\u003e Series 5 has limited documentation about JBA, Jane Butel Associates.\u003clb\u003e\u003c/lb\u003e Series 6 has product information and promotions for her business, Pecos Valley Spice Co. Yearly reports, status updates and demographic reports for the company are among the documents.\u003clb\u003e\u003c/lb\u003e Series 7 contains letters sent to Jane Butel from 1965-2009, including fan mail (\"nice letters\") and thank you cards from school attendants. Also included is correspondence to and from magazines, newspapers, publicity companies and television stations.\u003clb\u003e\u003c/lb\u003e Series 8 documents the early years of Butel\u0026#x2019;s career. Her work for the Public Service Co. of New Mexico, resumes, and extensive consumer papers from GE and Con Edison are included as well as papers relating to her work as Vice President of Consumer Affair and Marketing at American Express.\u003clb\u003e\u003c/lb\u003e Series 9 contains copies of Con Edison speeches about cooking. Woman of Achievement award, KSU Entrepreneurship award, as well as New Mexico Woman award are included along with an invitation to the 1969 Presidential Inauguration.\u003clb\u003e\u003c/lb\u003e Series 10 has Butel's coursework for her journalism and reporting classes as a student at Kansas State University.\u003clb\u003e\u003c/lb\u003e Series 11 chronicles meetings and conferences Butel attended as a guest or honored award winner.\u003clb\u003e\u003c/lb\u003e Series 12 contains extensive documentation about Butel\u0026#x2019;s publicity tours, advertisements, book promotions for things such as her books, as well as cooking schools and JBA. Included are contact lists, press releases and schedules.\u003clb\u003e\u003c/lb\u003e Series 13 includes papers relating to organizing, planning, distributing, producing, and financing Jane Butel\u0026#x2019;s cooking show, as well as television show scripts and outlines.\u003clb\u003e\u003c/lb\u003e Series 14 contains correspondence and contracts with Jane Butel\u0026#x2019;s Southwest Kitchen television show sponsors. They include the American Dairy Association, A.G. Russell Knives and Vitamax.\u003clb\u003e\u003c/lb\u003e Series 15 contains correspondences with potential sponsors for Jane Butel\u0026#x2019;s cooking show. They include Con Agra Foods, Inc., Eastman Kodak, Gallo of Sonoma, General Electric, Land of Lakes, Mrs. Dash, and Southwest Airlines.\u003clb\u003e\u003c/lb\u003e Series 16 has approximately 2,400 photographs taken of and by Butel, mainly of her cooking school and participants. There are also publicity photos, personal photos, and food photos. Only a few photographs are dated. Most of the people in the photographs are unidentified.\u003clb\u003e\u003c/lb\u003e Series 17 has over 100 tapes of Butel's cooking shows, television appearances and feature stories. Of note are appearances on Regis and Kathy Lee, Emeril and Friends, and the Today Show. Filming for Butel's cooking shows, including Jane Butel's Southwest Kitchen, took place in 1998-2000. The series ran for seven years nationally on PBS as well as a channel out of Denver and one out of Dallas. The cooking shows are recorded on Betacam SP tapes.\u003c/p\u003e"],"scopecontent_tesim":["The collection was created by Jane Franz Butel during her college education and her career.  Series 1 is divided into two sub-series: Articles about Jane Butel and Articles by Jane Butel. Articles about Jane Butel include numerous newspaper and magazine articles ranging from 1976-2014, covering interviews with Jane Butel as well as reviews of her cookbooks and featured recipes. Included are articles from the LA Times, New York Times, and the San Francisco Chronicle, as well as travel magazines, ladies magazines, and cooking magazines. The March 1996 issue of Bon Appetit names Butel's cooking school as one of the top four in the world. Articles by Jane Butel include clippings from newspapers and magazines written by Jane Butel between 1976-2008, covering topics such as chili and the history of Mexican cuisine. Included are recipes and stories appearing in Cooking Light, Food and Wine, Los Angeles Times, First for Women, and several publications from New Mexico.  Series 2 includes undated documents relating to publishing, press releases, research, and publicity tours for three of Butel’s cookbooks, Chili Madness, Tex Mex, and Hotter than Hell, as well as her unpublished manuscript, The Efficient Kitchen.  Series 3 includes documents relating to cooking schools, many of which Butel hosted for private corporations as team building events. Microsoft, Southwest Airlines, Hewlett Packard, Firestone and the Carlyle group are among her clients.  