{"links":{"self":"https://findingaids.lib.ksu.edu/catalog.json?page=1168","prev":"https://findingaids.lib.ksu.edu/catalog.json?page=1167","next":"https://findingaids.lib.ksu.edu/catalog.json?page=1169","last":"https://findingaids.lib.ksu.edu/catalog.json?page=5014"},"meta":{"pages":{"current_page":1168,"next_page":1169,"prev_page":1167,"total_pages":5014,"limit_value":10,"offset_value":11670,"total_count":50136,"first_page?":false,"last_page?":false}},"data":[{"id":"shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66","type":"File","attributes":{"title":"Folder 6: Written Statements (Various), nd","breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_3b175904cc4b984820346cef919631d708f8db66","ref_ssm":["al_3b175904cc4b984820346cef919631d708f8db66","al_3b175904cc4b984820346cef919631d708f8db66"],"id":"shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66","title_filing_ssi":"Folder 6: Written Statements (Various), nd","title_ssm":["Folder 6: Written Statements (Various), nd"],"title_tesim":["Folder 6: Written Statements (Various), nd"],"normalized_title_ssm":["Folder 6: Written Statements (Various), nd"],"text":["Folder 6: Written Statements (Various), nd","Shirley Smith papers, 1937-2011","Series 5: Literary Works","Box 4","Sub-Series 2: Art","41005","Published"],"component_level_isim":[4],"parent_ssi":"al_1e32f153deaf7a784c7c4b6abc5c6ff9bfd1948e","parent_ids_ssim":["shirley-smith-papers","shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd","shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7","shirley-smith-papers_al_1e32f153deaf7a784c7c4b6abc5c6ff9bfd1948e"],"parent_unittitles_ssm":["Shirley Smith papers, 1937-2011","Series 5: Literary Works","Box 4","Sub-Series 2: Art"],"parent_unittitles_tesim":["Shirley Smith papers, 1937-2011","Series 5: Literary Works","Box 4","Sub-Series 2: Art"],"parent_levels_ssm":["collection","Series","Other","Subseries"],"unitid_ssm":["41005"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":108,"parent_access_restrict_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"parent_access_terms_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e"],"odd_tesim":["Published"],"barcode_ssim":["Box 13|A83412143365","Box 1|A83412003890","Box 2|A83411997711","Box 3|A83411997703","Box 4|A83412004105","Box 5|A83412004113","Box 6|A83412004121","Box 7|A83412003989","Box 8|A83412003997","Box 9|A83412004008","Box 10|A83412003777","Box 11|A83412003654","Box 12|A83412153899","Box 14|A83412153548","Box 15|A83412001482","Box 16|A83412001490","Box 17|A83412003882","Box 13|A83412143373"],"barcode_tesim":["A83412143365","A83412003890","A83411997711","A83411997703","A83412004105","A83412004113","A83412004121","A83412003989","A83412003997","A83412004008","A83412003777","A83412003654","A83412153899","A83412153548","A83412153425","A83412001482","A83412001490","A83412003882","A83412143373"],"title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFolder 6: Written Statements (Various), nd\u003c/unittitle\u003e"],"normalized_title_html_ssm":["\u003cunittitle encodinganalog=\"3.1.2\"\u003eFolder 6: Written Statements (Various), nd\u003c/unittitle\u003e"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#4/components#0/components#1/components#2","_nest_parent_":"shirley-smith-papers_al_1e32f153deaf7a784c7c4b6abc5c6ff9bfd1948e","_root_":"shirley-smith-papers","timestamp":"2026-07-22T11:47:34.139Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"shirley-smith-papers","title_ssm":["Shirley Smith papers"],"title_tesim":["Shirley Smith papers"],"ead_ssi":"shirley-smith-papers","unitdate_ssm":["1937-2011"],"unitdate_other_ssim":["1937-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2014.1o","279"],"text":["P2014.1o","279","Shirley Smith papers, 1937-2011","Kansas agriculture and rural life","9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer.","No access restriction: All materials are open for research.","The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.","The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.","It received accession number P2014.10.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03","The Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. Growing up in rural Kansas and graduating from Kansas State College in 1951, Smith moved to New York City to begin her career as a model, then Broadway actress. In the early 1960s, Smith began to lose her hearing and focused her talents instead on an art career, which she continued for over 50 years. Much of her artwork hearkens back to Kansas roots, while other pieces are considered within the lyrical abstraction art movement of the late 1960s and early 1970s.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Information entered in Archon by Audrey Swartz, 2017.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Smith, Shirley","Smith, Shirley","English","Latin"],"unitid_tesim":["P2014.1o","279"],"normalized_date_ssm":["1937-2011"],"normalized_title_ssm":["Shirley Smith papers, 1937-2011"],"collection_title_tesim":["Shirley Smith papers, 1937-2011"],"collection_ssim":["Shirley Smith papers, 1937-2011"],"creator_ssm":["Smith, Shirley"],"creator_ssim":["Smith, Shirley"],"creator_persname_ssim":["Smith, Shirley"],"creators_ssim":["Smith, Shirley"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Source: Scott Smith, nephew Acqusition Method: Donation Acqusition Date: 20140101"],"access_subjects_ssim":["Kansas agriculture and rural life"],"access_subjects_ssm":["Kansas agriculture and rural life"],"has_online_content_ssim":["false"],"physdesc_tesim":["9.00 Linear Feet, 17.00 Boxes plus 1 oversize drawer."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eNo access restriction: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restriction: All materials are open for research."],"arrangement_tesim":["The collection includes 17 boxes and one folder stored in a flat drawer case comprising 9 linear feet. It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith’s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith’s work.  Series 2 (Box 2) contains personal documents chronicling Smith’s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith’s acting and modeling careers.  Series 3 (Box 2) contains playbills and clippings regarding Smith’s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).  Series 4 (Box 3) contains not only influences and inspirations for Smith’s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.  Series 5 (Box 4 through 6) contains Ms. Smith’s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith’s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith’s memoirs (entitled I’m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled “The Undertaker’s Daughter,” are contained in box 6.  Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith’s life. Box 7 contains photographs from Smith’s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith’s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith’s most influential models for art).  Series 7 (Box 10) contains printed materials in three sections, “Musical Scores,” “Modeling Advertisements,” and “Art Exhibition Booklets.”  Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith’s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called “A Pig’s Life,” and a retrospective DVD of photographs of Smith’s life and works.  Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later “figurative painting” farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith’s “Lyrical Abstraction” Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the “Shirley Smith: A Retrospective” Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the “I Love Pigs” installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eThe Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith\u0026#x2019;s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith\u0026#x2019;s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith\u0026#x2019;s career as a model, actress, and artist.\u003clb\u003e\u003c/lb\u003e Shirley Smith died in New York in October 2013.\u003clb\u003e\u003c/lb\u003e Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.\u003clb\u003e\u003c/lb\u003e After graduating, Smith began her modeling career by modeling in advertisements for Kansas City\u0026#x2019;s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (\u0026#x201C;Alibi Me\u0026#x201D;). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.\u003clb\u003e\u003c/lb\u003e In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to \u0026#x201C;lyrical abstraction,\u0026#x201D; a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["The Shirley Smith Papers (1937-2011) contain a wide array of information regarding the unique life and career path, from rural Kansas to New York City, of Kansas State alumnus Shirley Smith. Smith’s papers are of importance not only as a record of personal history, but history within the modeling, art, and acting worlds as well. The collection includes a variety of formats into which most of the papers are organized according to series and subseries. Research strengths of the collection include the regional and biographical history of Smith’s hometown, Whitewater, Kansas, as well as more substantial documentation of Smith’s career as a model, actress, and artist.  Shirley Smith died in New York in October 2013.  Shirley Smith was born in Whitewater, Kansas in 1929. By the time she graduated high school in 1947, her career as a model was already beginning as she entered (and won) several beauty pageants in her hometown. Soon, she moved on to Kansas State College, becoming heavily involved in theater, and graduating in 1951.  After graduating, Smith began her modeling career by modeling in advertisements for Kansas City’s Helzberg Diamonds in 1952. Soon, Smith moved to New York to continue to model for several major lingerie companies, including Maidenform. Following her modeling career, Smith moved on to acting in shows on Broadway and soon took roles on television and in a movie as well. Several of her most notable appearances include a play entitled The Highest Tree, which also featured Robert Redford and Paul Newman, and a starring role in a 1956 episode of Alfred Hitchcock Presents (“Alibi Me”). Smith also appeared alongside Peter Falk in the motion picture film Pretty Boy Floyd.  In her early 30s, Smith began to suffer hearing loss and turned her focus toward her art career. Beginning with collages and other forms of abstract art, Smith moved on to “lyrical abstraction,” a form of post-modern art, which included fabrics and various other mediums. Later in her career, she returned to her roots, painting pastoral scenes of rural Kansas and farm animals, especially pigs. Smith spent several summers in a trailer studio outside of Whitewater, Kansas as inspiration for her work."],"custodhist_html_tesm":["\u003cp\u003eIt received accession number P2014.10.\u003c/p\u003e"],"custodhist_tesim":["It received accession number P2014.10."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Haley Claxton \u003clb\u003e\u003c/lb\u003eProcessing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014 \u003clb\u003e\u003c/lb\u003ePublication Date: 2017-02-03\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Haley Claxton  Processing Info: The collection was processed by student assistant and History major, Haley Claxton, in 2014  Publication Date: 2017-02-03"],"scopecontent_html_tesm":["\u003cp\u003eThe Shirley Smith Papers (1937-2011) include a wide array of varying fields and topics following the life and career of Shirley Smith. 