Series 4 contains documents on Butel’s consulting for corporations. Companies include Grand Union, Del Taco, Sargento and many others. Most include background information on revenue for these companies.  Series 5 has limited documentation about JBA, Jane Butel Associates.  Series 6 has product information and promotions for her business, Pecos Valley Spice Co. Yearly reports, status updates and demographic reports for the company are among the documents.  Series 7 contains letters sent to Jane Butel from 1965-2009, including fan mail (\"nice letters\") and thank you cards from school attendants. Also included is correspondence to and from magazines, newspapers, publicity companies and television stations.  Series 8 documents the early years of Butel’s career. Her work for the Public Service Co. of New Mexico, resumes, and extensive consumer papers from GE and Con Edison are included as well as papers relating to her work as Vice President of Consumer Affair and Marketing at American Express.  Series 9 contains copies of Con Edison speeches about cooking. Woman of Achievement award, KSU Entrepreneurship award, as well as New Mexico Woman award are included along with an invitation to the 1969 Presidential Inauguration.  Series 10 has Butel's coursework for her journalism and reporting classes as a student at Kansas State University.  Series 11 chronicles meetings and conferences Butel attended as a guest or honored award winner.  Series 12 contains extensive documentation about Butel’s publicity tours, advertisements, book promotions for things such as her books, as well as cooking schools and JBA. Included are contact lists, press releases and schedules.  Series 13 includes papers relating to organizing, planning, distributing, producing, and financing Jane Butel’s cooking show, as well as television show scripts and outlines.  Series 14 contains correspondence and contracts with Jane Butel’s Southwest Kitchen television show sponsors. They include the American Dairy Association, A.G. Russell Knives and Vitamax.  Series 15 contains correspondences with potential sponsors for Jane Butel’s cooking show. They include Con Agra Foods, Inc., Eastman Kodak, Gallo of Sonoma, General Electric, Land of Lakes, Mrs. Dash, and Southwest Airlines.  Series 16 has approximately 2,400 photographs taken of and by Butel, mainly of her cooking school and participants. There are also publicity photos, personal photos, and food photos. Only a few photographs are dated. Most of the people in the photographs are unidentified.  Series 17 has over 100 tapes of Butel's cooking shows, television appearances and feature stories. Of note are appearances on Regis and Kathy Lee, Emeril and Friends, and the Today Show. Filming for Butel's cooking shows, including Jane Butel's Southwest Kitchen, took place in 1998-2000. The series ran for seven years nationally on PBS as well as a channel out of Denver and one out of Dallas. The cooking shows are recorded on Betacam SP tapes."],"userestrict_html_tesm":["\u003cp\u003eRestrictions apply to audiovisual materials. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["Restrictions apply to audiovisual materials. The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Butel, Jane","Butel, Jane"],"corpname_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections"],"persname_ssim":["Butel, Jane","Butel, Jane"],"language_ssim":["English","Latin"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":664,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":999999,"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJane Butel papers\u003c/unittitle\u003e"],"odd_typed_html_ssm":["{\"type\":\"publicationStatus\",\"value\":\" \\u003cp\\u003ePublished\\u003c/p\\u003e \"}","{\"type\":\"dacsCitation\",\"value\":\" \\u003cp\\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\\u003c/p\\u003e \"}"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eJane Butel papers\u003c/unittitle\u003e, 1956-2014"],"hashed_id_ssi":"d389613cfd5d4cfd","_root_":"jane-butel-papers","timestamp":"2026-07-22T11:43:04.400Z","bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eBorn in 1938, Jane Anne Franz Butel would grow up to be known as the mother of Tex-Mex, being credited with bringing the regional culinary style into popular demand. Graduating from Soldier Rural High School as Valedictorian put Butel on the path to success. She enrolled at Kansas State University with a double major in Home Economics and Journalism with a four-year scholarship from Sears Roebuck for all of her tuition. \u003clb\u003e\u003c/lb\u003e In 1958 Butel married Donald Allen Butel and by the next year had graduated K-State and moved to Albuquerque, New Mexico where she began her expansive career. By 1961 Butel was already making a name for herself in southwest cuisine. She was promoted to Head of the Department of Home Service, won seven