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It is divided into 9 series: 1) Correspondence; 2) Early Life and Personal; 3) Acting Career; 4) Art Career; 5) Literary Works; 6) Photographs; 7) Printed Materials; 8) Digital Media, and; 9) Oversize. Series 1 (Box 1) contains correspondence from throughout Smith\u0026#x2019;s life and career. Some of the most notable correspondents include actors Robert Redford, Paul Newman and Joanne Woodward, Yul Brenner, Lee Falk, and Alan Cranston. Other correspondents include Nancy Landon Kassebaum, Robert Dole, and Gordon Parks. This series also contains correspondence with art museums, regarding exhibitions of Smith\u0026#x2019;s work.\u003clb\u003e\u003c/lb\u003e Series 2 (Box 2) contains personal documents chronicling Smith\u0026#x2019;s early life in rural Kansas (focused on high school), as well as her time at Kansas State College. Additionally, this section contains early resumes outlining Smith\u0026#x2019;s acting and modeling careers.\u003clb\u003e\u003c/lb\u003e Series 3 (Box 2) contains playbills and clippings regarding Smith\u0026#x2019;s career in theater and on television from 1954 to 1960. Some of the most noted performances included her breakthrough role in Picnic (1954) and The Golden Fleecing (1960).\u003clb\u003e\u003c/lb\u003e Series 4 (Box 3) contains not only influences and inspirations for Smith\u0026#x2019;s artwork, but programs and notices regarding exhibitions of her art from the 1970s on into the late 2000s. This series concludes with resumes of her work related to art, especially highlighting the achievement award she received from the American Academy of Arts and Letters in 1991.\u003clb\u003e\u003c/lb\u003e Series 5 (Box 4 through 6) contains Ms. Smith\u0026#x2019;s literary works. Box 4 holds her early writings at Whitewater High School, as well as other personal writing including personal and written statements and notes regarding her art. Additionally, the box contains Smith\u0026#x2019;s incredibly intimate poetry (most written in the late 1950s to late 1970s). Box 5 and 6 contain multiple drafts of Smith\u0026#x2019;s memoirs (entitled I\u0026#x2019;m Off to Catch the Sunset) which are separated into sections. Drafts of the section entitled \u0026#x201C;The Undertaker\u0026#x2019;s Daughter,\u0026#x201D; are contained in box 6.\u003clb\u003e\u003c/lb\u003e Series 6 (Boxes 7 through 9) contain photographs taken throughout Smith\u0026#x2019;s life. Box 7 contains photographs from Smith\u0026#x2019;s early life in Whitewater, Kansas, and at Kansas State. Following these are photographs from Smith\u0026#x2019;s modeling and acting career, including various headshots. Finally, photographs of Smith with her artwork and later in life complete box 7. Box 8 contains photographs of her art pieces, spanning nearly fifty years from the early 1960s to 2010. Finally, Box 9 contains art related to pigs (one of Smith\u0026#x2019;s most influential models for art).\u003clb\u003e\u003c/lb\u003e Series 7 (Box 10) contains printed materials in three sections, \u0026#x201C;Musical Scores,\u0026#x201D; \u0026#x201C;Modeling Advertisements,\u0026#x201D; and \u0026#x201C;Art Exhibition Booklets.\u0026#x201D;\u003clb\u003e\u003c/lb\u003e Series 8 (Box 11) includes digital media on 27 Disks of photographs and documents that span much of Smith\u0026#x2019;s career as an actress and, primarily, as an artist, as well as portions of an unpublished memoir, a DVD documentary called \u0026#x201C;A Pig\u0026#x2019;s Life,\u0026#x201D; and a retrospective DVD of photographs of Smith\u0026#x2019;s life and works.\u003clb\u003e\u003c/lb\u003e Series 9 (Boxes 12 through 17 and one flat drawer case) include the largest pieces of the collection. Box 12 contains 32 personal appointment and address books and 13 contains a substantial collection of slides of photographs taken in Kansas, as well as slides of later \u0026#x201C;figurative painting\u0026#x201D; farm- animal art pieces (ca 1980-2000s). Box 14 contains transparencies and slides of photographs of Kansas landscapes, pigs, and other farm animals taken in the 1980s and 90s, along with slides of an earlier artwork, including Smith\u0026#x2019;s \u0026#x201C;Lyrical Abstraction\u0026#x201D; Collection (1969-1972). Box 15 includes larger modeling photographs, while 16 includes art-related media, including paint pallets and figure sketches. Box 17 includes items related to the \u0026#x201C;Shirley Smith: A Retrospective\u0026#x201D; Exhibition at the Beach Museum of Art (1999), including a commemorative plaque, promotional pictures on foam core, pig photographs from the \u0026#x201C;I Love Pigs\u0026#x201D; installation, and an album of interviews with various individuals regarding pigs. Finally, the flat drawer case folder contains modeling advertisements for Helzberg Diamonds published in the Kansas City Star.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#normalized_title","type":"document_value","attributes":{"value":"Folder 6: Written Statements (Various), nd","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#parent_labels","type":"document_value","attributes":{"value":["Shirley Smith papers, 1937-2011","Series 5: Literary Works","Box 4","Sub-Series 2: Art"],"label":"In"}},"parent_ids":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#parent_ids","type":"document_value","attributes":{"value":["shirley-smith-papers","shirley-smith-papers_al_30424567b6f9de35fd880c3a12c649be6464badd","shirley-smith-papers_al_cd4b0b1508719f921537a686629fc7a0cecf1ea7","shirley-smith-papers_al_1e32f153deaf7a784c7c4b6abc5c6ff9bfd1948e"],"label":"Ancestor IDs"}},"level":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#level","type":"document_value","attributes":{"value":"File","label":"Level"}},"collection_name":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#collection_name","type":"document_value","attributes":{"value":"Shirley Smith papers, 1937-2011","label":"Collection"}},"eadid":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#eadid","type":"document_value","attributes":{"value":"shirley-smith-papers","label":"EAD ID"}},"online_content?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#online_content?","type":"document_value","attributes":{"value":false,"label":"Online Content"}},"component?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#component?","type":"document_value","attributes":{"value":true,"label":"Component"}},"restricted_component?":{"id":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66#restricted_component?","type":"document_value","attributes":{"value":false,"label":"Restrictions"}}},"links":{"self":"https://findingaids.lib.ksu.edu/catalog/shirley-smith-papers_al_3b175904cc4b984820346cef919631d708f8db66"}},{"id":"louis-zukofsky-papers-2_al_ca2d7e6bf89aa000a084490ee7738382aedb04a1","type":"Folder","attributes":{"title":"Folder 8: Jean de Bossch’ere","breadcrumbs":{"id":"https://findingaids.lib.ksu.edu/catalog/louis-zukofsky-papers-2_al_ca2d7e6bf89aa000a084490ee7738382aedb04a1#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"al_ca2d7e6bf89aa000a084490ee7738382aedb04a1","ref_ssm":["al_ca2d7e6bf89aa000a084490ee7738382aedb04a1","al_ca2d7e6bf89aa000a084490ee7738382aedb04a1"],"id":"louis-zukofsky-papers-2_al_ca2d7e6bf89aa000a084490ee7738382aedb04a1","title_filing_ssi":"Folder 8: Jean de Bossch’ere","title_ssm":["Folder 8: Jean de Bossch’ere"],"title_tesim":["Folder 8: Jean de Bossch’ere"],"normalized_title_ssm":["Folder 8: Jean de Bossch’ere"],"text":["Folder 8: Jean de Bossch’ere","Louis Zukofsky papers, 1928 - 1969","Series 1:Correspondence","Individuals to Rene Taupin","Box 2","Published","Autographed Letter Signed-1 page with envelope. 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Louis Zukofsky was an American poet, critic and translator. He was associated in the \"objectivist\" movement of the early 1930's and was thought of as a disciple of William Carlos Williams and Ezra Pound. The bulk of the collection contains correspondence from Zukofsky to Rene Taupin discussing mutual friends and documenting his career. The collection also offers insight into what life was like in the 1930's for a poet, economically and socially.","The papers are housed in two document boxes. They are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous.","Louis Zukofsky was an American writer and poet. Born in New York City in 1904, Zukofsky’s poems first appeared in print in 1920 and he earned his M.A. degree from Columbia University in 1924. His friendship with contemporary poets Ezra Pound and William Carlos Williams began in 1927, the same year when Zukofsky began work on his piece “A.” From 1930 to 1931, he taught at the University of Wisconsin. In 1934, “Le Style Apollinaire,” a work in conjunction with his close friend Rene Taupin, was published. From 1947 to 1966, Zukofsky taught at the Polytechnic Institute of Brooklyn, New York, and he was the Poet in residence for San Francisco State College in 1958. In 1959, his work “A” 1-12 was published, while his first complete American edition of poetry was published in 1965. Zukofsky retired from teaching in 1966, after which he spent time translating the works “Catallus Fragmenta” in 1968 and “Catallus” in 1969. Zukofsky died in 1978.","The Louis Zukofsky Papers are identified as accession number PC 1994.07 (P1994.07) and are available at the University Archives.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Cindy Von Elling  Processing Info: Processing of the papers was completed by Cindy Von Elling in September 1994.  Container list updated by Cindy Harris and Helena Egbert, in 2021.  Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-06-30","The Louis Zukofsky Papers (1923-1969) chronicle his relationship with a number of his contemporaries, particularly Rene Taupin, as well as describing what life was like for a poet in the 1930's. The papers contain correspondence, printed material and typescripts. They are housed in two document boxes. The papers are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous. The most significant part of this collection is the correspondence. It is divided into four sub-series: a) Louis Zukofsky to Rene Taupin (1930-1941), b) Louis Zukofsky to various others (1942-1969), c) various individuals to Rene Taupin (1923-1946) and d) other correspondence (1927-1940). The correspondece in each sub-series is arranged in chronological order. The correspondence from Zukofsky to Taupin is the largest and most significant part of the collection (70 items) containing references to works in progress and contemporaries, such as Ezra Pound, William Carlos Williams, Harriet Monroe, George Oppen, Basil Bunting, Jesse Loewenthal, Tibor Serly and Robinson Morton. Other comments offer insight into the economy and social atmosphere of 1930's America. The second sub-series of correspondence (22 items, 7 correspondents) focuses primarily on Zukofsky's literary career: responses to inquiries to reprint his poetry, notification of new works and mention of reviews. His family and contemporaries are mentioned in a number of letters. Primary correspondents are: Clayton Hoagland and Tom Pickard. The third sub-series of correspondence (60 items, 47 correspondents), various individuals to Rene Taupin, focuses primarily on the creation of La France en Liberte (13 items) and responses to a questionnaire concerning France's survival under German occupation (8 items). A significant portion of these letters (29 items) is in French and has not been translated. Notable correspondents include: Ivan Goll, Sommerville Story, Germaine Sinclair, Warre Bradley Wells, Carl Van Doren, Patrick Braybrooke, Dorothy Canfield Fischer, A. E. Bacon, Charles A. Beard, Charles M. Stern and Tibor Serly. The fourth sub-series of correspondence is primarily in French and has not been translated. The correspondence in English contains comments on Taupin's abilities and promotional information about La France en Liberte. Correspondents include: Jean de Gourmont, Raymond Arne and Fernand Baldensperger. The literary works series includes typescript reviews by Zukofsky of Hidden Flame by Bunichi Kagawa and Redimiculum Matellarum by Basil Bunting. Also included is an essay in French on Andre Salmon by Rene Taupin. The printed material series contains a review of Zukofsky's Objectivists' Anthology, an essay on Ezra Pound by Zukofsky, a review of Maldorer by Taupin and reviews of Taupin's L'Influence du symbolisme Francais sur la poesie Americaine (de 1910 a/ 1920) The final series contains a prescription sheet, a bibliographical sketch of Taupin (1923-1930) and the first page of an essay entitled Profession of Faith. The Special Collections unit of the Kansas State University Libraries' contains a collection of publications written by Louis Zukofsky.","The researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Zukofsky, Louis","Zukofsky, Louis"],"unitid_tesim":["3.4.2021.1"],"normalized_date_ssm":["1928 - 1969"],"normalized_title_ssm":["Louis Zukofsky papers, 1928 - 1969"],"collection_title_tesim":["Louis Zukofsky papers, 1928 - 1969"],"collection_ssim":["Louis Zukofsky papers, 1928 - 1969"],"creator_ssm":["Zukofsky, Louis"],"creator_ssim":["Zukofsky, Louis"],"creator_persname_ssim":["Zukofsky, Louis"],"creators_ssim":["Zukofsky, Louis"],"access_terms_ssm":["The researcher assumes full responsibility for assuming all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Method: Purchased. 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The collection also offers insight into what life was like in the 1930's for a poet, economically and socially."],"arrangement_html_tesm":["\u003cp\u003eThe papers are housed in two document boxes. They are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous.\u003c/p\u003e"],"arrangement_tesim":["The papers are housed in two document boxes. They are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eLouis Zukofsky was an American writer and poet. Born in New York City in 1904, Zukofsky\u0026#x2019;s poems first appeared in print in 1920 and he earned his M.A. degree from Columbia University in 1924. His friendship with contemporary poets Ezra Pound and William Carlos Williams began in 1927, the same year when Zukofsky began work on his piece \u0026#x201C;A.\u0026#x201D; From 1930 to 1931, he taught at the University of Wisconsin. In 1934, \u0026#x201C;Le Style Apollinaire,\u0026#x201D; a work in conjunction with his close friend Rene Taupin, was published. From 1947 to 1966, Zukofsky taught at the Polytechnic Institute of Brooklyn, New York, and he was the Poet in residence for San Francisco State College in 1958. In 1959, his work \u0026#x201C;A\u0026#x201D; 1-12 was published, while his first complete American edition of poetry was published in 1965. Zukofsky retired from teaching in 1966, after which he spent time translating the works \u0026#x201C;Catallus Fragmenta\u0026#x201D; in 1968 and \u0026#x201C;Catallus\u0026#x201D; in 1969. Zukofsky died in 1978.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Louis Zukofsky was an American writer and poet. 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Zukofsky died in 1978."],"custodhist_html_tesm":["\u003cp\u003eThe Louis Zukofsky Papers are identified as accession number PC 1994.07 (P1994.07) and are available at the University Archives.\u003c/p\u003e"],"custodhist_tesim":["The Louis Zukofsky Papers are identified as accession number PC 1994.07 (P1994.07) and are available at the University Archives."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc1994-07.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc1994-07.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Cindy Von Elling \u003clb\u003e\u003c/lb\u003eProcessing Info: Processing of the papers was completed by Cindy Von Elling in September 1994. \u003clb\u003e\u003c/lb\u003eContainer list updated by Cindy Harris and Helena Egbert, in 2021. \u003clb\u003e\u003c/lb\u003eArchon migration by Edward Nagurny, graduate research assistant, September 2015. \u003clb\u003e\u003c/lb\u003ePublication Date: 2015-06-30\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Cindy Von Elling  Processing Info: Processing of the papers was completed by Cindy Von Elling in September 1994.  Container list updated by Cindy Harris and Helena Egbert, in 2021.  Archon migration by Edward Nagurny, graduate research assistant, September 2015.  Publication Date: 2015-06-30"],"scopecontent_html_tesm":["\u003cp\u003eThe Louis Zukofsky Papers (1923-1969) chronicle his relationship with a number of his contemporaries, particularly Rene Taupin, as well as describing what life was like for a poet in the 1930's. The papers contain correspondence, printed material and typescripts.\u003clb\u003e\u003c/lb\u003eThey are housed in two document boxes. The papers are divided into four series: 1) Correspondence (1928-1969), 2) Literary works (1931, n.d.), 3) Printed material (1930-1933) and 4) Miscellaneous. The most significant part of this collection is the correspondence. It is divided into four sub-series: a) Louis Zukofsky to Rene Taupin (1930-1941), b) Louis Zukofsky to various others (1942-1969), c) various individuals to Rene Taupin (1923-1946) and d) other correspondence (1927-1940).\u003clb\u003e\u003c/lb\u003eThe correspondece in each sub-series is arranged in chronological order. The correspondence from Zukofsky to Taupin is the largest and most significant part of the collection (70 items) containing references to works in progress and contemporaries, such as Ezra Pound, William Carlos Williams, Harriet Monroe, George Oppen, Basil Bunting, Jesse Loewenthal, Tibor Serly and Robinson Morton. Other comments offer insight into the economy and social atmosphere of 1930's America. The second sub-series of correspondence (22 items, 7 correspondents) focuses primarily on Zukofsky's literary career: responses to inquiries to reprint his poetry, notification of new works and mention of reviews. His family and contemporaries are mentioned in a number of letters. Primary correspondents are: Clayton Hoagland and Tom Pickard. The third sub-series of correspondence (60 items, 47 correspondents), various individuals to Rene Taupin, focuses primarily on the creation of La France en Liberte (13 items) and responses to a questionnaire concerning France's survival under German occupation (8 items). A significant portion of these letters (29 items) is in French and has not been translated. Notable correspondents include: Ivan Goll, Sommerville Story, Germaine Sinclair, Warre Bradley Wells, Carl Van Doren, Patrick Braybrooke, Dorothy Canfield Fischer, A. E. Bacon, Charles A. Beard, Charles M. Stern and Tibor Serly. The fourth sub-series of correspondence is primarily in French and has not been translated.\u003clb\u003e\u003c/lb\u003eThe correspondence in English contains comments on Taupin's abilities and promotional information about La France en Liberte. Correspondents include: Jean de Gourmont, Raymond Arne and Fernand Baldensperger. The literary works series includes typescript reviews by Zukofsky of Hidden Flame by Bunichi Kagawa and Redimiculum Matellarum by Basil Bunting. Also included is an essay in French on Andre Salmon by Rene Taupin. The printed material series contains a review of Zukofsky's Objectivists' Anthology, an essay on Ezra Pound by Zukofsky, a review of Maldorer by Taupin and reviews of Taupin's L'Influence du symbolisme Francais sur la poesie Americaine (de 1910 a/ 1920) The final series contains a prescription sheet, a bibliographical sketch of Taupin (1923-1930) and the first page of an essay entitled Profession of Faith. 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The correspondence from Zukofsky to Taupin is the largest and most significant part of the collection (70 items) containing references to works in progress and contemporaries, such as Ezra Pound, William Carlos Williams, Harriet Monroe, George Oppen, Basil Bunting, Jesse Loewenthal, Tibor Serly and Robinson Morton. Other comments offer insight into the economy and social atmosphere of 1930's America. The second sub-series of correspondence (22 items, 7 correspondents) focuses primarily on Zukofsky's literary career: responses to inquiries to reprint his poetry, notification of new works and mention of reviews. His family and contemporaries are mentioned in a number of letters. Primary correspondents are: Clayton Hoagland and Tom Pickard. The third sub-series of correspondence (60 items, 47 correspondents), various individuals to Rene Taupin, focuses primarily on the creation of La France en Liberte (13 items) and responses to a questionnaire concerning France's survival under German occupation (8 items). A significant portion of these letters (29 items) is in French and has not been translated. Notable correspondents include: Ivan Goll, Sommerville Story, Germaine Sinclair, Warre Bradley Wells, Carl Van Doren, Patrick Braybrooke, Dorothy Canfield Fischer, A. E. Bacon, Charles A. Beard, Charles M. Stern and Tibor Serly. The fourth sub-series of correspondence is primarily in French and has not been translated. The correspondence in English contains comments on Taupin's abilities and promotional information about La France en Liberte. Correspondents include: Jean de Gourmont, Raymond Arne and Fernand Baldensperger. The literary works series includes typescript reviews by Zukofsky of Hidden Flame by Bunichi Kagawa and Redimiculum Matellarum by Basil Bunting. Also included is an essay in French on Andre Salmon by Rene Taupin. The printed material series contains a review of Zukofsky's Objectivists' Anthology, an essay on Ezra Pound by Zukofsky, a review of Maldorer by Taupin and reviews of Taupin's L'Influence du symbolisme Francais sur la poesie Americaine (de 1910 a/ 1920) The final series contains a prescription sheet, a bibliographical sketch of Taupin (1923-1930) and the first page of an essay entitled Profession of Faith. 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collection is arranged in five boxes. Box one consists of documents and boxes two through five are made up of scrapbooks.","Mary Louise (Lou) Wilkins Herndon Was born February 26, 1924, to Loren and Ruth Wilkins in Liberal, Kansas. Her father was a jeweler, a watchmaker and later an optometrist. Her mother was a concert pianist. They moved to Wichita Kansas when Lou was in about sixth grade. Herndon attended Allison Junior High in Wichita and then graduated from Wichita High School North in 1941. On June 27, 1943, she married Billy Bob Herndon who was originally from Anson, Texas. They were married at West Side United Presbyterian Church, Wichita, Kansas. They had one daughter and three sons, all of whom have made their homes in Sedgwick County. Herndon was very active in the Wichita and Goddard communities. She was a 4-H project leader and a community leader of the Rolling Hills 4-H Club for many years. She was a lifetime member of the Prairie Gem Home Extension Unit from the time the unit was started until it was disbanded (for lack of members). Herndon also served on the county extension council for several years and was a treasurer for Attica Township. At the same time, she was the caretaker of the Pleasant Ridge cemetery in Goddard, Kansas. In about 1963, Herndon began china painting and was a member of the Sunflower China Painters in Sedgwick county. She was the state president of the Federated China Painters Association of Kansas for two years. Herndon was passionate about encouraging all the painters in Kansas to exhibit their work at the Kansas State Fair. More than anything else, Herndon enjoyed her 15 grandchildren and 18 great-grandchildren. She passed away November 11, 2018, and a Memorial headstone is in Pleasant Ridge Cemetary, Goddard, Kansas.","The collection was donated to Kansas State University by Lou Herndon and her daughter, Sherry Elder in November 2017. 