national awards from programming and overall achievement and been elected president of New Mexico Home Economics Association and Chairman of the Women\u0026#x2019;s Committee of Albuquerque Chamber of Commerce. She also had a weekly television news segment from 1967-1969 as well as appearing frequently as a guest on several radio programs. In 1968, Butel self-published her second cookbook, Favorite Mexican Foods. \u003clb\u003e\u003c/lb\u003e From 1969-1973, Butel was employed by Consolidated Edison of New York as the Director of Consumer Affairs where she developed 15 programs and decentralized the staff to eight boroughs. In 1971, Butel was appointed to develop the world\u0026#x2019;s first energy conservation program. It was successful and was later copied by 65 other utility companies. Butel\u0026#x2019;s radio and television success continued as she hosted a weekly radio program, \u0026#x201C;All About Energy,\u0026#x201D; in New York City. In 1973 she was hired by General Electric to head their Consumers Institute with responsibility for consumer education worldwide. She also had a national radio consumer show which distributed to 431 radio stations nationwide. Leaving GE, Butel was hired by American Express in 1976 to be their first female Corporate Vice President of Consumer Affairs and Marketing, a position she kept until 1978. After resigning from American Express, Butel incorporated Pecos River Spice Co (later known as Pecos Valley Spice Co.) and Jane Butel Associates (JBA). \u003clb\u003e\u003c/lb\u003e Pecos Valley Spice Co. Launched its first product line in September 1979 at a Spice Sampler trade show in which Butel had the first woman-owned company. Also in 1979, Jane Butel\u0026#x2019;s Tex-Mex cookbook was published and was met with immediate success, staying in print until 2008. This publication was credited with starting the rise in popularity Southwestern cooking that came in the 1980s. Published a year later, Chili Madness also became a best seller and has sold nearly a million copies to date. This sparked a rapid expansion of the Pecos Valley product line and for Bloomingdales to order the product line to be hosted in stores. Unfortunately, Butel faced business difficulties from 1983 to 1991 citing sales of shares, poor funding and the hiring of an incapable managing partner as the cause. Ultimately, Pecos Valley Spice Co. switched to a mail order direct business, where the company is still operating. \u003clb\u003e\u003c/lb\u003e During this time, Butel published Tacos, Tortillas and Tostadas, The Best of Mexican Cooing and Woman\u0026#x2019;s Day Book of New Mexican Cooking. In July of 1983, Butel developed the concept of a week-long cooking school which she then operated as sold-out sessions from 10 years in Santa Fe, New Mexico. As a new corporate venture, Butel opened a New Mexican/Southwestern upscale restaurant in New York City\u0026#x2019;s Upper East Side called Pecos River Caf\u0026#xE9;. The caf\u0026#xE9; was quite successful until personal and managerial problems led to its closing in 1990. February of 1993 found Butel building the first hotel-based cooking school, naming it Hotel Albuquerque. From 1993 to 2006 Butel worked to centralize and streamline both Pecos Valley Spice Co. and her cooking schools, opening another hotel called the Andaluz and redesigning the Pecos Valley line and packaging. Throughout this time Butel published five other cookbooks to add to her collection, these include Fiestas for Four Seasons, Jane Butel\u0026#x2019;s Quick \u0026amp; Easy Southwestern Cookbook, and Real Women Eat Chiles as well as a revised edition of her previous book, Hotter than Hell. \u003clb\u003e\u003c/lb\u003e From January of 2010 to present, Butel has been developing proposals to sell her combined business in a Culinary Institute concept, but it is still a work in progress. Currently, Jane Butel is still conducting both the cooking classes and operating the spice business. She also has the intention to write more books and an autobiography.\u003c/p\u003e \u003c/note\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#normalized_title","type":"document_value","attributes":{"value":"Folder 10: American Express, Energy Project, 1979-1980","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#parent_labels","type":"document_value","attributes":{"value":["Jane Butel papers, 1956-2014","Series 8: Early Career","Box 4"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#parent_ids","type":"document_value","attributes":{"value":["jane-butel-papers","jane-butel-papers_al_105b746bbbdddeb5204b40fb9b699f5245656aa7","jane-butel-papers_al_607c204894db805946c3fc855edb162f3bd41ba1"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#level","type":"document_value","attributes":{"value":"File","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#collection_name","type":"document_value","attributes":{"value":"Jane