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They had one daughter and three sons, all of whom have made their homes in Sedgwick County.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eHerndon was very active in the Wichita and Goddard communities. She was a 4-H project leader and a community leader of the Rolling Hills 4-H Club for many years. She was a lifetime member of the Prairie Gem Home Extension Unit from the time the unit was started until it was disbanded (for lack of members). Herndon also served on the county extension council for several years and was a treasurer for Attica Township. At the same time, she was the caretaker of the Pleasant Ridge cemetery in Goddard, Kansas.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eIn about 1963, Herndon began china painting and was a member of the Sunflower China Painters in Sedgwick county. She was the state president of the Federated China Painters Association of Kansas for two years. Herndon was passionate about encouraging all the painters in Kansas to exhibit their work at the Kansas State Fair.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eMore than anything else, Herndon enjoyed her 15 grandchildren and 18 great-grandchildren. She passed away November 11, 2018, and a Memorial headstone is in Pleasant Ridge Cemetary, Goddard, Kansas.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Mary Louise (Lou) Wilkins Herndon Was born February 26, 1924, to Loren and Ruth Wilkins in Liberal, Kansas. Her father was a jeweler, a watchmaker and later an optometrist. Her mother was a concert pianist. They moved to Wichita Kansas when Lou was in about sixth grade. Herndon attended Allison Junior High in Wichita and then graduated from Wichita High School North in 1941. On June 27, 1943, she married Billy Bob Herndon who was originally from Anson, Texas. They were married at West Side United Presbyterian Church, Wichita, Kansas. They had one daughter and three sons, all of whom have made their homes in Sedgwick County. Herndon was very active in the Wichita and Goddard communities. She was a 4-H project leader and a community leader of the Rolling Hills 4-H Club for many years. She was a lifetime member of the Prairie Gem Home Extension Unit from the time the unit was started until it was disbanded (for lack of members). Herndon also served on the county extension council for several years and was a treasurer for Attica Township. At the same time, she was the caretaker of the Pleasant Ridge cemetery in Goddard, Kansas. In about 1963, Herndon began china painting and was a member of the Sunflower China Painters in Sedgwick county. She was the state president of the Federated China Painters Association of Kansas for two years. Herndon was passionate about encouraging all the painters in Kansas to exhibit their work at the Kansas State Fair. 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They are organized in the following series:1) Correspondence, 1963-1983, 2) Board of Directors, 1976-1982, 3) Committees, 1954-1982, 4) Conferences, 1953-1978, 5) Financial Documents, 1956-1979, and 6) Miscellaneous, 1965-1982. The collection contains correspondence, minutes, reports, financial documents, and conference material.","1952 Colston Warne proposed an idea for \"launching a consumer education association\"   1953 Planning session for further consideration of the project; committee formed to draw up by-laws; plans made for publishing a newsletter and a series of pamphlets; association named Council on Consumer Information; Eugene Beem, Executive Secretary; CCI located at Kalamazoo College, Kalamazoo, Michigan   1954 First pamphlet released, Consumer Look at Farm Price Polices; Membership grew from 70 in July to 139 in late November; Warren Nelson, Executive Secretary; CCI located at Miami University, Oxford, Ohio   1955 First Annual Conference held in Dayton, Ohio; Fred Archer, Executive Secretary; CCI located at State Teachers College, St. Cloud, Minnesota   1956 Membership reached 640; Ramon Heimerl, Executive Director through 1965; CCI relocated to Greeley State College, Greeley, Colorado through 1965   1957 The merger of CCI and the National Association of Consumers was approved   1958 Membership grew to 1041   1962 Five members of CCI were appointed to the President's Advisory Council   1963 Tenth Anniversary of the founding of CCI; membership 1200; eight conferences held, 14 published, and 38 editions of the newsletter distributed   1964 CCI joined the International Organization of Consumers Unions   1966 Executive committee approved the publication of the Journal of Consumer Affairs; Edward Metzen, Executive Secretary through   1975; CCI relocated to University of Missouri, Columbia, its present location   1967 First issue of the Journal of Consumer Affairs published; CCI membership directory published   1968 Membership 1531; CCI became a member of the Consumer Federation of America   1969 Name changed to American Council on Consumer Interests   1971 Colston E. Warne Lecture Series was formed   1972 ACCI Board of Directors established the Distinguished Fellow Award   1973 Title of Executive Secretary was changed to Executive Director; Executive Committee was increased from 8 to 10 members   1975 College student internship program began as a joint project with the Conference of Consumer Organizations (National Consumer Affairs Internship Program); Karen Stein, Executive Director through June, 1978   1977 ACCI received a grant from the U.S. Office of Consumer Education to produce a position paper, \"Consumer Information Systems and Technical Assistance Services as Viewed by ACCI\"   1978 Mel Zelenak, Executive Director through June, 1983   1983 Barbara Slusher became Executive Director through August 1988   1988 Anita Metzen became Executive Director   On November 5, 1952, Colston Warne (President of Consumers Union) inquired by letter whether Ray Price and Henry Harap would be interested in launching a consumer education association. Warne stated that Consumers Union would contribute financial support to bring several persons together for that purpose. Price and Harap met with Warne in Chicago and approved the proposal. Twenty persons accepted an invitation to attend a planning session at the University of Minnesota. These Charter Members were primarily college and university professors. They approved the selection of an executive committee which was given the following charge: prepare a plan for permanent organization, prepare a budget and obtain financial assistance, choose an executive secretary, and define its functions. The following persons served on this Executive Committee: Marguerite Burk, Eugene Beem, G.E. Damon, Henry Harap and Ray Price. Eugene Beem was chosen to act as Executive Secretary. The Executive Committee met in Washington on June 1, 1953, after which the Consumers Union made a grant of $7000. This grant enabled the planning group to proceed with the recruitment of members, publication of newsletters and pamphlets, and the organization of an annual conference. Thus, the American Council on Consumers Interests was formally established in 1953. Initially, the organization was called the Council on Consumer Information and in 1969 it was changed to the American Council on Consumer Interests. ACCI was established for the purpose of stimulating the exchange of ideas among persons interested in the welfare of the consumer and to be non-political, taking no stand on issues of public policy. Its sole purpose was to contribute to more effective fact-finding and dissemination of consumer information. The first annual ACCI conference was held in 1955 in Dayton, Ohio. *Taken from Henry Harap, \"A Brief History of the American Council on Consumer Interests,\" a photocopied paper distributed by Consumers Union of the U.S., March 1981.","In 1999, Edward and Anita Metzen donated their collection of American Council on Consumer Interests (ACCI) affiliated documents to Kansas State University Richard L. D. and Marjorie J. Morse Department of Special Collections at Hale Library as part of the Consumer Movement Archives. As an addition to the previously donated ACCI records described in a separate finding aid, these collected documents of two notable past Executive Directors of ACCI provide a window into the organization's scholarly contribution to the study of consumerism over the last half of the twentieth century, including the non-profit's published pamphlets, newsletters, and reports. The files also contain considerable research on a broad range of issues and research interests of the organization under their tenure, including consumer education, governmental business regulation, product testing, and the setting of weight and packaging standards on consumer goods.","The ACCI donated its records to Kansas State University Libraries in May 1988.  The accession was assigned the number 119. It was updated to PC 1988.41 (P1988.41).  The Metzen addition was assigned the acession P1999.02.  Additional AV materials were sent in May of 2014 from ACCI executive director Ginger Phillips and assigned acession number P2014.07.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Processing Info: Archon processing by Edward Nagurny, graduate research assistant, April 2015.","The American Council on Consumer Interests (ACCI) records document the activities of the group from its beginning in 1953 through 1983. The first series contains incoming and outgoing correspondence of the executive directors, Edward Metzen (1973-1976), Karen Stein (1975-1978), Mel Zelenak (1978-1982), and Barbara Slusher (1984- 1986). The correspondence pertains mainly to payment of membership dues, a proposed site relocation, 1978, and publications. The second series, the board of directors, consists of minutes from board meetings and annual reports to the board from the executive directors (1976-1982). The third series, committees, is one of the largest comprising forty-three folders. The executive committee sub-series (1956- 1982) contains correspondence, agendas, annual reports, and documents concerning annual business meetings, meetings, conference calls, and miscellaneous matters. The membership committee (1972-1977) is the second sub-series and contains correspondence regarding membership in ACCI and a promotional manual. Conferences is another sizable series in the records. It spans the years 1953-1978 and is housed in one box. In this series is information about each annual conference including registration, program, finances, and planning. The fifth series contains financial documents. It is divided into three sub-series; financial documents (1955-1983), grants (1963- 1981), and Internal Revenue Service (1967-1979). The first sub-series includes monthly, budget, and accountants reports, financial projections, and miscellaneous items. The grants sub-series contain information on grants applied for and/or received from Consumer's Union and the Office of Consumer Education. The third sub-series, Internal Revenue Service, has information pertaining to tax status, employee withholding, and miscellaneous tax information. The last series contains miscellaneous material for the years 1965-1982. It concerns the following; ACCI history (a history of ACCI written by Henry Harap in 1969 is found here), an internship program that began with the Conference of Consumer Organizations, a booklet on lobbying by public interest charities, National Consumers Week, and testimonies from the Consumer Federation of America.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Box number 12 has been created and does not follow original order","Richard L. 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They are organized in the following series:1) Correspondence, 1963-1983, 2) Board of Directors, 1976-1982, 3) Committees, 1954-1982, 4) Conferences, 1953-1978, 5) Financial Documents, 1956-1979, and 6) Miscellaneous, 1965-1982. The collection contains correspondence, minutes, reports, financial documents, and conference material.\u003c/p\u003e"],"arrangement_tesim":["The records are contained in four boxes (4.0 cubic feet) and span the years 1953-1983. They are organized in the following series:1) Correspondence, 1963-1983, 2) Board of Directors, 1976-1982, 3) Committees, 1954-1982, 4) Conferences, 1953-1978, 5) Financial Documents, 1956-1979, and 6) Miscellaneous, 1965-1982. The collection contains correspondence, minutes, reports, financial documents, and conference material."],"bioghist_tesim":["1952 Colston Warne proposed an idea for \"launching a consumer education association\"   1953 Planning session for further consideration of the project; committee formed to draw up by-laws; plans made for publishing a newsletter and a series of pamphlets; association named Council on Consumer Information; Eugene Beem, Executive Secretary; CCI located at Kalamazoo College, Kalamazoo, Michigan   1954 First pamphlet released, Consumer Look at Farm Price Polices; Membership grew from 70 in July to 139 in late November; Warren Nelson, Executive Secretary; CCI located at Miami University, Oxford, Ohio   1955 First Annual Conference held in Dayton, Ohio; Fred Archer, Executive Secretary; CCI located at State Teachers College, St. Cloud, Minnesota   1956 Membership reached 640; Ramon Heimerl, Executive Director through 1965; CCI relocated to Greeley State College, Greeley, Colorado through 1965   1957 The merger of CCI and the National Association of Consumers was approved   1958 Membership grew to 1041   1962 Five members of CCI were appointed to the President's Advisory Council   1963 Tenth Anniversary of the founding of CCI; membership 1200; eight conferences held, 14 published, and 38 editions of the newsletter distributed   1964 CCI joined the International Organization of Consumers Unions   1966 Executive committee approved the publication of the Journal of Consumer Affairs; Edward Metzen, Executive Secretary through   1975; CCI relocated to University of Missouri, Columbia, its present location   1967 First issue of the Journal of Consumer Affairs published; CCI membership directory published   1968 Membership 1531; CCI became a member of the Consumer Federation of America   1969 Name changed to American Council on Consumer Interests   1971 Colston E. Warne Lecture Series was formed   1972 ACCI Board of Directors established the Distinguished Fellow Award   1973 Title of Executive Secretary was changed to Executive Director; Executive Committee was increased from 8 to 10 members   1975 College student internship program began as a joint project with the Conference of Consumer Organizations (National Consumer Affairs Internship Program); Karen Stein, Executive Director through June, 1978   1977 ACCI received a grant from the U.S. Office of Consumer Education to produce a position paper, \"Consumer Information Systems and Technical Assistance Services as Viewed by ACCI\"   1978 Mel Zelenak, Executive Director through June, 1983   1983 Barbara Slusher became Executive Director through August 1988   1988 Anita Metzen became Executive Director   On November 5, 1952, Colston Warne (President of Consumers Union) inquired by letter whether Ray Price and Henry Harap would be interested in launching a consumer education association. Warne stated that Consumers Union would contribute financial support to bring several persons together for that purpose. Price and Harap met with Warne in Chicago and approved the proposal. Twenty persons accepted an invitation to attend a planning session at the University of Minnesota. These Charter Members were primarily college and university professors. They approved the selection of an executive committee which was given the following charge: prepare a plan for permanent organization, prepare a budget and obtain financial assistance, choose an executive secretary, and define its functions. The following persons served on this Executive Committee: Marguerite Burk, Eugene Beem, G.E. Damon, Henry Harap and Ray Price. Eugene Beem was chosen to act as Executive Secretary. The Executive Committee met in Washington on June 1, 1953, after which the Consumers Union made a grant of $7000. This grant enabled the planning group to proceed with the recruitment of members, publication of newsletters and pamphlets, and the organization of an annual conference. Thus, the American Council on Consumers Interests was formally established in 1953. Initially, the organization was called the Council on Consumer Information and in 1969 it was changed to the American Council on Consumer Interests. ACCI was established for the purpose of stimulating the exchange of ideas among persons interested in the welfare of the consumer and to be non-political, taking no stand on issues of public policy. Its sole purpose was to contribute to more effective fact-finding and dissemination of consumer information. The first annual ACCI conference was held in 1955 in Dayton, Ohio. *Taken from Henry Harap, \"A Brief History of the American Council on Consumer Interests,\" a photocopied paper distributed by Consumers Union of the U.S., March 1981.","In 1999, Edward and Anita Metzen donated their collection of American Council on Consumer Interests (ACCI) affiliated documents to Kansas State University Richard L. D. and Marjorie J. Morse Department of Special Collections at Hale Library as part of the Consumer Movement Archives. As an addition to the previously donated ACCI records described in a separate finding aid, these collected documents of two notable past Executive Directors of ACCI provide a window into the organization's scholarly contribution to the study of consumerism over the last half of the twentieth century, including the non-profit's published pamphlets, newsletters, and reports. The files also contain considerable research on a broad range of issues and research interests of the organization under their tenure, including consumer education, governmental business regulation, product testing, and the setting of weight and packaging standards on consumer goods."],"custodhist_html_tesm":["\u003cp\u003eThe ACCI donated its records to Kansas State University Libraries in May 1988.\u003clb\u003e\u003c/lb\u003e The accession was assigned the number 119. It was updated to PC 1988.41 (P1988.41).\u003clb\u003e\u003c/lb\u003e The Metzen addition was assigned the acession P1999.02.\u003clb\u003e\u003c/lb\u003e Additional AV materials were sent in May of 2014 from ACCI executive director Ginger Phillips and assigned acession number P2014.07.\u003c/p\u003e"],"custodhist_tesim":["The ACCI donated its records to Kansas State University Libraries in May 1988.  The accession was assigned the number 119. It was updated to PC 1988.41 (P1988.41).  The Metzen addition was assigned the acession P1999.02.  Additional AV materials were sent in May of 2014 from ACCI executive director Ginger Phillips and assigned acession number P2014.07."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing Info: Archon processing by Edward Nagurny, graduate research assistant, April 2015.\u003c/p\u003e"],"processinfo_tesim":["Processing Info: Archon processing by Edward Nagurny, graduate research assistant, April 2015."],"scopecontent_html_tesm":["\u003cp\u003eThe American Council on Consumer Interests (ACCI) records document the activities of the group from its beginning in 1953 through 1983.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe first series contains incoming and outgoing correspondence of the executive directors, Edward Metzen (1973-1976), Karen Stein (1975-1978), Mel Zelenak (1978-1982), and Barbara Slusher (1984- 1986). The correspondence pertains mainly to payment of membership dues, a proposed site relocation, 1978, and publications.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe second series, the board of directors, consists of minutes from board meetings and annual reports to the board from the executive directors (1976-1982).\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe third series, committees, is one of the largest comprising forty-three folders. The executive committee sub-series (1956- 1982) contains correspondence, agendas, annual reports, and documents concerning annual business meetings, meetings, conference calls, and miscellaneous matters.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe membership committee (1972-1977) is the second sub-series and contains correspondence regarding membership in ACCI and a promotional manual. Conferences is another sizable series in the records. It spans the years 1953-1978 and is housed in one box. In this series is information about each annual conference including registration, program, finances, and planning.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe fifth series contains financial documents. It is divided into three sub-series; financial documents (1955-1983), grants (1963- 1981), and Internal Revenue Service (1967-1979). The first sub-series includes monthly, budget, and accountants reports, financial projections, and miscellaneous items. The grants sub-series contain information on grants applied for and/or received from Consumer's Union and the Office of Consumer Education. The third sub-series, Internal Revenue Service, has information pertaining to tax status, employee withholding, and miscellaneous tax information.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eThe last series contains miscellaneous material for the years 1965-1982. It concerns the following; ACCI history (a history of ACCI written by Henry Harap in 1969 is found here), an internship program that began with the Conference of Consumer Organizations, a booklet on lobbying by public interest charities, National Consumers Week, and testimonies from the Consumer Federation of America.