Butel papers, 1956-2014","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#eadid","type":"document_value","attributes":{"value":"jane-butel-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/jane-butel-papers_al_2ce8f6d9c1269dff05d1ee0c78810b42dfae398b"}},{"id":"dan-d-casement-papers_al_049a89d8c0567f727f3806b98844fcac2171eab8","type":"File","attributes":{"title":"Folder 11: Casement, Dan D.","breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/dan-d-casement-papers_al_049a89d8c0567f727f3806b98844fcac2171eab8#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_049a89d8c0567f727f3806b98844fcac2171eab8","ref_ssm":["al_049a89d8c0567f727f3806b98844fcac2171eab8","al_049a89d8c0567f727f3806b98844fcac2171eab8"],"id":"dan-d-casement-papers_al_049a89d8c0567f727f3806b98844fcac2171eab8","title_filing_ssi":"Folder 11: Casement, Dan D.","title_ssm":["Folder 11: Casement, Dan D."],"title_tesim":["Folder 11: Casement, Dan D."],"normalized_title_ssm":["Folder 11: Casement, Dan D."],"text":["Folder 11: Casement, Dan D.","Dan D. 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Casement papers"],"title_tesim":["Dan D. Casement papers"],"ead_ssi":"dan-d-casement-papers","unitdate_ssm":["1868-1953"],"unitdate_other_ssim":["1868-1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P1995.04","106"],"text":["P1995.04","106","Dan D. Casement papers, 1868-1953","Kansas agriculture and rural life","28.00 Boxes","This collection is arranged by series and box.","Dan D. Casement was an involved man, he spent time as student at the Western Reserve Academy from 1884-1886 and owned and operated his father's ranch (Juniata Ranch) from 1889-1953, during which time he graduated from Princeton University in civil engineering, obtained a Master's degree from Columbia University, married his late wife Mary Olivia Thorburgh, spent 6 years in Costa Rica, and was the correspondence editor for Breeder's Gazette for 6 years.\u0026#13;  Casement and his family spent six years in Costa Rica after Dan was given the task of overseeing the construction of a railway in the country by Gen Jack, Casement’s father in 1887. Jack accepted a contract to build 55 miles of track from San Jose to the coast and spent much of his time in New York trying to raise funds. During this time, Costa Rica tottered as a result of revolution and bankruptcy and therefore what was thought of being a sporting adventure turned into the extremely difficult task of laying track in a mountainous, tropical country. Yellow fever and insurrection did not help matters. The circumstances made the construction of the trans-continental railroad across in the American prairie seem like a Lionel train on Christmas morning. For example, on chasm to be bridged was 652 wide and 310 feet deep which, at the time, had only one counterpart in the world, that in Africa. Although the project was deemed profitable for the Casements, they could only complete 30 of the 55 mile line before the Costa Rican government suspended funds after six years. By contrast, it took less time for General Jack to build the eastern leg of the transcontinental railroad than it took to construct 30 miles of track in Costa Rica. Only once during the six year span (1887-1903) did the Casements visit the United States. Dan and Olivia’s daughter, Mary, was born in Costa Rica and though their task was difficult and frustrating, they developed lasting friendships during their time there.\u0026#13;  During his ownership of Juniata Ranch, it was the location of Kansas State University’s original grass utilization research that was conducted by the Agricultural Experiment Station in 1915. Casement also was appointed to review an appraisal of the grazing value of the national forests, and his report recommended a fee related to the price of livestock, which was in force when he died. He was also involved in politics and attended several National Republican Conventions, including the one in 1952 in where he was an avid supporter of General Douglas MacArthur for the nomination. For his contribution to the cattle industry, The Saddle and Sirloin club in Chicago had his portrait hung in its gallery of leaders of the U.S. livestock industry. Additionally, he contributed immeasurably to the betterment of American agriculture by his leadership in animal breeding and feeding, with cattle, sheep, horses, and hogs.\u0026#13;  Upon Casement’s death in 1953, tributes were given in his honor. Tributes include those from Governor Edward F. Arn, Senator Harry Darby, and Frances D. Farrell. Representative Howard S. Miller read a tribute to Casement on the floor of the House of Representatives, and in an editorial in the Manhattan, Bill Colvin shared his memory of Dan. At the Cowboy Hall of Fame 1958 annual meeting in Oklahoma City, Casement was one of 11 elected at large from across the U.S to be inducted, just five years after his death.