\u003c/p\u003e"],"scopecontent_tesim":["The American Council on Consumer Interests (ACCI) records document the activities of the group from its beginning in 1953 through 1983. The first series contains incoming and outgoing correspondence of the executive directors, Edward Metzen (1973-1976), Karen Stein (1975-1978), Mel Zelenak (1978-1982), and Barbara Slusher (1984- 1986). The correspondence pertains mainly to payment of membership dues, a proposed site relocation, 1978, and publications. The second series, the board of directors, consists of minutes from board meetings and annual reports to the board from the executive directors (1976-1982). The third series, committees, is one of the largest comprising forty-three folders. The executive committee sub-series (1956- 1982) contains correspondence, agendas, annual reports, and documents concerning annual business meetings, meetings, conference calls, and miscellaneous matters. The membership committee (1972-1977) is the second sub-series and contains correspondence regarding membership in ACCI and a promotional manual. Conferences is another sizable series in the records. It spans the years 1953-1978 and is housed in one box. In this series is information about each annual conference including registration, program, finances, and planning. The fifth series contains financial documents. It is divided into three sub-series; financial documents (1955-1983), grants (1963- 1981), and Internal Revenue Service (1967-1979). The first sub-series includes monthly, budget, and accountants reports, financial projections, and miscellaneous items. The grants sub-series contain information on grants applied for and/or received from Consumer's Union and the Office of Consumer Education. The third sub-series, Internal Revenue Service, has information pertaining to tax status, employee withholding, and miscellaneous tax information. The last series contains miscellaneous material for the years 1965-1982. It concerns the following; ACCI history (a history of ACCI written by Henry Harap in 1969 is found here), an internship program that began with the Conference of Consumer Organizations, a booklet on lobbying by public interest charities, National Consumers Week, and testimonies from the Consumer Federation of America."],"userestrict_html_tesm":["\u003cp\u003eThe researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.\u003c/p\u003e"],"userestrict_tesim":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"note_html_tesm":["\u003cnote type=\"generalNote\"\u003e \u003cp\u003eBox number 12 has been created and does not follow original order\u003c/p\u003e \u003c/note\u003e"],"note_tesim":["Box number 12 has been created and does not follow original order"],"names_ssim":["Richard L. D. and Marjorie J. 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Warne Lecture Series was formed \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e 1972 ACCI Board of Directors established the Distinguished Fellow Award \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e 1973 Title of Executive Secretary was changed to Executive Director; Executive Committee was increased from 8 to 10 members \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e 1975 College student internship program began as a joint project with the Conference of Consumer Organizations (National Consumer Affairs Internship Program); Karen Stein, Executive Director through June, 1978 \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e 1977 ACCI received a grant from the U.S. Office of Consumer Education to produce a position paper, \"Consumer Information Systems and Technical Assistance Services as Viewed by ACCI\" \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e 1978 Mel Zelenak, Executive Director through June, 1983 \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e 1983 Barbara Slusher became Executive Director through August 1988 \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e 1988 Anita Metzen became Executive Director \u003clb\u003e\u003c/lb\u003e \u003clb\u003e\u003c/lb\u003e On November 5, 1952, Colston Warne (President of Consumers Union) inquired by letter whether Ray Price and Henry Harap would be interested in launching a consumer education association. Warne stated that Consumers Union would contribute financial support to bring several persons together for that purpose. Price and Harap met with Warne in Chicago and approved the proposal. Twenty persons accepted an invitation to attend a planning session at the University of Minnesota. These Charter Members were primarily college and university professors. They approved the selection of an executive committee which was given the following charge: prepare a plan for permanent organization, prepare a budget and obtain financial assistance, choose an executive secretary, and define its functions. The following persons served on this Executive Committee: Marguerite Burk, Eugene Beem, G.E. Damon, Henry Harap and Ray Price. Eugene Beem was chosen to act as Executive Secretary. The Executive Committee met in Washington on June 1, 1953, after which the Consumers Union made a grant of $7000. This grant enabled the planning group to proceed with the recruitment of members, publication of newsletters and pamphlets, and the organization of an annual conference. Thus, the American Council on Consumers Interests was formally established in 1953. Initially, the organization was called the Council on Consumer Information and in 1969 it was changed to the American Council on Consumer Interests. ACCI was established for the purpose of stimulating the exchange of ideas among persons interested in the welfare of the consumer and to be non-political, taking no stand on issues of public policy. Its sole purpose was to contribute to more effective fact-finding and dissemination of consumer information. The first annual ACCI conference was held in 1955 in Dayton, Ohio. *Taken from Henry Harap, \"A Brief History of the American Council on Consumer Interests,\" a photocopied paper distributed by Consumers Union of the U.S., March 1981.\u003c/p\u003e \u003c/note\u003e","\u003cnote\u003e \u003cp\u003eIn 1999, Edward and Anita Metzen donated their collection of American Council on Consumer Interests (ACCI) affiliated documents to Kansas State University Richard L. D. and Marjorie J. Morse Department of Special Collections at Hale Library as part of the Consumer Movement Archives. As an addition to the previously donated ACCI records described in a separate finding aid, these collected documents of two notable past Executive Directors of ACCI provide a window into the organization's scholarly contribution to the study of consumerism over the last half of the twentieth century, including the non-profit's published pamphlets, newsletters, and reports. The files also contain considerable research on a broad range of issues and research interests of the organization under their tenure, including consumer education, governmental business regulation, product testing, and the setting of weight and packaging standards on consumer goods.\u003c/p\u003e \u003c/note\u003e"]}]}},"label":"Breadcrumbs"}},"normalized_title":{"id":"https://findingaids.lib.ksu.edu/catalog/american-council-on-consumer-interests-records_al_9ab9905b3b635ce33a1eabf3a91070f30fc8a80a#normalized_title","type":"document_value","attributes":{"value":"Series 4: Correspondence-Publications","label":"Title"}},"parent_labels":{"id":"https://findingaids.lib.ksu.edu/catalog/american-council-on-consumer-interests-records_al_9ab9905b3b635ce33a1eabf3a91070f30fc8a80a#parent_labels","type":"document_value","attributes":{"value":["American Council on Consumer Interests records, 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encodinganalog=\"3.1.2\"\u003eSeries 5: Photographs and Art\u003c/unittitle\u003e"],"total_digital_object_count_isim":[0],"_nest_path_":"/components#4","_nest_parent_":"haldeman-julius-family-papers","_root_":"haldeman-julius-family-papers","timestamp":"2026-07-22T11:38:21.456Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"haldeman-julius-family-papers","title_ssm":["Haldeman-Julius Family papers"],"title_tesim":["Haldeman-Julius Family papers"],"ead_ssi":"haldeman-julius-family-papers","unitdate_ssm":["1889-1951"],"unitdate_other_ssim":["1889-1951"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["P2004.11","192"],"text":["P2004.11","192","Haldeman-Julius Family papers, 1889-1951","3.00 Linear Feet, 4.00 Boxes Post-Fire Oversize Extent: Box 5 (10x15); 509: 20/22/4","No access restrictions: All materials are open for research.","The collection is comprised of four boxes and is arranged in five series: 1) Essays and Short Stories, 2) Family and Friends, 3) Biographical Information, 4) Printed Material, and 5) Photographs and Art.","Emanuel Julius was born July 30,1889 in Philadelphia, Pennsylvania. His parents were Russian immigrants and upon arriving in the United States had to change their surname from Zalujetzski to Julius, which was easier to pronounce. Emanuel's father was a book binder but was unable to provide enough for the family thus, at age 13, Emanuel was forced to quit school in order to work. After he quit school Emanuel worked in a toy factory (a sweat shop) making only three dollars a week. After that he held many odd jobs including: usher in a theater; bellhop in a private school for girls in Terrytown, New York; and, occasionally, boxing.   Emanuel enjoyed school and he decided to enroll in night classes at Brown Prep School while working. However, due to trouble with algebra and Latin, he quit Brown and enrolled in night school at a local high school. Emanuel soon decided he wanted to publish books that were affordable for most people. This interest lead to jobs in the journalism industry. He worked for the Milwaukee Leader; Philadelphia Daily as a copy reader; Daily Leader as a feature writer and City Hall reporter in Milwaukee; Chicago Evening World as courtroom and police reporter until 1912; Western Comrade in Los Angeles as a copy writer; New York Call as Sunday editor and dramatic critic from 1914-1915; and Appeal to Reason as editor in 1918.   Emanuel's first publication, \"Mark Twain-Radical,\" appeared in The International Social Review. He also had his own monthly publication called American Freedom as well as his own magazine, Life and Letters. He wrote two autobiographies, My First 25 Years (published in 1949), and My Second 25 Years (also published in 1949). On June 1, 1916, Emanuel married his first wife, Marcet Haldeman, and the two decided to legally combine their names to Haldeman-Julius, the name that Emanuel became famous under. The two bought the Appeal's printing factory and together their publishing industry flourished and many pieces they wrote were published by their company. Emanuel became famous for the books that he published. First called the \"Appeal Pocket Series\", then the \"People's Pocket Series\" and, finally, the \"Little Blue Books\", the name for which they are best known.   These books sold for five to twenty-five cents and were considered a university in writing owing to the classical literature printed within the pages of these pocket books. They enabled those with little money to afford such classics as Shakespeare and Voltaire which they might otherwise have not been able to read. The title of the first publication in the blue book series,\"The Rubaiyat of Omar Khayyam\" was published in 1919. Emanuel's dream had been realized and, not only were these books popular in the United States, they had appeal throughout the world.   Emanuel died July 31, 1951 at his home in Girard, Kansas. He was found drowned in his own swimming pool by his second wife of nine years, Sue Haldeman-Julius. Suspicion surrounded his death and rumors of involvement by J. Edgar Hoover and the F.B.I. spread because of Emanuel's socialist beliefs and his dislike for Hoover and his \"tyrannical tactics against perceived enemies\". Biographical Information for this sketch was compiled from several Internet sources and the contents of this collection.","Marcet Haldeman-Julius (nee Anna Marcet Haldeman) was an American feminist, actress, playwright, civil rights advocate, editor, author, and bank president.   Marcet was born in Girard, Crawford, Kansas, on 18 Jun 1887, the daughter of physician Henry Winfield Haldeman and his wife Alice Addams. Alice was the sister of Jane Addams, 1931 Nobel Peace Prize Winner.   Marcet studied at the Rockford Seminary for Young Ladies and then the Dearborn Seminary in Chicago, until the death of her father in 1905, followed by Bryn Mawr College in Pennsylvania. While at Bryn Mawr she became on of the closest friends and confidantes of the poet Marianne Moore. After three years she left the college to continue her stage acting, graduating from the American Academy of Dramatic Arts in 1910.   Marcet's parents ran the Bank of Girard. When her mother died in 1915, Marcet returned to her hometown where she took over managment of the bank. In 1916 she married activist and publisher Emanuel Julius. They both adopted the surname Haldeman-Julius. They wrote both separately and together.   They had two children, Alice (1917-1991) and Henry (1919-1990) and adopted a third, Josephine (b. 1910). Marcet and Emanuel separated in 1933. Marcet died of cancer on 13 Feb 1941.","Susan Haney was born 28 Jul 1907 in Cherokee county, Kansas, the daughter of Arthur C. and Lena (Burg) Haney. When she was young the family moved to Girard, Crawford, Kansas. Shortly thereafter, in 1918, her father died, leaving her mother to raise five children alone.   She began working for the Haldeman-Julius Publishing while a young woman. At 18, in 1925 she worked as a book binder. In 1930, she was a mailer in a book plant. and in 1940 she was a secretary in a publishing office.   In 1942, she married the recently widowed Emanuel Haldeman-Julius. He died in 1951. She died on 19 May 2003 in Pittsburg, Crawford, Kansas.","The collection was purchased by the K-State Libraries in 2004 and processing was completed by Christy Birney in November of that year. The accession number of the collection is P2004.11.","Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.","Finding Aid Author: Christy Birney  Processing Info: Processing by Christy Birney in November 2004.   Archon processing by Edward Nagurny, graduate research assistant, June 2015.  Publication Date: 2015-06-16","The Haldeman-Julius Collection documents the business and personal life of Emanuel Haldeman-Julius, especially through the biographical information compiled by his second wife, Sue. Along with Emanuel, there is considerable information about Marcet (Emanuel's first wife) and her family, including her aunt Jane Addams (1931 Nobel Peace Prize winner), as well as several close friends and relatives. There is little correspondence in the collection, instead, the majority of the material consists of biographical information that Sue Haldeman-Julius created for a biography she was writing about Emanuel which included drafts of chapters.  Newspaper clippings of events that took place, many after Emanuel's death in the remembrance of him, as well as clippings on people he knew, are also included. Other contents of interest include the short stories and articles that were written by Emanuel, Marcet, or both. Several of the articles indicate that they were written for the Appeal to Reason, a socialist newsletter that Emanuel was editor and owner of. The collection consists of five series: Contains essays and short stories written by Emanuel, Marcet, or were written by both of them together. There are 46 essays and short stories in this series. Contains family documents from family members on both the Haldeman and the Julius side. This series also includes newspaper clippings regarding social events, friends of the Haldeman-Julius', and also clippings that interested one of Emanuel's wives (such as health). Contains the biographical information compiled and typewritten by his second wife, Sue, for a biography she was writing; includes drafts on various topics and events.  Contains printed material that was published in Emanuel's personal magazine E. H-J. Magazine and other literary works by different authors. Contains photographs and art including two family photographs of the Addams family; one photograph of Jane Addams' casket being carried; one photograph of Emanuel; one-color print o the Haldeman-Julius home in Girard, KS (1942), and: an original pencil drawing of Abraham Walkowitz by Sue Haldeman-Julius; The Morse Department of Special Collections houses a comprehensive run of Haldeman-Julius publications (\"Little Blue Books\") and Emanuel's two autobiographies, My First 25 Years and My Second 25 Years.","The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.","Richard L. D. and Marjorie J. Morse Department of Archives and Special Collections","Haldeman-Julius, E. (Emanuel)","Haldeman-Julius, Marcet","Haldeman-Julius, Sue","Haldeman-Julius, E. (Emanuel)","Haldeman-Julius, Marcet","Haldeman-Julius, Sue","English","Latin"],"unitid_tesim":["P2004.11","192"],"normalized_date_ssm":["1889-1951"],"normalized_title_ssm":["Haldeman-Julius Family papers, 1889-1951"],"collection_title_tesim":["Haldeman-Julius Family papers, 1889-1951"],"collection_ssim":["Haldeman-Julius Family papers, 1889-1951"],"creator_ssm":["Haldeman-Julius, E. (Emanuel) Haldeman-Julius, Marcet Haldeman-Julius, Sue"],"creator_ssim":["Haldeman-Julius, E. (Emanuel) Haldeman-Julius, Marcet Haldeman-Julius, Sue"],"creator_persname_ssim":["Haldeman-Julius, E. (Emanuel)","Haldeman-Julius, Marcet","Haldeman-Julius, Sue"],"creators_ssim":["Haldeman-Julius, E. (Emanuel)","Haldeman-Julius, Marcet","Haldeman-Julius, Sue"],"access_terms_ssm":["The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply."],"acqinfo_ssim":["Acqusition Method: Purchased. Acqusition Date: 20040101"],"has_online_content_ssim":["false"],"physdesc_tesim":["3.00 Linear Feet, 4.00 Boxes Post-Fire Oversize Extent: Box 5 (10x15); 509: 20/22/4"],"date_range_isim":[1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"accessrestrict_html_tesm":["\u003cp\u003eNo access restrictions: All materials are open for research.\u003c/p\u003e"],"accessrestrict_tesim":["No access restrictions: All materials are open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is comprised of four boxes and is arranged in five series: 1) Essays and Short Stories, 2) Family and Friends, 3) Biographical Information, 4) Printed Material, and 5) Photographs and Art.\u003c/p\u003e"],"arrangement_tesim":["The collection is comprised of four boxes and is arranged in five series: 1) Essays and Short Stories, 2) Family and Friends, 3) Biographical Information, 4) Printed Material, and 5) Photographs and Art."],"bioghist_html_tesm":["\u003cnote\u003e \u003cp\u003eEmanuel Julius was born July 30,1889 in Philadelphia, Pennsylvania. His parents were Russian immigrants and upon arriving in the United States had to change their surname from Zalujetzski to Julius, which was easier to pronounce. Emanuel's father was a book binder but was unable to provide enough for the family thus, at age 13, Emanuel was forced to quit school in order to work. After he quit school Emanuel worked in a toy factory (a sweat shop) making only three dollars a week. After that he held many odd jobs including: usher in a theater; bellhop in a private school for girls in Terrytown, New York; and, occasionally, boxing. \u003clb\u003e\u003c/lb\u003e Emanuel enjoyed school and he decided to enroll in night classes at Brown Prep School while working. However, due to trouble with algebra and Latin, he quit Brown and enrolled in night school at a local high school. Emanuel soon decided he wanted to publish books that were affordable for most people. This interest lead to jobs in the journalism industry. He worked for the Milwaukee Leader; Philadelphia Daily as a copy reader; Daily Leader as a feature writer and City Hall reporter in Milwaukee; Chicago Evening World as courtroom and police reporter until 1912; Western Comrade in Los Angeles as a copy writer; New York Call as Sunday editor and dramatic critic from 1914-1915; and Appeal to Reason as editor in 1918. \u003clb\u003e\u003c/lb\u003e Emanuel's first publication, \"Mark Twain-Radical,\" appeared in The International Social Review. He also had his own monthly publication called American Freedom as well as his own magazine, Life and Letters. He wrote two autobiographies, My First 25 Years (published in 1949), and My Second 25 Years (also published in 1949). On June 1, 1916, Emanuel married his first wife, Marcet Haldeman, and the two decided to legally combine their names to Haldeman-Julius, the name that Emanuel became famous under. The two bought the Appeal's printing factory and together their publishing industry flourished and many pieces they wrote were published by their company. Emanuel became famous for the books that he published. First called the \"Appeal Pocket Series\", then the \"People's Pocket Series\" and, finally, the \"Little Blue Books\", the name for which they are best known. \u003clb\u003e\u003c/lb\u003e These books sold for five to twenty-five cents and were considered a university in writing owing to the classical literature printed within the pages of these pocket books. They enabled those with little money to afford such classics as Shakespeare and Voltaire which they might otherwise have not been able to read. The title of the first publication in the blue book series,\"The Rubaiyat of Omar Khayyam\" was published in 1919. Emanuel's dream had been realized and, not only were these books popular in the United States, they had appeal throughout the world. \u003clb\u003e\u003c/lb\u003e Emanuel died July 31, 1951 at his home in Girard, Kansas. He was found drowned in his own swimming pool by his second wife of nine years, Sue Haldeman-Julius. Suspicion surrounded his death and rumors of involvement by J. Edgar Hoover and the F.B.I. spread because of Emanuel's socialist beliefs and his dislike for Hoover and his \"tyrannical tactics against perceived enemies\". Biographical Information for this sketch was compiled from several Internet sources and the contents of this collection.\u003c/p\u003e \u003c/note\u003e","\u003cnote\u003e \u003cp\u003eMarcet Haldeman-Julius (nee Anna Marcet Haldeman) was an American feminist, actress, playwright, civil rights advocate, editor, author, and bank president. \u003clb\u003e\u003c/lb\u003e Marcet was born in Girard, Crawford, Kansas, on 18 Jun 1887, the daughter of physician Henry Winfield Haldeman and his wife Alice Addams. Alice was the sister of Jane Addams, 1931 Nobel Peace Prize Winner. \u003clb\u003e\u003c/lb\u003e Marcet studied at the Rockford Seminary for Young Ladies and then the Dearborn Seminary in Chicago, until the death of her father in 1905, followed by Bryn Mawr College in Pennsylvania. While at Bryn Mawr she became on of the closest friends and confidantes of the poet Marianne Moore. After three years she left the college to continue her stage acting, graduating from the American Academy of Dramatic Arts in 1910. \u003clb\u003e\u003c/lb\u003e Marcet's parents ran the Bank of Girard. When her mother died in 1915, Marcet returned to her hometown where she took over managment of the bank. In 1916 she married activist and publisher Emanuel Julius. They both adopted the surname Haldeman-Julius. They wrote both separately and together. \u003clb\u003e\u003c/lb\u003e They had two children, Alice (1917-1991) and Henry (1919-1990) and adopted a third, Josephine (b. 1910). Marcet and Emanuel separated in 1933. Marcet died of cancer on 13 Feb 1941.\u003c/p\u003e \u003c/note\u003e","\u003cnote\u003e \u003cp\u003eSusan Haney was born 28 Jul 1907 in Cherokee county, Kansas, the daughter of Arthur C. and Lena (Burg) Haney. When she was young the family moved to Girard, Crawford, Kansas. Shortly thereafter, in 1918, her father died, leaving her mother to raise five children alone. \u003clb\u003e\u003c/lb\u003e She began working for the Haldeman-Julius Publishing while a young woman. At 18, in 1925 she worked as a book binder. In 1930, she was a mailer in a book plant. and in 1940 she was a secretary in a publishing office. \u003clb\u003e\u003c/lb\u003e In 1942, she married the recently widowed Emanuel Haldeman-Julius. He died in 1951. She died on 19 May 2003 in Pittsburg, Crawford, Kansas.