\u0026#13;  Chronology:\u0026#13;  1868 Dan Dillon Casement born near Painsville, OH (Jul 13)\u0026#13;  \u0026#13;  1878 John S. Casement acquired Juniata farm near Manhattan\u0026#13;  \u0026#13;  1884-1886 Student, Western Reserve Academy\u0026#13;  \u0026#13;  1889-1953 Owned and operated Juniata Ranch\u0026#13;  \u0026#13;  1890 Graduated from Princeton (Civil Engineering)\u0026#13;  \u0026#13;  1891 Obtained masters degree from Columbia University; Charles A. “Tot” Otis, Jr., roommate\u0026#13;  \u0026#13;  1891-1896 Range cowhand with Otis is Unaweep Canyon, CO\u0026#13;  \u0026#13;  1891-1896 Farmed in western Kansas\u0026#13;  \u0026#13;  1897 Married Mary Olivia Thorburgh\u0026#13;  \u0026#13;  1897-1903 Railroad construction in Costa Rica with father\u0026#13;  \u0026#13;  1906 Moved to Colorado Springs\u0026#13;  \u0026#13;  1909 John S. Casement died\u0026#13;  \u0026#13;  1915 Brought rustlers to trial in Colorado\u0026#13;  \u0026#13;  1915 Took up permanent residence in Manhattan\u0026#13;  \u0026#13;  1917 Troop ship, Tuscania, torpedoed and sunk off coast of Ireland\u0026#13;  \u0026#13;  1917-1919 U.S. Army (Ft. Sheridan, 1917; AEF, France as head of second battalion of 27th Field Artillery)\u0026#13;  \u0026#13;  1920-1926 Correspondence editor for Breeder’s Gazette\u0026#13;  \u0026#13;  Charter member of American Quarter Horse Association\u0026#13;  1924 Republican candidate for U.S. Congress from Kansas 5th District\u0026#13;  \u0026#13;  1926 Appointed by Secretary of Agriculture William M. Jardine to review appraisal of grazing value of National Forests\u0026#13;  \u0026#13;  1935 Became president of Farmers’ Independent Council of America\u0026#13;  \u0026#13;  1939 Honored by Saddle \u0026 Sirloin Club in Chicago\u0026#13;  \u0026#13;  1942 Mary Casement died\u0026#13;  \u0026#13;  1952 Attended Republican National Convention\u0026#13;  \u0026#13;  1953 Dan D. Casement dies on March 7, 1953\u0026#13;  \u0026#13;  1958 Elected to Cowboy Hall of Fame","It received accession number P1995.04","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Processing Info: Archon processing completed by Edward Nagurny, graduate research assistant, October 2014.  Publication Date: 2014-10-25","This collection documents the writings, photographs, and published material in regards to Dan D. 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Supplementing these writings are press releases and various printed materials, including scrapbooks, letters, and newspaper clippings. Legal and financial documents from 1884-1941, including army vouchers, can be found in boxes 22 and 23. Other items in the collection are artwork, including pencil sketches, water colors, and awards/certificates, some oversized documentation and printed materials, and several photographs spread throughout the collection (boxes 1, 2, 7, 8, 14, 26).","The researcher assumes full responsiblity for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Casement, Dan D.","Casement, Dan D.","English","Latin"],"unitid_tesim":["P1995.04","106"],"normalized_date_ssm":["1868-1953"],"normalized_title_ssm":["Dan D. Casement papers, 1868-1953"],"collection_title_tesim":["Dan D. Casement papers, 1868-1953"],"collection_ssim":["Dan D. 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During this time, Costa Rica tottered as a result of revolution and bankruptcy and therefore what was thought of being a sporting adventure turned into the extremely difficult task of laying track in a mountainous, tropical country. Yellow fever and insurrection did not help matters. The circumstances made the construction of the trans-continental railroad across in the American prairie seem like a Lionel train on Christmas morning. For example, on chasm to be bridged was 652 wide and 310 feet deep which, at the time, had only one counterpart in the world, that in Africa. Although the project was deemed profitable for the Casements, they could only complete 30 of the 55 mile line before the Costa Rican government suspended funds after six years. By contrast, it took less time for General Jack to build the eastern leg of the transcontinental railroad than it took to construct 30 miles of track in Costa Rica. Only once during the six year span (1887-1903) did the Casements visit the United States. Dan and Olivia’s daughter, Mary, was born in Costa Rica and though their task was difficult and frustrating, they developed lasting friendships during their time there.