\u003c/p\u003e \u003c/note\u003e"],"bioghist_tesim":["Emanuel Julius was born July 30,1889 in Philadelphia, Pennsylvania. His parents were Russian immigrants and upon arriving in the United States had to change their surname from Zalujetzski to Julius, which was easier to pronounce. Emanuel's father was a book binder but was unable to provide enough for the family thus, at age 13, Emanuel was forced to quit school in order to work. After he quit school Emanuel worked in a toy factory (a sweat shop) making only three dollars a week. After that he held many odd jobs including: usher in a theater; bellhop in a private school for girls in Terrytown, New York; and, occasionally, boxing.   Emanuel enjoyed school and he decided to enroll in night classes at Brown Prep School while working. However, due to trouble with algebra and Latin, he quit Brown and enrolled in night school at a local high school. Emanuel soon decided he wanted to publish books that were affordable for most people. This interest lead to jobs in the journalism industry. He worked for the Milwaukee Leader; Philadelphia Daily as a copy reader; Daily Leader as a feature writer and City Hall reporter in Milwaukee; Chicago Evening World as courtroom and police reporter until 1912; Western Comrade in Los Angeles as a copy writer; New York Call as Sunday editor and dramatic critic from 1914-1915; and Appeal to Reason as editor in 1918.   Emanuel's first publication, \"Mark Twain-Radical,\" appeared in The International Social Review. He also had his own monthly publication called American Freedom as well as his own magazine, Life and Letters. He wrote two autobiographies, My First 25 Years (published in 1949), and My Second 25 Years (also published in 1949). On June 1, 1916, Emanuel married his first wife, Marcet Haldeman, and the two decided to legally combine their names to Haldeman-Julius, the name that Emanuel became famous under. The two bought the Appeal's printing factory and together their publishing industry flourished and many pieces they wrote were published by their company. Emanuel became famous for the books that he published. First called the \"Appeal Pocket Series\", then the \"People's Pocket Series\" and, finally, the \"Little Blue Books\", the name for which they are best known.   These books sold for five to twenty-five cents and were considered a university in writing owing to the classical literature printed within the pages of these pocket books. They enabled those with little money to afford such classics as Shakespeare and Voltaire which they might otherwise have not been able to read. The title of the first publication in the blue book series,\"The Rubaiyat of Omar Khayyam\" was published in 1919. Emanuel's dream had been realized and, not only were these books popular in the United States, they had appeal throughout the world.   Emanuel died July 31, 1951 at his home in Girard, Kansas. He was found drowned in his own swimming pool by his second wife of nine years, Sue Haldeman-Julius. Suspicion surrounded his death and rumors of involvement by J. Edgar Hoover and the F.B.I. spread because of Emanuel's socialist beliefs and his dislike for Hoover and his \"tyrannical tactics against perceived enemies\". Biographical Information for this sketch was compiled from several Internet sources and the contents of this collection.","Marcet Haldeman-Julius (nee Anna Marcet Haldeman) was an American feminist, actress, playwright, civil rights advocate, editor, author, and bank president.   Marcet was born in Girard, Crawford, Kansas, on 18 Jun 1887, the daughter of physician Henry Winfield Haldeman and his wife Alice Addams. Alice was the sister of Jane Addams, 1931 Nobel Peace Prize Winner.   Marcet studied at the Rockford Seminary for Young Ladies and then the Dearborn Seminary in Chicago, until the death of her father in 1905, followed by Bryn Mawr College in Pennsylvania. While at Bryn Mawr she became on of the closest friends and confidantes of the poet Marianne Moore. After three years she left the college to continue her stage acting, graduating from the American Academy of Dramatic Arts in 1910.   Marcet's parents ran the Bank of Girard. When her mother died in 1915, Marcet returned to her hometown where she took over managment of the bank. In 1916 she married activist and publisher Emanuel Julius. They both adopted the surname Haldeman-Julius. They wrote both separately and together.   They had two children, Alice (1917-1991) and Henry (1919-1990) and adopted a third, Josephine (b. 1910). Marcet and Emanuel separated in 1933. Marcet died of cancer on 13 Feb 1941.","Susan Haney was born 28 Jul 1907 in Cherokee county, Kansas, the daughter of Arthur C. and Lena (Burg) Haney. When she was young the family moved to Girard, Crawford, Kansas. Shortly thereafter, in 1918, her father died, leaving her mother to raise five children alone.   She began working for the Haldeman-Julius Publishing while a young woman. At 18, in 1925 she worked as a book binder. In 1930, she was a mailer in a book plant. and in 1940 she was a secretary in a publishing office.   In 1942, she married the recently widowed Emanuel Haldeman-Julius. He died in 1951. She died on 19 May 2003 in Pittsburg, Crawford, Kansas."],"custodhist_html_tesm":["\u003cp\u003eThe collection was purchased by the K-State Libraries in 2004 and processing was completed by Christy Birney in November of that year. The accession number of the collection is P2004.11.\u003c/p\u003e"],"custodhist_tesim":["The collection was purchased by the K-State Libraries in 2004 and processing was completed by Christy Birney in November of that year. The accession number of the collection is P2004.11."],"odd_html_tesm":["\u003cp\u003ePublished\u003c/p\u003e","\u003cp\u003e[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries.\u003c/p\u003e"],"odd_tesim":["Published","[collection name], [Series name if present], Box [number], Folder [number or title ], Morse Department of Archives and Special Collections, Kansas State University Libraries."],"otherfindaid_html_tesm":["\u003cp\u003eAlternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2004-11.php\u003c/p\u003e"],"otherfindaid_tesim":["Alternative finding aid found here: https://web.archive.org/web/20210602162359/http://www.lib.k-state.edu/depts/sc_rev/findaids/pc2004-11.php"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid Author: Christy Birney \u003clb\u003e\u003c/lb\u003eProcessing Info: Processing by Christy Birney in November 2004. \u003clb\u003e\u003c/lb\u003e Archon processing by Edward Nagurny, graduate research assistant, June 2015. \u003clb\u003e\u003c/lb\u003ePublication Date: 2015-06-16\u003c/p\u003e"],"processinfo_tesim":["Finding Aid Author: Christy Birney  Processing Info: Processing by Christy Birney in November 2004.   Archon processing by Edward Nagurny, graduate research assistant, June 2015.  Publication Date: 2015-06-16"],"scopecontent_html_tesm":["\u003cp\u003eThe Haldeman-Julius Collection documents the business and personal life of Emanuel Haldeman-Julius, especially through the biographical information compiled by his second wife, Sue. Along with Emanuel, there is considerable information about Marcet (Emanuel's first wife) and her family, including her aunt Jane Addams (1931 Nobel Peace Prize winner), as well as several close friends and relatives. There is little correspondence in the collection, instead, the majority of the material consists of biographical information that Sue Haldeman-Julius created for a biography she was writing about Emanuel which included drafts of chapters.\u003clb\u003e\u003c/lb\u003e Newspaper clippings of events that took place, many after Emanuel's death in the remembrance of him, as well as clippings on people he knew, are also included. Other contents of interest include the short stories and articles that were written by Emanuel, Marcet, or both. Several of the articles indicate that they were written for the Appeal to Reason, a socialist newsletter that Emanuel was editor and owner of.\u003clb\u003e\u003c/lb\u003eThe collection consists of five series: Contains essays and short stories written by Emanuel, Marcet, or were written by both of them together. There are 46 essays and short stories in this series. Contains family documents from family members on both the Haldeman and the Julius side. This series also includes newspaper clippings regarding social events, friends of the Haldeman-Julius', and also clippings that interested one of Emanuel's wives (such as health). Contains the biographical information compiled and typewritten by his second wife, Sue, for a biography she was writing; includes drafts on various topics and events.\u003clb\u003e\u003c/lb\u003e Contains printed material that was published in Emanuel's personal magazine E. H-J. Magazine and other literary works by different authors. Contains photographs and art including two family photographs of the Addams family; one photograph of Jane Addams' casket being carried; one photograph of Emanuel; one-color print o the Haldeman-Julius home in Girard, KS (1942), and: an original pencil drawing of Abraham Walkowitz by Sue Haldeman-Julius; The Morse Department of Special Collections houses a comprehensive run of Haldeman-Julius publications (\"Little Blue Books\") and Emanuel's two autobiographies, My First 25 Years and My Second 25 Years.\u003c/p\u003e"],"scopecontent_tesim":["The Haldeman-Julius Collection documents the business and personal life of Emanuel Haldeman-Julius, especially through the biographical information compiled by his second wife, Sue. Along with Emanuel, there is considerable information about Marcet (Emanuel's first wife) and her family, including her aunt Jane Addams (1931 Nobel Peace Prize winner), as well as several close friends and relatives. There is little correspondence in the collection, instead, the majority of the material consists of biographical information that Sue Haldeman-Julius created for a biography she was writing about Emanuel which included drafts of chapters.  Newspaper clippings of events that took place, many after Emanuel's death in the remembrance of him, as well as clippings on people he knew, are also included. Other contents of interest include the short stories and articles that were written by Emanuel, Marcet, or both. Several of the articles indicate that they were written for the Appeal to Reason, a socialist newsletter that Emanuel was editor and owner of. The collection consists of five series: Contains essays and short stories written by Emanuel, Marcet, or were written by both of them together. There are 46 essays and short stories in this series. Contains family documents from family members on both the Haldeman and the Julius side. This series also includes newspaper clippings regarding social events, friends of the Haldeman-Julius', and also clippings that interested one of Emanuel's wives (such as health). Contains the biographical information compiled and typewritten by his second wife, Sue, for a biography she was writing; includes drafts on various topics and events.  Contains printed material that was published in Emanuel's personal magazine E. H-J. Magazine and other literary works by different authors. 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