\u0026#13;  During his ownership of Juniata Ranch, it was the location of Kansas State University’s original grass utilization research that was conducted by the Agricultural Experiment Station in 1915. Casement also was appointed to review an appraisal of the grazing value of the national forests, and his report recommended a fee related to the price of livestock, which was in force when he died. He was also involved in politics and attended several National Republican Conventions, including the one in 1952 in where he was an avid supporter of General Douglas MacArthur for the nomination. For his contribution to the cattle industry, The Saddle and Sirloin club in Chicago had his portrait hung in its gallery of leaders of the U.S. livestock industry. Additionally, he contributed immeasurably to the betterment of American agriculture by his leadership in animal breeding and feeding, with cattle, sheep, horses, and hogs.\u0026#13;  Upon Casement’s death in 1953, tributes were given in his honor. Tributes include those from Governor Edward F. Arn, Senator Harry Darby, and Frances D. Farrell. Representative Howard S. Miller read a tribute to Casement on the floor of the House of Representatives, and in an editorial in the Manhattan, Bill Colvin shared his memory of Dan. At the Cowboy Hall of Fame 1958 annual meeting in Oklahoma City, Casement was one of 11 elected at large from across the U.S to be inducted, just five years after his death.\u0026#13;  Chronology:\u0026#13;  1868 Dan Dillon Casement born near Painsville, OH (Jul 13)\u0026#13;  \u0026#13;  1878 John S. 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Legal and financial documents from 1884-1941, including army vouchers, can be found in boxes 22 and 23. Other items in the collection are artwork, including pencil sketches, water colors, and awards/certificates, some oversized documentation and printed materials, and several photographs spread throughout the collection (boxes 1, 2, 7, 8, 14, 26)."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsiblity for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsiblity for observing all copyright, property, and libel laws as they apply."],"names_ssim":["Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Casement, Dan D.","Casement, Dan D."],"corpname_ssim":["Richard L. D. and Marjorie J. 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Casement papers\u003c/unittitle\u003e, 1868-1953"],"hashed_id_ssi":"4e3caeefbe4afb1d","_root_":"dan-d-casement-papers","timestamp":"2026-07-22T11:40:59.786Z","bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eDan D. Casement was an involved man, he spent time as student at the Western Reserve Academy from 1884-1886 and owned and operated his father's ranch (Juniata Ranch) from 1889-1953, during which time he graduated from Princeton University in civil engineering, obtained a Master's degree from Columbia University, married his late wife Mary Olivia Thorburgh, spent 6 years in Costa Rica, and was the correspondence editor for Breeder's Gazette for 6 years.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Casement and his family spent six years in Costa Rica after Dan was given the task of overseeing the construction of a railway in the country by Gen Jack, Casement\u0026#x2019;s father in 1887. Jack accepted a contract to build 55 miles of track from San Jose to the coast and spent much of his time in New York trying to raise funds. During this time, Costa Rica tottered as a result of revolution and bankruptcy and therefore what was thought of being a sporting adventure turned into the extremely difficult task of laying track in a mountainous, tropical country. Yellow fever and insurrection did not help matters. The circumstances made the construction of the trans-continental railroad across in the American prairie seem like a Lionel train on Christmas morning. For example, on chasm to be bridged was 652 wide and 310 feet deep which, at the time, had only one counterpart in the world, that in Africa. Although the project was deemed profitable for the Casements, they could only complete 30 of the 55 mile line before the Costa Rican government suspended funds after six years. By contrast, it took less time for General Jack to build the eastern leg of the transcontinental railroad than it took to construct 30 miles of track in Costa Rica. Only once during the six year span (1887-1903) did the Casements visit the United States. Dan and Olivia\u0026#x2019;s daughter, Mary, was born in Costa Rica and though their task was difficult and frustrating, they developed lasting friendships during their time there.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e During his ownership of Juniata Ranch, it was the location of Kansas State University\u0026#x2019;s original grass utilization research that was conducted by the Agricultural Experiment Station in 1915. Casement also was appointed to review an appraisal of the grazing value of the national forests, and his report recommended a fee related to the price of livestock, which was in force when he died. He was also involved in politics and attended several National Republican Conventions, including the one in 1952 in where he was an avid supporter of General Douglas MacArthur for the nomination. For his contribution to the cattle industry, The Saddle and Sirloin club in Chicago had his portrait hung in its gallery of leaders of the U.S. livestock industry. Additionally, he contributed immeasurably to the betterment of American agriculture by his leadership in animal breeding and feeding, with cattle, sheep, horses, and hogs.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Upon Casement\u0026#x2019;s death in 1953, tributes were given in his honor. Tributes include those from Governor Edward F. Arn, Senator Harry Darby, and Frances D. Farrell. Representative Howard S. Miller read a tribute to Casement on the floor of the House of Representatives, and in an editorial in the Manhattan, Bill Colvin shared his memory of Dan. At the Cowboy Hall of Fame 1958 annual meeting in Oklahoma City, Casement was one of 11 elected at large from across the U.S to be inducted, just five years after his death.\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Chronology:\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1868 Dan Dillon Casement born near Painsville, OH (Jul 13)\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1878 John S. Casement acquired Juniata farm near Manhattan\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1884-1886 Student, Western Reserve Academy\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1889-1953 Owned and operated Juniata Ranch\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1890 Graduated from Princeton (Civil Engineering)\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1891 Obtained masters degree from Columbia University; Charles A. \u0026#x201C;Tot\u0026#x201D; Otis, Jr., roommate\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1891-1896 Range cowhand with Otis is Unaweep Canyon, CO\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1891-1896 Farmed in western Kansas\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1897 Married Mary Olivia Thorburgh\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1897-1903 Railroad construction in Costa Rica with father\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1906 Moved to Colorado Springs\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1909 John S. Casement died\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1915 Brought rustlers to trial in Colorado\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1915 Took up permanent residence in Manhattan\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1917 Troop ship, Tuscania, torpedoed and sunk off coast of Ireland\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1917-1919 U.S. Army (Ft. Sheridan, 1917; AEF, France as head of second battalion of 27th Field Artillery)\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1920-1926 Correspondence editor for Breeder\u0026#x2019;s Gazette\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e Charter member of American Quarter Horse Association\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1924 Republican candidate for U.S. Congress from Kansas 5th District\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1926 Appointed by Secretary of Agriculture William M. Jardine to review appraisal of grazing value of National Forests\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1935 Became president of Farmers\u0026#x2019; Independent Council of America\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1939 Honored by Saddle \u0026amp; Sirloin Club in Chicago\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1942 Mary Casement died\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1952 Attended Republican National Convention\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1953 Dan D. Casement dies on March 7, 1953\u0026amp;#13;\u003clb\u003e\u003c/lb\u003e \u0026amp;#13;\u003clb\u003e\u003c/lb\u003e 1958 Elected to Cowboy Hall of Fame\u003c/p\u003e \u003c/note\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/dan-d-casement-papers_al_049a89d8c0567f727f3806b98844fcac2171eab8#normalized_title","type":"document_value","attributes":{"value":"Folder 11: Casement, Dan D.","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.ksu.edu/catalog/dan-d-casement-papers_al_049a89d8c0567f727f3806b98844fcac2171eab8#parent_labels","type":"document_value","attributes":{"value":["Dan D. 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